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Chamber
ONE PIANO, TWO PIANO, THREE PIANO, FORE
by Terry McNeill
Thursday, July 29, 2021
Schroeder Hall was nearly full July 29 for the final pianoSonoma concert of their season, and presumably the draw and highlight for many of the 150 attending was Bach’s Concerto for Four Pianos. And that performance was probably going to be a North Bay premiere. However, it wasn’t the highl
Chamber
PENULTIMATE VOM FESTIVAL CONCERT FEATURES GORGEOUS VOCALISM
by Pamela Hicks Gailey
Thursday, July 29, 2021
The 2021 Valley of the Moon Music Festival continued on July 29 with a sumptuous online offering of French songs, concluding with the second piano quartet by Fauré, Op. 45. Such a beautiful bouquet of video performances wonderfully filmed and recorded softened the disappointment of not being able to
Chamber
BOGAS' TENURE ENDS IN OUTDOOR GUALALA CHAMBER CONCERT
by Iris Lorenzfife
Sunday, July 25, 2021
The preconcert call that music lovers should gather at Gualala Arts July 25 to attend the final Roy Bogas and Friends Concert was not quite as dire as it sounded. It seems that a year of Covid 19 and an 88th birthday had combined to convince Mr. Bogas that he was working too hard. But with cellist P
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
RARE LANG SONGS SPARKLE AT VOM FESTIVAL VIDEO RECITAL
by Pamela Hicks Gailey
Wednesday, July 21, 2021
Unexpected pleasures are often the best. Valley of the Moon Chamber Festival presented a such a pleasure last week-a July 21 recorded performance by tenor Kyle Stegall and pianist Eric Zivian in another mini-recital (very mini-just 15 minutes!) of six songs by the nineteenth century German composer
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
CHAMBER REVIEW
Redwood Arts Council / Saturday, April 29, 2017
Hermitage Piano Trio. Ilya Kazantsev, piano; Sergey Antonov, cello; Misch Keilen, violin

NOTES AND BARS DO NOT A PRISON MAKE

by Nicki Bell
Saturday, April 29, 2017

The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian virtuosos set the house on fire while tickling the audience to the tips of its toes. Now living in the United States, Misha Keylin (violin), Sergey Antonov (cello) and pianist Ilya Kazantsev are all noted soloists in their own right, and inspired interpreters of classic European repertoire, as well as contemporary American commissions.

The opener, Beethoven's Op. 11 piano trio, was full of character and color. Before playing the work, Mr. Keylin shared the story of the third movement, which is based on the then-popular song, "Before I start work, I must have something to eat!" Mr. Kazantsev created magic during the first movement, infusing a gentle breathing pulse that contrasted with the movement's quick and light playfulness. Mr. Antonov's luscious cello tone in the beginning of the second movement was intimate and warm, a love song, like a rose opening. All three musicians wove lyrical motifs around each other during the movement, leading to an ethereal ending. The third movement was skipping and full of fun, with a piano cadenza, a violin and cello due, and multiple variations.

Schubert's Nocturne in E flat, published after his death and seldom heard in concert, was composed as a possible adagio for his well-known Op. 99 piano trio. The song-like theme, with its unusual rhythmic character and Romantic outpouring, was quintessential Schubert: sad, sweet, innocent and ecstatic.

The final trio before intermission was by Gaspar Casssado, a Catalonian cellist who died 50 years ago. The trio was a Spanish hoe-down with constantly changing tempi, and the three movements had significant variations in mood and dynamics. One could see flamenco dancers, their stomping heels, their sinuous poses. It was passionate, then suddenly very light, always rhythmic and then a race to the end.

After intermission came an unusual musical treat, Tchaikovsky's “The Seasons.” These twelve pieces were originally written for the piano and were published in a Russian music magazine at the rate of one per month. They were subsequently arranged for piano trio by the Russian composer Alexander Goedike. This festive celebration of the year turned out to be a real crowd-pleaser. The blending timbres of the three instruments brought out a new clarity in the music, and moments from “The Nutcracker” echoed throughout. Festive and joyous, lyrical and calm, jaunty and bright, melancholy and celebratory, trolls to swans--all the moods of the year were there.

The audience did not want the evening to end. The trio’s encore, "Let's Play an Opera by Rossini" (1981), was composed by Rion Shchedrin, husband of the great Russian ballerina Maya Plisetskaya. It was a complete charmer, and the audience was giggling throughout.

Sonia Tubridy, who turned pages for pianist Ilya Kazantsev, contributed to this review.