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Recital
ELEGANT VOCAL MASTERY AT ROSES SIGNATURE RECITAL
by Pamela Hicks Gailey
Sunday, February 25, 2024
Recital
DEMANDING SCHUMANN WORK IN MUSIC AT OAKMONT RECITAL
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Thursday, November 9, 2023
Recital
RARE RAVEL IN MENDO FESTIVAL'S PRESTON HALL
by Terry McNeill
Thursday, July 20, 2023
Recital
FRENCH FLAVOR IN RARE FOUR-HAND RECITAL
by Judy Walker
Sunday, January 15, 2023
Recital
ASSERTIVE PIANISM IN YAKUSHEV'S OCCIDENTAL RECITAL
by Terry McNeill
Sunday, November 13, 2022
Recital
HEROIC LIM PERFORMANCE AT STEINWAY SOCIETY RECITAL
by Abby Wasserman
Sunday, September 18, 2022
Recital
AGGRESSIVE PIANISM IN MYER'S MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 14, 2022
Recital
UNIQUE ELEGANCE IN GALBRAITH GUITAR RECITAL
by Gary Digman
Friday, April 29, 2022
Recital
ALLURING GLASS WORKS IN WEILL RECITAL
by Terry McNeill
Friday, March 25, 2022
Recital
FORGOTTEN BACH SHINES IN YARDEN'S OAKMONT RECITAL
by Terry McNeill
Thursday, March 10, 2022
RECITAL REVIEW

Pianist Nancy Lee Harper Feb. 24 in Santa Rosa

CHOPIN BALLADES FEATURED IN CONCERTS GRAND RECITAL

by Terry McNeill
Saturday, February 24, 2018

Pianist Nancy Lee Harper made an elegant North Coast debut Feb. 24 in the Concerts Grand House Recitals series in a private Santa Rosa home.

Ms. Harper, for decades a performer and teacher in Portugal, has recently relocated to Northern California, played an all-Chopin recital that was comprehensive in repertoire and at many places thrilling. She began with an Op. Posthumous Waltz, then the Op. 43 Tarantelle, and closing the first part was the Op. 61 Polonaise-Fantasie.

The main part of the program were the great Ballades, Ops. 23, 38, 47 and 52. Each well under ten minutes, the four contain a cosmos of human emotions and virtuosic drama. Ms. Harper gave each individuality and when called for, sonic intensity. Before the pianissimo coda of the F Minor Ballade, there are three resounding fortissimo chords, two usually played staccato and the last often taken dryly with no pedal. Ms. Harper played in the Slavic way, the final chord with full pedal and then a delayed and tiny pedal lift to diminish the sound before the tumultuous sprint to the finish. A small effect yes, but only one example of her attention to interpretative details.

Ms. Harper is a scholar of Portuguese music, with many publications, and for an encore she chose Antonio Fragoso’s Notturno, a gem that is dramatic, dreamy and Chopinesque. Fragoso’s untimely death came shortly before his 21th birthday in 1918.