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Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
Chamber
SCHUBERT "MIT SCHLAG" AT VOM FESTIVAL MORNING CONCERT
by Abby Wasserman
Sunday, July 29, 2018
The spirit of 19th century Vienna was present July 29 on the final day of the Valley of the Moon Music Festival. The Festival in the second half of July glittered with innovative programming and the new, old sound of original instruments played by musicians who love music with historic instruments. ...
Chamber
PASSIONATE BRAHMS-SCHOENBERG MUSIC CLOSES VOM FESTIVAL SUMMER
by Abby Wasserman
Sunday, July 29, 2018
An extraordinary program of chamber music by Brahms and Schoenberg attracted a capacity crowd to the Valley of the Moon Music Festival’s final concert July 29th in Sonoma’s Hanna Center. It opened with a richly expressive reading by Festival Laureate violinist Rachell Wong and pianist Jeffrey LaDeur...
Chamber
PRAGUE AND VIENNA PALACE GEMS HIGHLIGHT VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 28, 2018
The remarkable Valley of the Moon Chamber Music Festival presented a concert called “Kinsky Palace” July 28 on their final Festival weekend in Sonoma’s Hanna Center. Two well-known treasures and one lesser gem were programmed. Starting the afternoon offerings were violinist Monica Huggett and Fest...
Chamber
INNOVATIVE CHAMBER WORKS IN HANNA CENTER CONCERT
by Sonia Morse Tubridy
Sunday, July 22, 2018
The Valley of the Moon Music Festival presented a July 22 concert featuring three giants: Haydn, Schubert and Schumann, composers who altered music of their time with creative innovations and artistic vision. In the fourth season the Festival’s theme this year is “Vienna in Transition”, and VOM Fes...
Chamber
VIENNA INSPIRATION FOR VOM FESTIVAL PROGRAM AT HANNA CENTER
by Nicki Bell
Saturday, July 21, 2018
A music-loving audience filled Sonoma’s Hanna Center Auditorium July 21 to begin a record weekend of three concerts, produced by the Valley of the Moon Music Festival. The Festival’s theme this summer is “Venice in Transition – From the Enlightenment to the Dawn of Modernism” Prior to Saturday’s m...
Chamber
VANHAL QUARTET AT VOM FESTIVAL DISCOVERY AT HANNA CENTER
by Abby Wasserman
Sunday, July 15, 2018
A near-capacity crowd of 220 filled the Sonoma Hanna Boys Center Auditorium July 15 for the opening concert of the fourth Valley of the Moon Music Festival. This Festival presents gems of the Classical and early Romantic periods performed on instruments of the composer’s era, which presents a few ch...
CHAMBER REVIEW
Music at Oakmont / Thursday, October 20, 2016
Trio Valtorna. Ida Kavafian, violin; David Jolley, horn; Gilles Vonsattel, piano

Violinist Ida Kavafian

TRIO VALTORNA'S JAUNTY EXPLORATIONS AT OAKMONT CONCERT

by Terry McNeill
Thursday, October 20, 2016

New York’s Trio Valtorna came to Music at Oakmont’s Berger Auditorium stage Oct. 20 with three disparate works, and in two of them instrumental sonic continuity was not a main goal.

But it was in the second half’s seminal piece, Brahms’ E-Flat Major Trio (Op. 40) for horn, violin and piano, that brought the audience of 150 and violinist Ida Kavafian, hornist David Jolley and pianist Gilles Yonsattel most happily together. The opening Andante was played with special emphasis on the varied return (three times) to the luscious main theme, and the intricate balancing of the five harmonic keys. It was never a strongly dramatic reading but more svelte and lyrical, even in the second climax. The lively Scherzo was fiery and reminded me of the fast sections of the composer’s C Minor Piano Quartet. Controlled velocity.

Brahms’ haunting Adagio was given a slow and moving interpretation, bass heavy at times, and Ms. Kavafian’s exposed accuracy of pitch was perfection. Mr. Jolley came to the fore in the Allegro finale with judicious quick note runs and subtle short crescendos and decrescendos. One the whole the performance favored ensemble and lyricism over sustained drama.

Ending the first half was a performance of Ravel’s G Major Violin Sonata, played by Ms. Kavafian from score with warm pianism from Mr. Vonsattel. But it’s not a “warm” piece, and the composition from 1927 has lots of stylistic contradictions. Here Ms. Kavafian was in no hurry to get anywhere and used in the opening Allegretto moderate vibrato and a chaste, sunny bottom sound. Mr. Vonsattel’s touch was everywhere adroit. The ending played off seconds with a long held note in the violin with the piano softly following. Beguiling and convincing.

The bluesy Moderato was played in a light march of broken rhythms with jaunty violin pizzicatos and various jazzy inflections and offbeat accents. It’s difficult to bring out the careless “swing” of Ravel’s polytonalities but both musicians seemed to have an intuitive connection with the jazz idiom.

Fine duo playing continued into the Perpetuum Mobile finale with Mr. Vonstattel playing powerfully sharp sound “jabs” and the exploration of a little music from the preceding movements. It was athletic playing at a quick pace that highlighted Ravel’s free rein of cascading ideas and juxtaposition of instrumental texture.

John Harbison’s 1985 Twilight Music for Horn, Violin and Piano opened the program following Mr. Jolley’s remarks regarding the piece, and an odd reference to Brahms’ ensemble with the same instruments. Ms. Kavafian’s violin line was often at the top of its register, and the piece abounds in frantic horn and piano phrases and fragmentary, insistent and jumpy rhythms. The playing was always capable but the lasting effect of the music on the Berger audience was in doubt, and the Harrison work past without much notice.

For me the most memorable part of “Twilight” was near the end when the Valtorna slowed the pace in a major key with unison violin and horn lines, creating a clean and mellow sound absent from most of the 18-minute composition.