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SIX GUITARISTS IN UNIQUE NAPA RECITAL
by Gary Digman
Sunday, July 25, 2021
The first Napa Valley Guitar Festival was held at Napa’s First Presbyterian Church July 25, and featured performances from six classical guitarists. The Church is an iconic structure in downtown Napa, its huge white presence dominating the scene, and the white theme continues inside punctuated by be
Chamber
BOGAS' TENURE ENDS IN OUTDOOR GUALALA CHAMBER CONCERT
by Iris Lorenzfife
Sunday, July 25, 2021
The preconcert call that music lovers should gather at Gualala Arts July 25 to attend the final Roy Bogas and Friends Concert was not quite as dire as it sounded. It seems that a year of Covid 19 and an 88th birthday had combined to convince Mr. Bogas that he was working too hard. But with cellist P
Chamber
CLARA SCHUMANN TRIO COMMANDS VOM CHAMBER MUSIC CONCERT AT HANNA
by Terry McNeill
Saturday, July 24, 2021
The Valley of the Moon Chamber Music Series has begun several virtual and a few live concerts in its new seventh season, some broadcast from Sonoma’s Hanna Center Hall and some in posh local venues. July 24’s video had a small live audience and a well-produced video program of three works. Titled “
Chamber
RARE LANG SONGS SPARKLE AT VOM FESTIVAL VIDEO RECITAL
by Pamela Hicks Gailey
Wednesday, July 21, 2021
Unexpected pleasures are often the best. Valley of the Moon Chamber Festival presented a such a pleasure last week-a July 21 recorded performance by tenor Kyle Stegall and pianist Eric Zivian in another mini-recital (very mini-just 15 minutes!) of six songs by the nineteenth century German composer
Chamber
EXEMPLARY QUARTET PLAYING IN MENDO FESTIVAL FT. BRAGG CONCERT
by Terry McNeill
Wednesday, July 21, 2021
Faced with the impossibility of presenting concerts in the iconic large white tent on the bluff, the Mendocino Music Festival opted to use Ft. Bragg’s Cotton Auditorium for ten events in the abbreviated 35th season. San Francisco’s Alexander String Quartet played July 21 to a fully masked audience
Chamber
ECLECTIC PROGRAMMING AT PIANOSONOMA CONCERT IN SCHROEDER HALL
by Pamela Hicks Gailey
Tuesday, July 20, 2021
After a dark year bereft of live performance, pianoSonoma launched July 20 the first Vino & Vibrato concert of the 2021 season in Sonoma State's Schroeder Hall, albeit sadly senza vino due to Covid protocols. Three exceptional musicians showered the audience with an interesting variety of pia
Chamber
RARELY-PLAYED SCHUMANN HIGHLIGHTS HEALDSBURG RECITAL
by Terry McNeill
Saturday, July 10, 2021
Brave New Music sporadically produces concerts in and around Healdsburg, and July 10’s violin recital in downtown St. Paul’s Church must have been one of the first post-lockdown, post-be-extra-careful classical music concerts in Sonoma County's summer season. New Music Founder Gary McLaughlin with
Chamber
ECHOS ON A WARM SUMMER NIGHT
by Abby Wasserman
Saturday, July 10, 2021
ECHO Chamber Orchestra’s first concert in a year and a half, “A Musical Promenade,” was a promenade indeed. When patrons arrived at San Anselmo’s First Presbyterian Church for the 6:00 performance July 10, they were funneled through the garden to the Duncan Hall patio, where folding chairs were set
Chamber
LONG DISTANCE LOVE BEGINS VOM SUMMER FESTIVAL
by Pamela Hicks Gailey
Thursday, June 24, 2021
The Valley of the Moon Music Festival offered a 7th season preview June 24 with a stunning online concert, aptly named Long Distance Love, featuring inspired performances of Beethoven's short song cycle An die ferne Geliebte,, and selections from Brahms’ beloved Liebeslieder Wal
Recital
ROMERO'S ARTISTRY IN SLV RECITAL PROGRAMMING AND PERFORMANCE
by Terry McNeill
Wednesday, June 2, 2021
Gustavo Romero has been an admired visitor to North Bay stages, playing over a decade recitals at Dominican University, the Music at Oakmont concerts and at the Spring Lake Village Concert Series. He returned June 2 to SLV in a virtual recital, videoed from his home concert hall the University of N
CHAMBER REVIEW
ChamberFest One - Sonoma State University / Wednesday, June 22, 2016
Jon Kimura Parker and Jeffrey Kahane, piano; Angelo Xiang Yu, violin; Aloysia Friedman, viola; Desmond Hoebig, cello; Peter Lloyd, double bass

Pianist Jeffrey Kahane

CHARM AND SMILES IN FIRST CHAMBERFEST CONCERT IN SCHROEDER

by Sonia Morse Tubridy
Wednesday, June 22, 2016

The Green Music Center’s summer ChamberFest, seven concerts in five days, opened June 22 to a jammed Schroeder Hall audience, and the initial concert was both delightful and exhilarating.

In its second year, the current Festival features the chamber music of Mozart, Schubert and Mendelssohn, all masters of melody and beauty of sound. In a spoken introduction, Festival Director Jeffrey Kahane said that if there existed no other chamber music, these three composers have written enough to satisfy generations.

The opening piece, a work of symphonic scope, was Schubert's great Fantasy in F Minor, D. 940, for piano four hands, written in 1828 (the year of his death). This is one of his most profound and beautiful creations, and pianists Jeffrey Kahane and Jon Kimura Parker did it full justice and more. These artists have collaborated for 30 years and it showed in the exquisite balance of parts and shared understanding. They played as one musical voice, melodies flying between their four hands. The piano became an entire orchestra with all its colors and instruments. The performance drew a standing ovation.

The Fantasy was followed by Mozart's B-Flat Major Sonata for Violin and Piano, K. 454. Mr. Kahane was joined by violinist Angelo Xiang Yu, playing a Stradivarius made in 1729. The music and the playing were full of lightness and charm mixed with operatic drama and excitement. Mr. Yu played with sweetness of tone and was matched by Kahane in all the subtle emotions and colors. It was a delight to hear this sonata in the hands of these masters of expressive nuance and color. The playing in the Largo/Allegro was like a conversation with bursts of laughter, and in the Andante it was touching in it's simple loveliness. The performers seemed to be completing each others thoughts as in a great opera duet, The last movement was a riot of fun, smiles abounding.

Schubert's ever popular ”Trout" Quintet, D, 667, is probably the single most played piece of chamber music despite its most unusual instrumentation, as it includes a double bass instead of a second violin. This creates a new and rich sound for the strings and moves the piano into a range of increased use of treble passages. In addition to the the expected four movements there is a theme and variations movement based on Schubert's famous lied, "Die Forelle". This was a captivating performance both visually and aurally. It sparkled. Every movement had breathtaking moments: the duets between violin and piano, the warm tones of the lower strings, the power of the ensemble and the delicate solo lines.

Joining Mr. Kahane and and Mr. Yu in the Quintet were Aloysia Friedman, viola, cellist Desmond Hoebig and double bassist Scott Pingel. The series continues with five more concerts in Schroeder, and a four-concerto finale with the Santa Rosa Symphony Sunday at 3 in Weill Hall.

Nicki Bell contributed to this review.