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Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
OPERA REVIEW
Mendocino Music Festival / Friday, July 17, 2015
Allan Pollack, conductor. Chester Pidduck (Almaviva); Eugene Brancoveanu (Figaro); Nikki Einfield (Rosina); Igor Vieira (Bartolo); Dennis Rupp (Basilio); Adina Dorband (Berta)

I. Vieira E. Brancoveanu C. Pidduck N. Enflield D. Rupp A. Dorband J, Russell (N. Wilson Photo)

OPERA BUFFA HI JINX IN ROSSINI'S BARBER AT MENDO FESTIVAL

by Ken Bullock
Friday, July 17, 2015

During his July 17 lecture before the sole Mendocino Music Festival performance of Rossini’s The Barber of Seville, stage director Eugene Brancoveanu spoke of Commedia Dell’Arte. Mr. Brancoveanu, who sang the baritone title role of Figaro, alluded to the stylized clowning that is sometimes performed in the huge festival tent, and cast his eyes upward, humorously, to the top of the tent.

Beside mentioning Commedia (the comedy of craft) where lying is to tell the truth, and masked characters unmask the self, Mr. Brancoveanu pointed to the revolution Rossini effected in opera with his new treatment of vocal ornamentation in Bel Canto. “When someone hears a Rossini opera today, they’ll say it’s standard repertoire. But in his time, he was avant-garde and very controversial.”

And in a most refreshing way the Festival production brought Opera Buffa back to popular musical theater, to the delight of a nearly full house. The cast of seven played and sang with an often half-careless brilliance that almost seemed planned, and was wholly in the spirit of the Opera and Mr. Brancoveanu’s staging.

In Figaro’s famous first aria the baritone’s vocal and stage presence showed clear enjoyment of the mischievousness of the impish rogue, barber and procurer. The singing was so clever that it proved a showstopper with the audience cheering above its own applause.

Soprano Nikki Einfeld acted physically like a bored and love-crazed girl, but sang Rosina’s Una voce pocco fa with a knowing and mature voice, exciting in high melisma that continued through both acts. As Count Almaviva, tenor Chester Pidduck excelled both in the ornamental word play and the sweetness of the love songs. He acted with deft humor when disguised as a drunken soldier seeking to get free housing, and as a conspiratorial music student trying to be near Rosina.

Bass singers Igor Vieira and Dennis Rupp were convincing as Doctor Bartolo, Rosina’s overly doting guardian, and as Basilio (Mr. Rupp), the clownish clerical music teacher in cahoots with Bartolo. Mr. Vieira sang and acted brilliantly as the sourpuss that knows everyone is out to get him but quickly switched to falsetto to cruelly mimic his tormentors.

Even the minor roles were well performed. Soprano Adina Dorband as the superannuated old maid governess, stirringly sang Il vecchio cerca moglie. As the officer, James Russell doesn’t speak or sing, but had the audience in laughter trying to arrest the ersatz music student. The latter proves he is a nobleman with a gesture, and Mr. Russell joined the scene with the full cast going frozen in a tableau vivant, and where Mr. Russell’s features slowly oscillate between rubber-faced mugging and wry expressions of fear, disorientation and loathing.

The big final trio of Almaviva, Figaro and Rosina was performed elegantly.

The Opera’s four scenes ran the gamut of comic and serious emotions, and the Festival Orchestra (conducted by Allan Pollack) buoyed up the singing and occasionally soared above the vocal lines.