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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
RECITAL REVIEW
Concerts Grand House Recitals / Sunday, September 03, 2017
Sandra Shen, piano

Pianist Sandra Shen July 3 in Santa Rosa

ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE

by Terry McNeill
Sunday, September 03, 2017

A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the small audience in an East Santa Rosa home.

The South Bay-based artist has played in Santa Rosa before, at the Spring Lake Village series produced by Robert Hayden, but this was Ms. Shen’s local debut in an intimate setting, albeit with a garden party following the playing. Risotto “con fungi” and German potato salad had pride of place, not lasagna.

Bach’s B-Flat Partita opened the short recital and was given a studied reading with seemingly taking every repeat. Highlights were the vivacious two-voice Corrente and the wonderful clarity in the Gigue that was played at a moderate tempo with Scarlatti-like hand crossings. The artist added several catchy turns in the Allemande, always welcome in the Glenn Gould style of playing Bach.

She followed the Partita with Schubert’s ever-popular B Flat Impromptu from Op. 142, a work with a beguiling theme and five perfectly crafted variations. They were played chastely and with a natural rise and fall of phrase, with a quiet ending that brought loud applause. The reading had just a hint of nostalgia.

Artful and convincing shaping of phrase continued with Chopin’s great F Sharp Barcarolle, a work with an Italianate theme from the composer’s last years. It was the first of three compositions featuring water. In the Barcarolle Ms. Shen suppressed the often heard intimate interpretation in favor of more expansive playing, underscoring the work’s inner drama that peaked with a glorious melodic statement after the descending chords phrase that ends slowly in F Sharp. The reading produced the most extended ovation of the afternoon. Captivating.

Chinese composer’s bucolic Autumn Moon Reflection on a Lake was the penultimate work, and passed without much notice in four minutes of slow and vivid harmonic progressions that might have been soporific in the small concert room with its elevated temperature.

All the languor was swept away with a richly colored performance of Ravel’s Jeux d’Eau. As throughout the recital Ms. Shen’s damper pedal control of sound, especially in the piano’s upper registers, was graceful and florid. Under Ms. Shen’s deft fingers (and feet) fountain spray seemed everywhere in the impressionist sonority of the 1902 work.

No encore was offered, and the audience repaired to the cooler patio for food, and several had the opportunity to speak at length about the music with the elegant pianist.

The reviewer is also the producer of the Concerts Grand House Recitals series.