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Chamber
KODALY DUO TRUMPS POPULAR MENDELSSOHN TRIO AT SLV CONCERT
by Terry McNeill
Wednesday, June 21, 2017
It’s not really a secret, but Sonoma County’s best chamber music series is one without much notoriety or publicity. The concerts at Santa Rosa’s Spring Lake Village programs are only for residents and a few invited guests. Impresario Robert Hayden years ago honed his producer skills as founder of ...
Recital
DEMANDING VIOLIN SONATAS CONQUERED BY BEILMAN-WEISS DUO IN SCHROEDER
by Terry McNeill
Sunday, May 14, 2017
Violinist Benjamin Beilman’s ravishing Mozart performance at last summer’s Weill Hall ChamberFest finale lured an enthusiastic crowd to Schroeder Hall May 14 to hear if his secure virtuosity was up to a program of demanding sonatas. He did not disappoint. With the powerful pianist Orion Weiss in t...
Symphony
SOVIETS INVADE WEILL HALL, TAKE NO PRISONERS
by Steve Osborn
Sunday, May 07, 2017
Bruno Ferrandis may be French, but he excels in Soviet repertoire. His Slavonic expertise was more than amply demonstrated at the Santa Rosa Symphony’s May 7 concert, where the program began joyfully with Khachaturian’s ballet suite from “Masquerade,” surged forward with Prokofiev’s second violin co...
Recital
MASTERFUL PIANISM IN GOODE'S WEILL HALL RECITAL
by Sonia Morse Tubridy
Friday, May 05, 2017
Pianist Richard Goode programmed an evening of treasures May 5 from four great composers, and is an artist of intimacy and intelligence, power and passion, able to go deep and to soar. Hearing Mr. Goode play this literature was a reminder of how music does indeed bridge worlds and time. Bach’s E m...
Recital
ELEGANT ORGAN SALUTE TO THE REFORMATION
by Paul Blanchard
Sunday, April 30, 2017
Organist Jonathan Dimmock presented an April 30 recital in homage to the 500th anniversary of the Reformation, playing Schroeder Hall’s wonderful Brombaugh instrument. Mr. Dimmock is the organist for the San Francisco Symphony, principal organist for the Palace of the Legion of Honor and teaches at...
Chamber
NOTES AND BARS DO NOT A PRISON MAKE
by Nicki Bell
Saturday, April 29, 2017
The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian v...
Recital
SCHUMANN AND BARTOK HIGHLIGHT BRONFMAN RECITAL IN WEILL
by Lee Ormasa
Friday, April 21, 2017
Those people once addicted to the “Angry Birds” game application likely suffered an auditory flashback during the opening measures of the allegro from Bartok’s Suite, Op. 14, the opening work in Yefim Bronfman’s April 21 recital at Weill Hall. The repetitive opening figures of the Bartok were...
Symphony
HULKING MAHLER "TITAN" AT SO CO PHIL'S SEASON FINALE
by Terry McNeill
Saturday, April 08, 2017
A composer’s first symphony rarely gives a clear indication of what beautiful complexities will follow over the years. Early Mozart and Tchaikovsky are examples, and the big exceptions to this axiom are the “firsts” of Beethoven, Shostakovich and Mahler. Tackling Mahler ‘s D Major Symphony (No. 1,...
Symphony
SANTA ROSA SYMPHONY STAYS CLOSE TO HOME
by Steve Osborn
Sunday, March 26, 2017
Santa Rosa Symphony concerts usually feature high-powered soloists imported from afar, but for their recent “Bring on the Strings” concert set, they stuck close to home, thrusting their principal violin, viola and cello into the limelight. The violinist (Joseph Edelberg) and the violist (Elizabeth P...
Recital
SLAM BANG SONORITY IN HAOCHEN ZHANG'S SCHROEDER RECITAL
by Terry McNeill
Sunday, March 19, 2017
Piano Competition winners are in ample supply, and it’s often a hit and miss proposition as to their sterling interpretative qualities. However, the quadrennial Van Cliburn Competition in Ft. Worth has continually produced top-level artists, and the 2009 winner Haochen Zhang proved a formidable per...
CHAMBER REVIEW
Redwood Arts Council / Saturday, April 29, 2017
Hermitage Piano Trio. Ilya Kazantsev, piano; Sergey Antonov, cello; Misch Keilen, violin

NOTES AND BARS DO NOT A PRISON MAKE

by Nicki Bell
Saturday, April 29, 2017

The Hermitage Piano Trio brought exuberant musicality and sumptuous sound to a packed house April 29 in Occidental's Performing Arts Center for the last concert in the Redwood Arts Council’s 37th season. With a wide interpretive range--from lush to delicate to passionate--these three young Russian virtuosos set the house on fire while tickling the audience to the tips of its toes. Now living in the United States, Misha Keylin (violin), Sergey Antonov (cello) and pianist Ilya Kazantsev are all noted soloists in their own right, and inspired interpreters of classic European repertoire, as well as contemporary American commissions.

The opener, Beethoven's Op. 11 piano trio, was full of character and color. Before playing the work, Mr. Keylin shared the story of the third movement, which is based on the then-popular song, "Before I start work, I must have something to eat!" Mr. Kazantsev created magic during the first movement, infusing a gentle breathing pulse that contrasted with the movement's quick and light playfulness. Mr. Antonov's luscious cello tone in the beginning of the second movement was intimate and warm, a love song, like a rose opening. All three musicians wove lyrical motifs around each other during the movement, leading to an ethereal ending. The third movement was skipping and full of fun, with a piano cadenza, a violin and cello due, and multiple variations.

Schubert's Nocturne in E flat, published after his death and seldom heard in concert, was composed as a possible adagio for his well-known Op. 99 piano trio. The song-like theme, with its unusual rhythmic character and Romantic outpouring, was quintessential Schubert: sad, sweet, innocent and ecstatic.

The final trio before intermission was by Gaspar Casssado, a Catalonian cellist who died 50 years ago. The trio was a Spanish hoe-down with constantly changing tempi, and the three movements had significant variations in mood and dynamics. One could see flamenco dancers, their stomping heels, their sinuous poses. It was passionate, then suddenly very light, always rhythmic and then a race to the end.

After intermission came an unusual musical treat, Tchaikovsky's “The Seasons.” These twelve pieces were originally written for the piano and were published in a Russian music magazine at the rate of one per month. They were subsequently arranged for piano trio by the Russian composer Alexander Goedike. This festive celebration of the year turned out to be a real crowd-pleaser. The blending timbres of the three instruments brought out a new clarity in the music, and moments from “The Nutcracker” echoed throughout. Festive and joyous, lyrical and calm, jaunty and bright, melancholy and celebratory, trolls to swans--all the moods of the year were there.

The audience did not want the evening to end. The trio’s encore, "Let's Play an Opera by Rossini" (1981), was composed by Rion Shchedrin, husband of the great Russian ballerina Maya Plisetskaya. It was a complete charmer, and the audience was giggling throughout.

Sonia Tubridy, who turned pages for pianist Ilya Kazantsev, contributed to this review.