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Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
Symphony
LECCE-CHONG PROVES HIS METTLE WITH SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, October 07, 2018
Francesco Lecce-Chong was handed two warhorses for his debut as conductor of the Santa Rosa Symphony, and he rode them both to thrilling victory. For the first win, Brahms’ violin concerto, he owed much to soloist Arnaud Sussman, but for the other triumph, Beethoven’s fifth symphony, he and his musi...
Chamber
THORNY BARTOK AND ELEGANT MENDELSSOHN FOR THE BRENTANO
by Sonia Morse Tubridy
Sunday, September 30, 2018
In a minor masterpiece of programming choices the Brentano String Quartet played a Sept. 30 Weill Hall program with an emphasis on refinement, even with a challenging Bartok work in the mix. Dvorák’s Miniatures for Two Violins and Viola (Op. 75a) opened the concert with charm and gentle loveliness,...
Chamber
ECHO'S RICH MUSICAL TAPESTRY IN MARIN
by Abby Wasserman
Sunday, September 30, 2018
Marin’s Echo Chamber Orchestra unfurled a glorious tapestry of Mozart, Weber and Respighi music Sept. 30 in San Anselmo’s First Presbyterian Church. The church, located on the grounds of San Francisco Theological Seminary, boasts a ceiling high enough for angels to fly, and its quiet setting and aco...
Recital
IDIOMATIC SCHUMANN AND BEETHOVEN HIGHTLIGHT WALKER'S CONCERTS GRAND RECITAL
by Terry McNeill
Sunday, September 23, 2018
Mostly known as a concert producer and indefatigable promoter of Sonoma County music, pianist Judy Walker stepped into the soloist’s role Sept. 23 in a sold out recital for the Concerts Grand House recitals series. Two Scarlatti Sonatas, in D Minor (K. 213) and D Major (K. 29), began the hour-long ...
Symphony
SAKAKEENY'S LION AND ROSE HIGHLIGHTS SO CO PHIL'S 20TH SEASON OPENER
by Terry McNeill
Saturday, September 22, 2018
Fresh from a triumphant tour in Latin America the Sonoma County Philharmonic opened its 20th season Sept. 22 in a celebratory concert in the Santa Rosa High School Auditorium. Keeping to the evening’s orchestra history and past performance, conductor emeritus Gabriel Sakakeeny, who led the So Co Ph...
Recital
DEDIK'S POTENT BEETHOVEN AND CHOPIN AT SPRING LAKE VILLAGE RECITAL
by Terry McNeill
Monday, September 17, 2018
Anastasia Dedik returned Sept. 17 to the Spring Lake Village Classical Music Series in a recital that featured three familiar virtuoso works in potent interpretations. Chopin’s G Minor Ballade hasn’t been heard in Sonoma County public concerts since a long-ago Earl Wild performance, and Beethoven’s...
Recital
DUO WEST OPENS OCCIDENTAL CONCERT SEASON
by Terry McNeill
Sunday, September 09, 2018
Before a full house at the Occidental Performing Arts Center Sept. 9 the cello-piano Duo West, playing from score throughout, presented a recital that on paper looked stimulating and thoughtful. Beginning with MacDowell’s To A Wild Rose (from Woodland Sketches, Op. 51), the transcription by an unan...
Chamber
CELLO-PIANO DUO IN HUSKY SPRING LAKE VILLAGE PROGRAM
by Terry McNeill
Wednesday, September 05, 2018
Two thirds of the way through a stimulating 22-concert season the Spring Lake Village Classical Music Series Sept. 5 presented two splendid cello sonatas before 110 people in the Village’s Montgomery auditorium. A duo for more than a decade, East Bay musicians cellist Monica Scott and pianist Hadle...
Chamber
EXTRAVAGANT FUSION OF STYLES AT CHRIS BOTTI BAND WEILL HALL CONCERT
by Jerry Dibble
Sunday, August 12, 2018
Trumpeter Chris Botti still performs in jazz venues including SF Jazz and The Blue Note, but now appears mostly in cavernous halls or on outdoor stages like the Sonoma State University’s Green Music Center. He brought his unique road show to the packed Weill Hall August 12 in a concert of effusive e...
OPERA REVIEW
Mendocino Music Festival / Friday, July 17, 2015
Allan Pollack, conductor. Chester Pidduck (Almaviva); Eugene Brancoveanu (Figaro); Nikki Einfield (Rosina); Igor Vieira (Bartolo); Dennis Rupp (Basilio); Adina Dorband (Berta)

I. Vieira E. Brancoveanu C. Pidduck N. Enflield D. Rupp A. Dorband J, Russell (N. Wilson Photo)

OPERA BUFFA HI JINX IN ROSSINI'S BARBER AT MENDO FESTIVAL

by Ken Bullock
Friday, July 17, 2015

During his July 17 lecture before the sole Mendocino Music Festival performance of Rossini’s The Barber of Seville, stage director Eugene Brancoveanu spoke of Commedia Dell’Arte. Mr. Brancoveanu, who sang the baritone title role of Figaro, alluded to the stylized clowning that is sometimes performed in the huge festival tent, and cast his eyes upward, humorously, to the top of the tent.

Beside mentioning Commedia (the comedy of craft) where lying is to tell the truth, and masked characters unmask the self, Mr. Brancoveanu pointed to the revolution Rossini effected in opera with his new treatment of vocal ornamentation in Bel Canto. “When someone hears a Rossini opera today, they’ll say it’s standard repertoire. But in his time, he was avant-garde and very controversial.”

And in a most refreshing way the Festival production brought Opera Buffa back to popular musical theater, to the delight of a nearly full house. The cast of seven played and sang with an often half-careless brilliance that almost seemed planned, and was wholly in the spirit of the Opera and Mr. Brancoveanu’s staging.

In Figaro’s famous first aria the baritone’s vocal and stage presence showed clear enjoyment of the mischievousness of the impish rogue, barber and procurer. The singing was so clever that it proved a showstopper with the audience cheering above its own applause.

Soprano Nikki Einfeld acted physically like a bored and love-crazed girl, but sang Rosina’s Una voce pocco fa with a knowing and mature voice, exciting in high melisma that continued through both acts. As Count Almaviva, tenor Chester Pidduck excelled both in the ornamental word play and the sweetness of the love songs. He acted with deft humor when disguised as a drunken soldier seeking to get free housing, and as a conspiratorial music student trying to be near Rosina.

Bass singers Igor Vieira and Dennis Rupp were convincing as Doctor Bartolo, Rosina’s overly doting guardian, and as Basilio (Mr. Rupp), the clownish clerical music teacher in cahoots with Bartolo. Mr. Vieira sang and acted brilliantly as the sourpuss that knows everyone is out to get him but quickly switched to falsetto to cruelly mimic his tormentors.

Even the minor roles were well performed. Soprano Adina Dorband as the superannuated old maid governess, stirringly sang Il vecchio cerca moglie. As the officer, James Russell doesn’t speak or sing, but had the audience in laughter trying to arrest the ersatz music student. The latter proves he is a nobleman with a gesture, and Mr. Russell joined the scene with the full cast going frozen in a tableau vivant, and where Mr. Russell’s features slowly oscillate between rubber-faced mugging and wry expressions of fear, disorientation and loathing.

The big final trio of Almaviva, Figaro and Rosina was performed elegantly.

The Opera’s four scenes ran the gamut of comic and serious emotions, and the Festival Orchestra (conducted by Allan Pollack) buoyed up the singing and occasionally soared above the vocal lines.