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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
CHAMBER REVIEW
Spring Lake Village Classical Music Series / Wednesday, September 05, 2018
Monica Scott, cello; Hadley McCarroll, piano

H. McCarroll and M. Scott

CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM

by Terry McNeill
Wednesday, September 05, 2018

Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium.

A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadley McCarroll began with Shostakovich’s D Minor Sonata, Op. 40, in a performance that captured the composer’s contrasts of contemplation and drama. Playing from score, as they did throughout, the duo’s sound carried well in the acoustically bright hall, and they chose in the opening allegro a judicious tempo that continued into the slow march with a hint of menace. Ms. Scott wove a lovely threnody above the piano, though often the tone was harsh. But this music supports this often-raw string sound. A slower than expected tempo continued into the scherzo, giving the music a little less frenzy and more air but lacking sonic punch.

Ms. Scott’s best playing came in the wonderful largo with rich bottom-end register sonority. There was a beguiling ascending phrase at the end, followed by a descending one with thirds to close. The finale (allegro) was well played and Ms. McCarroll’s fast scales half pedaled and clear. A witty reading of the 1934 work.

Beethoven’s short C Major Sonata (Op. 102, No. 1) doesn’t have the impact of the Shostakovich, or the Ginastera that followed, but in two extended movements the two instruments were treated with consummate beauty. The stately introductory andante was lovely, the syncopated rhythms robust, though Ms. McCarroll’s trills were often muddy. The extended adagio allegro vivace again had a quiet beginning, leading to sharp thematic contrasts and phrasing that was “cat and mouse.” The duo’s playing in this inventive movement caught the composer’s humor and joy and, though often subtle, was for me the recital’s highlight.

Ginastera’s early music, especially the Piano Sonata and the Danzas Argentinas, are never subtle and never lacking in energy. The Op. 21, No. 2, Pampeanas is popular with cellists, was written in 1951, and is in three large sections. It’s a short work that featured Ms. Scott’s long, wailing high-register phrases and efficient bow control, with double stops. The ostinato piano part supported Ms. Scott’s virtuosic and propulsive playing, especially in fast repeated notes. The duo made the thick textures and frantic momentum palpable, and received a loud ovation.

No encore was played.

The Shostakovich Sonata, with Fauré’s First Sonata, will be played Sept. 9 in a recital in the Occidental Performing Arts Center in Occidental.