Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
VSO'S CONCERT MUSIC OF TIME, MUSIC OF PLACE
by Peter Lert
Sunday, April 27, 2025
Choral and Vocal
CANTIAMO SONOMA SINGS AN INSPIRED GOOD FRIDAY MOZART REQUIEM CONCERT
by Pamela Hicks Gailey
Friday, April 18, 2025
Symphony
DRAMATIC SHOSTAKOVICH SYMPHONY CLOSES PHILHARMONIC'S 25TH SEASON
by Terry McNeill
Sunday, April 13, 2025
Recital
LARGE COLLEGE OF MARIN AUDIENCE GREETS STOPHER ARTISTRY
by Terry McNeill
Saturday, April 5, 2025
Chamber
FRISSON DELIVERS SHIVERS OF DELIGHT
by Abby Wasserman
Sunday, March 30, 2025
Symphony
OLD AND MOSTLY NEW IN SRS MARCH CONCERT IN WEILL
by Peter Lert
Saturday, March 22, 2025
Symphony
TWO FORMIDABLE SYMPHONIES AND PURPLE MOUNTAINS AT SRS CONCERT
by Peter Lert
Sunday, February 23, 2025
Chamber
THE PARKER CAPTURES DEMANDING ADES QUARTET AT RAC SEBASTOPOL CONCERT
by Peter Lert
Saturday, February 15, 2025
SPLENDID ECHOES ACROSS THE BAY
by Abby Wasserman
Sunday, February 9, 2025
ETHEREAL DUO IN WEILL HALL RECITAL
by Pamela Hicks Gailey
Thursday, February 6, 2025
SYMPHONY REVIEW
Spring Lake Village Classical Music Series / Wednesday, February 28, 2024
Santa Rosa Symphony Youth Orchestra. Bobby Rogers, conductor. Henry Miller, violin; Samuel Oryn, narrator

YOUTH ORCHESTRA CHARMS BIG SPRING LAKE AUDIENCE

by Terry McNeill
Wednesday, February 28, 2024

Usually the Spring Lake Village auditorium stage is pretty empty, with a small chamber music ensembles. In February it was a solo harpist, and April’s concert will be a solo pianist. All that changed Feb. 28 when the 53 musicians of Santa Rosa Symphony’s Youth Orchestra took the stage before a packed hall of 150. Eighteen schools provided the performers.

Conducted by Bobby Rogers, the 53 players began with Smetana’s Moldau Suite from Má Vlast, and completed the first part with part of Ravel’s Tzigane, with violinist soloist concertmaster Henry Miller.

Playing in the abbreviated 1874 Moldau Suite was properly Wagnerian with Rheingold sonorities, the strings light and the percussion (Nathra Kem) loud. A shortened Tzigane excerpt caught the gypsy character of the music and Mr. Rogers’ tempo was brisk.

Oboist Samuel Oryn was the narrator for Prokofiev’s venerable Children’s Suite Peter and the Wolf, written in 1936 and popular since. Classy solos were heard throughout by Cheyeon Shin (flute); bassoonist Fisher Lamborn; Damian Burgess (clarinet) and hornist Remy Desjarlais. Instruments were placed both on the hall’s floor and the stage, winning the acoustic battle of the auditorium’s famously dry and un reverberant sound. Balances were good with lower string sound prevailing, especially the double basses.

Flute and bassoon duos were lovely and convincing, and as Mr. Oryn’s final words stated at the happy march to the zoo, the duck was still alive in the wolf’s stomach.