Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
CHAMBER REVIEW
Valley of the Moon Music Festival / Sunday, July 29, 2018
Owen Dalby and Rachell Wong, violin; Andrew Gonzalez and Lauren Nelson,viola; Tanya Tomkins and Madeleine Bouissou, cello; Eric Zivian and Jeffrey LaDeur, piano

Hornist Sadie Glass

SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT

by Abby Wasserman
Sunday, July 29, 2018

The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. The performances allowed audiences to hear 18th and 19th century compositions as they might have sounded in their own time.

Two hundred attended the first program in Sonoma’s Hanna Auditorium for the Festival’s ambitious last day, and were treated to coffee, apple strudel and two lovely Schubert compositions spanning his short career. First was the G Minor Sonatina, D. 408 from 1816, one of a set of three he composed at the age of 19. Festival Apprentices Christian De Luca, piano, and violinist Sara Bleile performed the piece beautifully, with buoyancy and feeling. Its four movements (allegro giusto; andante, menuetto; allegro vivace; allegro moderato) are dominated by syncopated rhythms, repeating motifs, and unison passages. Mr. De Luca played the Mendelssohn era 1841 piano with great skill and contagious joy, and in ensemble with Ms. Bleile he communicated the nuances of the music. Ms. Bleile’s violin tone was not full, but her phrasing was delicate and precise.

There was no intermission, but the piano was moved upstage and additional music stands and chairs were placed for Schubert’s famous Octet in F Major, D. 803. It is as complex and deeply thoughtful as the preceding G minor sonatina is innocent. Inspired by Beethoven’s 1799 Septet in E-flat Major, Schubert composed the Octet in March 1824, four years before his death.

The ensemble featured clarinetist Eric Hoeprich; Monica Huggett and Susannah Foster, violin; Liana Bérubé, viola; Tanya Tomkins, cello; Anthony Manzo, double bass; Sadie Glass, natural horn; and bassoonist Kate van Orden. The theme of the first movement, adagio – allegro – più allegro, is from Schubert’s song Der Wanderer. It began with sighs from the strings and a soulful, almost operatic duo between clarinet and violin. Then unfolded a spellbinding trading of instrumental themes and phrases. The waltz-like second movement in three-quarter time, adagio, features a four-note descending motif woven throughout. After many repeated phrases and rhythmic changes, the playing turned the music into a reverie. The third movement (scherzo – allegro vivace) pulsated with dotted rhythms and the manifold instruments were perfectly balanced in volume and blended wonderfully.

The fourth movement andante, un poco più mosso - più lento spotlighted Ms. Glass’ horn artistry, and Ms. van Orden’s bassoon playing furnished mellow harmonies, while Mr. Hoeprich carried the dominant themes and Ms. Huggett played virtuosic violin flourishes. Following the fifth movement, with its oft-repeating motif, came the riveting sixth and final section, andante molto. Four distinct tempi crowded into one movement to tell a story, beginning with low thunder-like rumbles from the cello and double bass, suggestive of a brewing storm. Short jabs of sound flashed from the two violins. But instead of a storm, the music suddenly, without transition, ceased its sounds of changing weather. As though a door had opened and shut, a party atmosphere prevailed, all gaiety and festivities.

Then the metaphoric door opened a final time, the music returning to the storm in progress. With this musical sleight of hand the Octet swirled to a close, and generated a standing ovation from many in the audience.