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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
CHAMBER REVIEW
Ft. Bragg Center For the Arts / Sunday, January 15, 2017
Carolyn Steinbuck, piano; Marcia Sloane, cello; Eric Kritz, clarinet

E. Kritz, C. Steinbuck and M. Sloane Bowing Before Preston Hall Audience

A MUSICAL ODYSSEY IN RIVITING PRESTON HALL RECITAL

by Terry McNeill
Sunday, January 15, 2017

A standing room audience warmly greeted pianist Carolyn Steinbuck Jan. 15 in the season’s second Ft. Bragg Center For the Arts concert in Mendocino’s plebian Preston Hall.

Ms. Steinbuck, to be joined in the program’s second half by clarinetist Eric Kritz and cellist Marcia Sloane, programmed Schubert’s big B-Flat Major Sonata, D. 960. Schubert’s piano music is seemingly now on every recital program, but this is a recent development, and the first recording of a Schubert Sonata was as late as 1928. The pianist read extensive program notes and discussed the reasons for deciding to take the first movement repeat before beginning a 40-minute musical odyssey.

But the odyssey, although long, never dragged and underscored what pianists call the Schubert’s “heavenly length.” The tempos throughout the Sonata were judicious and never hurried, leaving room for many variations in the low bass trills and voice leading. The Hall’s resident piano was voiced warmly rather than brilliantly, and through the first two movements the playing was both dramatic and poetic. There were little artistic touches everywhere, including an arpeggiated chord before the Molto moderato’s concluding chords, and a beguiling and carefully shaped three-note repeated left-hand figures (played seco) in the Andante. The playing here was a highlight in the concert.

Ms. Steinbuck, a seminal figure in Mendocino County music for many years, pushed the tempo in the concluding Allegro but the music never got out of hand, and drew a raucous standing ovation. It was a workman performance that focused on the spirituality and often-delicate repose of the composer’s last and greatest Sonata.

Following a long intermission Mr. Kritz and Ms. Sloane joined the pianist for Muczynski’s Fantasy Trio, Op. 26, the work last heard locally with the Trio Navarro in 2015. The four-movement composition from 1971 received a reading that alternated aggressive rhythms and lyrical outbursts. It’s a free wheeling trio with constantly changing meter, and sporadically the clarinet line was lost in the sonic mix. Ms. Sloane played a long opening line in the Andante over pedal point in the piano, then Mr. Kritz performed a mournful theme over drone phrases from the cello. The music is not nostalgic, just sad, with a soft and haunting last cello and clarinet notes.

Strongly syncopated rhythmic playing and clipped phrases characterized the Allegro Deciso, the music jabbing with quick thrusts, and the Finale went from a bucolic beginning to a jaunty conclusion, with whiffs of sardonic Shostakovich. Ms. Sloane’s cello had the requisite low note growl.

Brahms’ late romanticism was on display in the concluding Clarinet Trio, Op. 114. Instrumental colors were foremost here with a wider cello vibrato and some pesky string pitch wavering in the high registers. Much of the lovely Adagio was question and response phrasing between Ms. Sloane and Ms. Kritz, with a subsidiary piano line. Mr. Kritz’s deft clarinet playing dominated the Andantino with phrasing of a tender dance.

A typical raucous Brahms Allegro ended the work with a perfect instrumental interplay of the many structural sequences of falling thirds. It was short, just under five minutes, but packed with energetic and at times virtuosic playing.

Another standing ovation brought this stellar Trio back for an encore, a droll and circus like piece (“Trickster”) by Ms. Sloane that not surprisingly featured her cello playing. It was spirited and a little spooky in a refined way, with a charming long decrescendo to a quiet finish.

Clearly Ms. Steinbuck’s Trio is a North Coast favorite and presented a performance that combined provocative programing, transparent ensemble and exemplary playing.