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Symphony
VSO'S CONCERT MUSIC OF TIME, MUSIC OF PLACE
by Peter Lert
Sunday, April 27, 2025
Choral and Vocal
CANTIAMO SONOMA SINGS AN INSPIRED GOOD FRIDAY MOZART REQUIEM CONCERT
by Pamela Hicks Gailey
Friday, April 18, 2025
Symphony
DRAMATIC SHOSTAKOVICH SYMPHONY CLOSES PHILHARMONIC'S 25TH SEASON
by Terry McNeill
Sunday, April 13, 2025
Recital
LARGE COLLEGE OF MARIN AUDIENCE GREETS STOPHER ARTISTRY
by Terry McNeill
Saturday, April 5, 2025
Chamber
FRISSON DELIVERS SHIVERS OF DELIGHT
by Abby Wasserman
Sunday, March 30, 2025
Symphony
OLD AND MOSTLY NEW IN SRS MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 22, 2025
Symphony
TWO FORMIDABLE SYMPHONIES AND PURPLE MOUNTAINS AT SRS CONCERT
by Peter Lert
Sunday, February 23, 2025
Chamber
THE PARKER CAPTURES DEMANDING ADES QUARTET AT RAC SEBASTOPOL CONCERT
by Peter Lert
Saturday, February 15, 2025
SPLENDID ECHOES ACROSS THE BAY
by Abby Wasserman
Sunday, February 9, 2025
ETHEREAL DUO IN WEILL HALL RECITAL
by Pamela Hicks Gailey
Thursday, February 6, 2025
CHAMBER REVIEW
Spring Lake Village Concert Series / Wednesday, August 21, 2024
Brass over Bridges. Brass Quintet. Two trumpets, two trombones, horn, tuba

Brass Over Bridges Quintet

BRASS OVER BRIDGES AT SPRING LAKE SERIES

by Terry McNeill
Wednesday, August 21, 2024

Innovative programming is alive at the Spring Lake Village Concert Series, with the usual piano trios and vocal groups upstaged by a recent formal solo harp recital and August 21 by Brass Over Bridges, an all brass quintet.

The short program in Montgomery Auditorium West included works by one of the performers and concluded with transcriptions of three of Ellington’s most memorable tunes – In a Sentimental Mood, Take the A Train and especially Satin Doll.

Surprisingly there was even a brass quintet work from the Romantic era, Victor Ewald’s Number One of four written in the 1890s. Musicians included trumpeters Ari Micich and John Freeman; Sophia Chen (horn); trombonists Esther Armendariz and Sam Wamhoff; and the dynamic tuba playing of Jonathan Seiberlich. Mr. Seiberlich’s instrument sounded wonderfully resonant in the Hall’s famously dry acoustics and was the strong supporting sound of Thomas Morley’s Four Elizabethan Ayers – Fyre, Fyre!; Good Morrow, fair ladies of the May; Gaude Maria Virgo and When lo, by breake of morning.

The audience of 85 applauded the unusual sound of five strident brass, though at one hour curiosity for some was surely sated.