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Symphony
CONDUCTOR PLAYOFFS BEGIN IN SANTA ROSA
by Steve Osborn
Sunday, October 08, 2017
The Santa Rosa Symphony is calling 2017-18 “a choice season” because the next few months offer the audience and the symphony’s board of directors a chance to choose a new conductor from a pool of five candidates. Each candidate will lead a three-concert weekend set this fall and winter, with a final...
Symphony
DVORAK AND TCHAIKOVSKY ORCHESTRAL COLOR AT SO CO PHIL SEASON OPENER
by Terry McNeill
Saturday, September 30, 2017
A concert with curious repertoire and splashy orchestral color launched the 19th season of the Sonoma County Philharmonic Sept. 30 in Santa Rosa High School’s Auditorium. Why curious? Conductor Norman Gamboa paired the ever-popular Dvorak and his rarely heard 1891 trilogy In Nature’s Realm, with t...
Recital
ELEGANT PIANISM IN WATER MUSIC CHARMS HOUSE RECITAL AUDIENCE
by Terry McNeill
Sunday, September 03, 2017
A standard component of house concerts often involve listeners hearing the music but also smelling the lasagna and seeing the champagne in the adjacent kitchen. But it was not the case Sept. 3 at Sandra Shen’s Concerts Grand House Recital performance, as her riveting piano playing enthralled the sm...
Chamber
YOUNG MUSICIANS SHINE AT PIANO SONOMA CONCERT
by Lee Ormasa
Tuesday, August 01, 2017
The third in a series of four concerts by Piano Sonoma artists in residence, part of the Vino and Vibrato Series, was held August 1 in Schroeder Hall at the Green Music Center. Entitled “The Masters,” the program included works by Bach, Beethoven, Mozart and Haydn. Piano Sonoma is a summer artist-in...
Chamber
THRILLING PROGRAM CLOSES VOM CHAMBER FESTIVAL AT HANNA CENTER
by Lee Ormasa
Sunday, July 30, 2017
The finale of the two-week Valley of the Moon Music Festival closed July 30 with “The Age of Bravura” concert at the Sonoma’s Hanna Boys Center. The musical selections held to this year’s Festival theme “Schumann’s World - His Music and the Music He Loved.“ This summer Festival features chamber mus...
Chamber
PERIOD INSTRUMENTAL SOUND AT PENULTIMATE VOM FESTIVAL CONCERT
by Terry McNeill
Sunday, July 30, 2017
In the Valley of the Moon Chamber Music Festival’s penultimate concert July 30 the perennial issue of period and modern instruments was apparent. But only in the concluding Mendelssohn Trio, as the performances in the two first half works easily avoided instrumental comparisons. Clara Schumann’s t...
Chamber
ECLECTIC REPERTOIRE IN FETCHING VOM FESTIVAL CONCERT
by Terry McNeill
Saturday, July 22, 2017
One of the purposes of summer music festivals is to present unfamiliar music in an attractive and often small audience setting. The Valley of the Moon Music Festival delightfully met these requirements July 22 and 23 with two concerts in the small hall at Sonoma’s Hanna Boys Center. Classical Sono...
Recital
ADAMS' PHRYGIAN GATES HIGHLIGHTS MORKOSKI FESTIVAL PERFORMANCE
by Lee Ormasa
Saturday, July 22, 2017
Attendees at the Molly Morkoski Mendocino Music Festival recital July 22 were in for a treat, both pianistically and if they happened to buy a tasty cookie during intermission. The program included Beethoven’s Op. 27 Moonlight Sonata, Adams’ Phrygian Gates, a surprise add-on of Grieg’s Holberg Suit...
Symphony
SOARING VERDI REQUIEM CLOSES 31ST MENDOCINO FESTIVAL
by Lee Ormasa
Saturday, July 22, 2017
We speak frequently about how there is nothing like the experience of a live performance. Seldom was this truer than at the July 22 closing performance of the two-week Mendocino Music Festival. The Festival Orchestra, conducted by of Allan Pollack, joined with the Festival Chorus in a moving renderi...
Recital
ORGAN REGISTRATION MASTERY HEARD IN WALHAIN'S RECITAL
by Robert Young
Tuesday, July 18, 2017
A group of 65 lucky attendees July 18 had the pleasure of hearing Etienne Walhain’s recital at the Church of the Incarnation in Santa Rosa. Mr. Walhain is organist at the Cathedral of Notre Dame in Tournai, Belgium, and played to a varied program Bach, Franck, and Reger. He used the tonal resource...
SYMPHONY REVIEW
Vallejo Symphony / Sunday, September 20, 2015
Thomas Hauser, conductor. Inna Faliks, piano

