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Chamber
FLORESTAN TRIO'S MENDELSSOHN AT SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Friday, March 08, 2019
Spring Lake Village’s monthly concerts usually clock in under an hour, but the March 8 Florestan Trio’s performance was more extended as so much good music was on tap for the 125 residents attending at Santa Rosa’s premiere retirement residence facility. Four short pieces made up the first half, be...
Chamber
TILDEN TRIO'S BOHEMIAN ENERGY AT DOMINICAN CONCERT
by Terry McNeill
Sunday, March 03, 2019
Hard on the heels of the Trio Navarro’s late February concert in Sonoma State’s Schroeder Hall, Northern California’s other premiere resident piano trio, the Tilden, played an equally convincing program March 3 in Dominican University’s Angelico Hall. Clearly each hall’s acoustics, stage pianos and...
Recital
24 SONGS IN A MENKE-THOMPSON RECITAL ODYSSEY
by Terry McNeill
Saturday, February 23, 2019
Sonoma County pop and country singing enjoys continued popularity but it rare to see a professional classical vocal concert announced. Diva Ruth Ann Swenson was once a local star, but she has long departed and not much virtuoso recital singing can be found in the North Bay. But the exception to th...
Chamber
UNEXPECTED ARENSKY AND MENDELSSOHN BY THE NAVARRO
by Terry McNeill
Sunday, February 17, 2019
The 100 people entering Schroeder Hall Feb. 17 for a Trio Navarro concert were handed a program that appeared to feature two popular piano trios, Mendelssohn and Arensky. But continuing the Navarro’s tradition of repertoire exploration, the pieces were not the usual first Mendelssohn and first Aren...
Recital
GLOVER'S ECLECTIC PROGRAMMING HIGHLIGHT'S CINNABAR RECITAL
by Terry McNeill
Sunday, February 17, 2019
Daniel Glover is arguably the busiest virtuoso pianist in the San Francisco Bay area, but rarely is heard in North Bay concerts. So 90 local pianophiles were anxious to hear him Feb. 17 in Petaluma’s charming small Cinnabar Theater, and they were rewarded with an eclectic program of sometimes unfam...
Symphony
MENDELSSOHN'S SCOTTISH SAVES THE EVENING IN SRS WEILL CONCERT
by Terry McNeill
Monday, February 11, 2019
The audience entering Weill Hall for Santa Rosa Symphony concerts Feb. 9-11 were presented with a program that on first glance appeared a curious patchwork – a great symphony mixed with a seldom heard concerto and two disparate overtures, and a guest conductor unknown locally. Monday night’s concer...
Recital
INTRIGUING BELL-HAYWOOD RECITAL BEFORE FULL HOUSE IN WEILL HALL
by Abby Wasserman
Friday, February 08, 2019
A big portion of the capacity audience in Weill Hall February 8th came to hear violinist Joshua Bell’s virtuosity, and were treated as well to splendid playing from Sam Haywood, Mr. Bell’s regular pianist since 2010. The duo performed three engaging sonatas, highlighted by Mr. Bell’s sterling techn...
Symphony
TRIPLE PLAY UKIAH SYMPHONY CONCERT AND TCHAIKOVSKY SERENADE
by Terry McNeill
Sunday, January 27, 2019
Over the years the Ukiah Symphony’s concerts have been in the Classical Sonoma Calendar sections, but rarely has this Orchestra, now in its 39th season, had a full winter season concert review. The provocative Jan. 27 program in Mendocino College’s Center Theater seemed a good reason to reacquaint ...
Symphony
JACKSON THEATER WELCOMES A NEW RESIDENT ORCHESTRA
by Terry McNeill
Saturday, January 26, 2019
Moving to a permanent new performance venue can be a perilous undertaking for an orchestra, with different acoustics, the loyal audience finding the new spot and infrastructure challenges of lighting and lobby and backstage operations. In their first concert Jan. 26 in Windsor’s Jackson Theater the...
Symphony
ECLECTIC PASSIONATE PROGRAMMING AT MARIN SYMPHONY CONCERT
by Abby Wasserman
Saturday, January 26, 2019
The Marin Symphony’s second Masterworks concert of the 2018-19 season featured works by John Adams, Sibelius and Brahms, a masterful assembly. In a spoken introduction before the program’s first half, conductor Alasdair Neale primed the audience for the “terra incognita” of Adams’ The Chairman Dance...
CHAMBER REVIEW
Valley of the Moon Music Festival / Saturday, March 31, 2018
VOM Festival Musicians: Tanya Tomkins, cello; Monica Huggett violin; Eric Zivian, piano.

Monica Huggett, Tanya Tomkins, Eric Zivian March 31 in Schroeder Hall

VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL

by Terry McNeill
Saturday, March 31, 2018

At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Center’s Schroeder Hall.

The concert was the second in a series, and titled “The Little Orchestra.” As in past performances, a piano from the abbreviated period of the programmed music (1788-1802) was used, and the bowed instruments used gut rather than steel strings. This is standard fare for the VOM musicians, at their summer Sonoma Festival and at sporadic winter and spring season concerts in Northern California.

Often the lack of a modern concert grand and reduced string thematic projection are a sonic concern, but this afternoon I found the ensemble was balanced and the Schroeder acoustics warm and complimentary to the audience of 125.

Prior to the opening Mozart’s C Major Trio received Ms. Huggett’s remarks from the stage depicted the era of the afternoon’s works, and were concise and at turns humorous. So different from the fluff of many preconcert speeches. The K. 548 Trio received a lovely performance, though often the cello part was subsidiary and an occasional “extra voice” was given to Mr. Zivian’s piano line. Ms. Huggett doesn’t possess a commanding violin tone, and all day her intonation, especially at initial attacks, wandered off pitch. That said, her style and approach to Mozart and the Haydn G Major “Gypsy” trio that followed I found beguiling and irresistible.

The Haydn, from 1795, was more of the same lyrical simplicity, fast in the Hungarian Rondo finale. It’s that kind of work, and the brisk tempo with felicitous dynamic control from all three performers brought the first half to a close.

Ms. Huggett again addressed the audience prior to her and Mr. Zivian’s performance of Beethoven’s A Minor, Sonata, Op. 23, in three movements. Playing as throughout the concert from score, the violinist gave a warm and sometimes restrained reading, holding the bow (as did Ms. Tomkins) well up from the frog. She had inventive phrasing and in the andante scherzoso caught the composer’s humor during the quasi-fugal parts. Mr. Zivian provided excellent support, and never covered the violin, though his instrument has limited tonal sustain from the use of the knee-actuated damper pedal. The finale, similar in drama and ending to Beethoven’s “Tempest” Piano Sonata in D minor, explored distant keys and the performance was a highlight of the concert.

Hummel’s music is a stranger to the North Coast, but recently the Tilden Trio played a fine E Flat Major, Op. 93, at Dominican University in San Rafael, and the VOM Trio closed the concert with F Major Trio, Op. 22. The cello is used in novel ways in the piece. Here they used more rubato than in the Haydn and Mozart, and the theme and variations in the andante were elegantly performed, with a unison ending for three instruments. Mr. Zivian’s commanded fast scales here and in the more forceful final movement, played off the “Czardas” and gypsy rhythm inflections from Ms. Huggett. Well, the composer, though certainly cosmopolitan, was Hungarian.

Audience applause was robust, no encore ensued, and as at seemingly each VOM concert a gratis reception was provided in the Hall’s lobby with provocative conversations with the musicians.