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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
Spring Lake Village Classical Music Series / Monday, March 12, 2018
Anastasia Dedik, piano

Pianist Anastasia Dedik March 12 at Spring Lake Village

DEDIK RECITAL MARCH 12 IN SPRING LAKE VILLAGE SERIES

by Terry McNeill
Monday, March 12, 2018

Pianist Anastasia Dedik has been an occasional North Coast visitor, playing with her Trio in Ukiah, and in recitals in Sonoma and with the Spring Lake Village series. She returned March 12 to Spring Lake (a retirement community, with Impresario Robert Hayden) in an abbreviated recital before a packed Montgomery Center Hall of 200 attentive seniors.

Beginning with three Bach works, the pianist was in a lively mood and Petri’s popular “Sheep May Safely Graze” transcription had steady rhythm and showed the bright treble of the hall’s piano. Two monumental Preludes and Fugues from Book I of the Well Tempered Clavier came next, the C-Sharp Major and the B-Flat Minor. The Prelude of the first was played briskly, and the fugue slow with hidden charm and the novel touch of an arpeggiated last chord.

In the second Prelude Ms. Dedik opted for a somber character and played it like a chorale, with subtle crescendos and decrescendos. It was a study in dynamic control, and a recital highlight. The fugue was played songlike, with the charming theme shifting between the hands.

Beethoven’s “Moonlight” Sonata (C-Sharp Minor, Op. 27, No. 2) concluded the first half, and here the pianist gave a workmanlike performance with some attractive details, such as sporadically slightly broken chords in the too slow first movement adagio sostenuto. The following allegretto was also a little mundane in conception, lacking the lilt and charm that one can hear in the famous live Hofmann reading in the 1930s. I hear a dance unfolding in this movement.

Ms. Dedik redeemed herself in the finale by capturing the tumultuous presto agitato momentum with rumbling tremolos, interesting pauses and clarity of line. It was exciting playing that generated the evening’s loudest ovation.

Mikhail Pletnev’s wonderful 1978 transcription of Tchaikovsky’s Nutcracker ballet has been played in Santa Rosa several times, the last spiritually by Nareh Arghamanyan in Newman, and Ms. Dedik selected the Sugar Plum Fairy and Intermezzo parts from the original seven movements. The second received the most orchestral playing in the program, with a lush romantic sonority that at times had a brittle tone in forte passages. Her right-hand skips were unfailingly accurate.

Two popular Scriabin studies ended the short program – the C-Sharp Minor Etude from Op. 2, and arguably the composer’s most popular composition, the D Sharp Minor from Op. 8. The first, a Horowitz specialty, was played with lovely inner voices and a deft, languorous touch. Surprisingly in the super dramatic D Sharp Ms. Dedik didn’t master it technically, and at the points of maximum dramatic power where octave doubling is frequently used her conception had authority without the requisite punch and ecstasy.

Called for an encore, the pianist turned to Chopin’s F-Sharp Major Nocturne (Op. 15, No.2). It was a mildly agitated but not hurried performance with elegant ornamentation, and was a welcome respite from the elemental Scriabin Etude. Responding to more applause, Ms. Dedik gave a resounding reading of the Op. Posthumous Chopin Waltz in E Minor.