Pianist Inna Faliks

FAMILIAR WORKS AT VSO SEASON OPENER IN HOGAN

by Elizabeth Warnimont
Sunday, September 20, 2015

Guest conductor Thomas Heuser led a reconstituted Vallejo Symphony in its first concert of the new season Sept. 20 in Vallejo’s Hogan Auditorium. Mr. Heuser is the first of three candidates for the position of symphony artistic director, and each will conduct one concert.

There were familiar faces on the stage though most of the musicians are new to the VSO since last season, as many long-time members left the Orchestra after long-time artistic director David Ramadanoff departed last year.

Mr. Heuser chose some blockbuster works for his trial by fire, which, as he quipped on the stage Sunday, was an appropriate phrase given the near-100-degree temperatures outside. He sparked that fire conducting a brisk, pre-program Star Spangled Banner, for which virtually everyone in the audience stood, either with a hand over the heart or in formal salute. It was a refreshing surprise and a unifying icebreaker, for the orchestra as well as the audience. After the rousing rendition of the National Anthem, the orchestra proceeded with the first of three classical favorites, Smetana’s The Moldau. The Moldau, or “Vltava,” named after a majestic Prague river, is part of a series of six symphonic poems the composer completed late in his career, collectively titled “Ma Vlast,” or “My Homeland.”

“Each work takes its inspiration from a different aspect of Bohemian/Czech culture, landscape or history,” said the VSO‘s Mary Eichbauer, and “Vltava expresses the renewed strength and unified spirit of Bohemia.” In his introduction to the audience Sunday, Mr. Heuser described the piece as a contrast between the rugged and serene aspects of the river as it courses along toward its end, ultimately emptying into the Elbe River. “Rachmaninoff also had intense sadness and joy in his life,” he added, suggesting that the Smetana piece is also reflective of the life of its composer. The work is bold and elegant, containing obvious suggestions of flowing water (a steady beat emanating from the cellos and basses) as the violins play a sprightly melody accentuated by clear winds. The music is powerful in a gentle, aesthetically pleasing way. There was great majesty and confidence in the performance, but it is a happy confidence, a celebration of life and progress, devoid of fury.

The audience showed its admiration for the performance with a standing ovation. Rachmaninoff’s C Minor Concerto, Op. 18, followed with Ukrainian-born pianist Inna Faliks as the soloist. Ms. Falik's mastery is solid, and her performance with the symphony was strong and polished. Her precision and power was impressive, though piano and orchestra could have meshed more smoothly. In fact, while for the most part the orchestra sounded cohesive, the instrumental sections were not consistently in sync. The final movement was played energetically, and again audience applause was loud and long.

The program concluded with Dvorak's “New World” Ninth Symphony, Op. 95. The smoothness of the phrasing in the strings provided a foundation for the familiar themes and was reminiscent of the Smetana work. This E Minor work from 1893 contains fewer contrasts than the expressive Moldau and flows more steadily forward without marked passages of serenity or tumult. The music had quite a lulling effect in the warm Hogan, especially in the Largo where the instruments sounded most graceful and closely attuned to each other. As the piece gained momentum in the final Allegro the orchestra gained sonority and power, becoming more unified at the end.

It was a successful audition for the conductor. The fact of repeated standing ovations spoke volumes for the quality of the performance, but in addition there was a sense in the auditorium that many would be returning for the next two concerts and their candidate conductors, Christian Baldini (Nov. 8) and Marc Taddei (Jan. 31).