Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossini’s “William Tell” overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonic’s Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
RECITAL REVIEW
Sporing Lake Village Classical Music Series / Monday, September 17, 2018
Anastasia Derik, piano

Pianist Anastasia Dedik At Spring Lake Village Sept. 17

DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL

by Terry McNeill
Monday, September 17, 2018

Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations.

Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s Appassionata Sonata with Valentina Lisitsa was a distant memory from 2010, both in Newman Auditorium. The same for the warhorse B Flat Scherzo of Chopin, so it was good to hear music that is justly famous and justly glorious.

But no nod to the past, as the Russia-born pianist gave full measure of dramatic intensity to all three in a 50-minute concert before 150 in Montgomery Auditorium. Perhaps the finest playing occurred in the Beethoven Sonata, with an interpretation that captured the big-boned drama that never sounded frantic or too fast. The frequent left hand repeated notes in c had the proper menace, the trills were even and tone colors were rich. The five piu piano notes at the end of the allegro were played in a lovely decrescendo.

The repeats in the variation movement were played without differentiation but sang softly, leading to a held damper pedal for the clangorous entry of the famous 13 fortissimo notes that begin the volcanic finale. Here Ms. Dedik used a staccato touch in places and a left-hand inner voice to add to the momentum and sweep. The last crashing chords generated a loud ovation.

In a program of minor key drama, the Op. 23 Ballade fit right in, and the initial playing did the right thing – eliciting the feeling of an unfolding story. Here and there wrong notes crept in, and over pedaling blurred scale passages after the orchestral repeat of the second theme. That said, throughout the evening Ms. Dedik’s scale mastery never left her, and there were Romantic-era touches such as legato octaves that were shaped rather than rushed. She built the big climaxes late in the piece and heightened the drama before the terrifying ascending runs in the coda by taking two extra-long pauses. Repose among the carnage.

Muscular playing continued in the Op. 31 Chopin Scherzo, with the “call to battle” opening bars juxtaposing histrionic tension with a languorous approach in the quiet Trio. It was a brassy and exciting reading that featured brilliant finger technique and again brought a standing ovation.

Somehow among all the tempestuous music and brawny playing Ms. Dedik chose a slow expressive Chopin Waltz, the A Minor of Op. 34, and she played the cello-like themes with chaste phrasing and amorous attention to the subtle alterations of rhythms.