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Symphony
A SLICE OF HEAVEN FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, January 13, 2019
Under its vibrant new music director, Francesco Lecce-Chong, the Santa Rosa Symphony this past Sunday offered a nearly perfect afternoon of Mozart (Symphony No. 40) and Mahler (Symphony No. 4). While the two works share a common digit, the only element uniting them is genius. They made for a dazzlin...
Recital
KHOZYAINOV'S BRILLIANT PIANISM IN MILL VALLEY RECITAL
by Abby Wasserman
Sunday, January 13, 2019
In its third concert of the season the Mill Valley Chamber Music Society Jan. 13 presented Russian virtuoso Nikolay Khozyainov. His intelligent and sensitive interpretations, masterful pedal work, and virtuoso technique left the near-capacity audience in Mt. Tamalpais Methodist Church astounded and ...
Chamber
A COMPLETE MUSICAL PACKAGE IN ARRON'S OAKMONT RECITAL
by Terry McNeill
Thursday, January 10, 2019
Cellist Edward Arron has been a welcome artist at the Music at Oakmont series, and after his Jan. 10 recital itís easy to understand his popularity. His artistry is a complete package, with potent instrumental technique wedded to integral musical conceptions. In a nearly flawless concert with pian...
Choral and Vocal
COMPELLING WEILL HALL MESSIAH ORATORIO FROM THE ABS
by Terry McNeill
Saturday, December 15, 2018
Each holiday season when a Classical Sonoma reviewer is assigned to cover a concert with Handelís seminal Oratorio The Messiah, the question arises about what new commentary can possibly apply to the often performed choral work. Well, if itís the American Bach Soloists performing the piece, written...
Opera
PURCELL'S DIDO IN YOUTHFUL SSU OPERA
by Abby Wasserman
Wednesday, December 05, 2018
A doomed royal love affair, the theme of Purcellís Dido and Aeneas, was brought to lovely life at Sonoma State University Dec. 5 in the schoolís Schroeder Hall. Conducted by faculty member Zachary Gordin, who also played continuo, the performance was only the second opera production presented by the...
Symphony
SANTA ROSA SYMPHONY HERALDS THE HOLIDAYS
by Steve Osborn
Sunday, December 02, 2018
Antlers are typical headgear during the holiday season, but the ushers and one bassist at the Santa Rosa Symphony concert on Dec. 2 sported apples atop their heads. The red fruits were festive but perplexing until the orchestra began Rossiniís ďWilliam TellĒ overture, at which point even the dull-wi...
Symphony
A HERO'S ODYSSEY IN SO CO PHIL CONCERT
by Art Hofmann
Sunday, November 18, 2018
The audience at the Sonoma County Philharmonicís Nov. 18 concert was warned at the outset that the old Santa Rosa High School auditorium boiler was turned off, and there was a steady eminently audible tone in the hall. Conductor Norman Gamboa said the tone was an A, a high one. But there it was, a...
Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
RECITAL REVIEW
Concerts Grand House Recitals / Sunday, September 03, 2017
Sandra Shen, piano

Pianist Sandra Shen July 3 in Santa Rosa

ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE

by Terry McNeill
Sunday, September 03, 2017

A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shenís Concerts Grand House Recital performance, as her riveting piano playing enthralled the small audience in an East Santa Rosa home.

The South Bay-based artist has played in Santa Rosa before, at the Spring Lake Village series produced by Robert Hayden, but this was Ms. Shenís local debut in an intimate setting, albeit with a garden party following the playing. Risotto ďcon fungiĒ and German potato salad had pride of place, not lasagna.

Bachís B-Flat Partita opened the short recital and was given a studied reading with seemingly taking every repeat. Highlights were the vivacious two-voice Corrente and the wonderful clarity in the Gigue that was played at a moderate tempo with Scarlatti-like hand crossings. The artist added several catchy turns in the Allemande, always welcome in the Glenn Gould style of playing Bach.

She followed the Partita with Schubertís ever-popular B Flat Impromptu from Op. 142, a work with a beguiling theme and five perfectly crafted variations. They were played chastely and with a natural rise and fall of phrase, with a quiet ending that brought loud applause. The reading had just a hint of nostalgia.

Artful and convincing shaping of phrase continued with Chopinís great F Sharp Barcarolle, a work with an Italianate theme from the composerís last years. It was the first of three compositions featuring water. In the Barcarolle Ms. Shen suppressed the often heard intimate interpretation in favor of more expansive playing, underscoring the workís inner drama that peaked with a glorious melodic statement after the descending chords phrase that ends slowly in F Sharp. The reading produced the most extended ovation of the afternoon. Captivating.

Chinese composerís bucolic Autumn Moon Reflection on a Lake was the penultimate work, and passed without much notice in four minutes of slow and vivid harmonic progressions that might have been soporific in the small concert room with its elevated temperature.

All the languor was swept away with a richly colored performance of Ravelís Jeux díEau. As throughout the recital Ms. Shenís damper pedal control of sound, especially in the pianoís upper registers, was graceful and florid. Under Ms. Shenís deft fingers (and feet) fountain spray seemed everywhere in the impressionist sonority of the 1902 work.

No encore was offered, and the audience repaired to the cooler patio for food, and several had the opportunity to speak at length about the music with the elegant pianist.

The reviewer is also the producer of the Concerts Grand House Recitals series.