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SPARKLING WIND, STRING, HARP MUSIC AT DEVON HOUSE GARDEN CONCERT
by Abby Wasserman
Saturday, October 9, 2021
Take a mild autumn evening, a garden gazebo with patterned rugs and lit with soft bulbs, shake in a fine chamber ensemble, add a rising new moon, and you have a recipe for the musical delight that violist Elizabeth Prior presented Oct. 9 in her Devon House Garden Concert series. The Marin Terra Li
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ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
Chamber
PENULTIMATE VOM FESTIVAL CONCERT FEATURES GORGEOUS VOCALISM
by Pamela Hicks Gailey
Thursday, July 29, 2021
The 2021 Valley of the Moon Music Festival continued on July 29 with a sumptuous online offering of French songs, concluding with the second piano quartet by Fauré, Op. 45. Such a beautiful bouquet of video performances wonderfully filmed and recorded softened the disappointment of not being able to
Chamber
BOGAS' TENURE ENDS IN OUTDOOR GUALALA CHAMBER CONCERT
by Iris Lorenzfife
Sunday, July 25, 2021
The preconcert call that music lovers should gather at Gualala Arts July 25 to attend the final Roy Bogas and Friends Concert was not quite as dire as it sounded. It seems that a year of Covid 19 and an 88th birthday had combined to convince Mr. Bogas that he was working too hard. But with cellist P
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
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RARE LANG SONGS SPARKLE AT VOM FESTIVAL VIDEO RECITAL
by Pamela Hicks Gailey
Wednesday, July 21, 2021
Unexpected pleasures are often the best. Valley of the Moon Chamber Festival presented a such a pleasure last week-a July 21 recorded performance by tenor Kyle Stegall and pianist Eric Zivian in another mini-recital (very mini-just 15 minutes!) of six songs by the nineteenth century German composer
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
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ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
CHAMBER REVIEW
Valley of the Moon Music Festival / Saturday, July 24, 2021
Rachel Ellen Wong, violin; Tanya Tomkins, cello; Eric Zivian, piano

Violinist Rachell Ellen Wong

CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA

by Terry McNeill
Saturday, July 24, 2021

The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works.

Titled “Friendship,” the concert began with two short pieces that passed without much notice – Louise Farrenc’s Impromptu and Fanny Mendelssohn Hensel’s Adagio. Eric Zivian played the piano in each, with violinist Rachell Ellen Wong joining for the Adagio. Farrenc’s music, recently played by Marin’s ECHO Orchestra, is predictable early romantic writing of little interest. Hensel’s work is occasionally heard with viola, and moves along for under four minutes with some charm, Ms. Wong’s lyrical treble notes were strong with quick ascending and ascending scale passages from Mr. Zivian.

Clara Schumann’s G Minor Trio, Op.17, was the concert’s center and substance. It’s not her strongest composition, but has lovely melodies and throughout the pianist supplied thoughtful bass line support to cellist Tanya Tomkins and Ms. Wong. The composer here gives much prominence to the cello, long before Dvorák and Brahms did, and criticism of the piece usually centers on it being derivative. And it is, and in the long first movement one hears Weber and Robert Schumann’s music, again with thematic declarations by Mr. Zivian. So what, derivative can be splendid. The “wooden” hammer sound and minimal sustain and volume from the c. 1840 piano is an acquired taste, to me mostly okay but often barely so in Romantic era music.

Ms. Tomkins' playing in the Andante was a rich melting cello line, and the duos with Ms. Wong were captivating.

Commentators often cite Haydn and Schubert influences, but I hear none, especially in the pungent Allegretto that concludes the 1847 work. It was animated playing, fresh modulations bringing on forceful phrasing and fervent ensemble that had clarity, especially in the fugal section that returned once with violence.

Responding to warm applause, the trio was joined by violist Andrew Gonzales for an encore – Robert Schumann’s slow Andante Cantabile movement from his E Flat Quartet, Op. 47. The playing was bathed in luxurious romanticism, the slow phrases blending into a colorful tapestry of sultry sound, and Ms. Tomkins’ cello artistry was elegant.