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Recital
MTA BENEFIT CONCERT FEATURES FAURE, DVORAK, JANACEK AND BARBER WORKS
by Terry McNeill
Sunday, November 11, 2018
In a splendid concert Nov. 11 the Music Teachers Association of California, Sonoma County Chapter, presented their sixth annual benefit concert before 40 avid listeners in the Santa Rosa home of Helen Howard and Robert Yeats. Highlights of the performances, involving eight musicians in various perf...
Recital
SERKIN'S SINGULAR MOZART AND BACH PLAYING IN WEILL RECITAL
by Terry McNeill
Friday, November 09, 2018
Returning to Weill Hall following a fire-related recital cancellation in 2017, pianist Peter Serkin programmed just three works in his Nov. 7 concert, three masterworks that challenged both artist and audience alike. It needs to be said at the outset that Mr. Serkin takes a decidedly non-standard a...
Chamber
LUMINOUS FAURE TOPS LINCOLN TRIO'S SPRING LAKE VILLAGE CONCERT
by Terry McNeill
Wednesday, November 07, 2018
Familiarity in chamber music often evokes warm appreciation, and it was thus Nov. 7 when the Chicago-based Lincoln Piano Trio made one of their many Sonoma County appearances, this time on the Spring Lake Village Classical Music Series. Regularly presented by local impresario Robert Hayden, the Lin...
Symphony
PEACE AND LOVE FROM THE SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, November 04, 2018
Before the Santa Rosa Symphony’s Nov. 4 performance of Leonard Bernstein’s “Symphonic Dances from West Side Story,” Symphony CEO Alan Silow took a moment to acknowledge the victims of the Pittsburgh synagogue attack and to observe that music offers a more peaceful and loving view of the world. Mr. ...
Chamber
ATOS TRIO IN MILL VALLEY CHAMBER CONCERT
by Abby Wasserman
Sunday, November 04, 2018
When the ATOS Piano Trio planned their all-Russian touring program at their Berlin home base, it had a strong elegiac, even tragic theme that surely resonated with their Mill Valley Chamber Music Society audience Nov. 4 in Mill Valley. Comprised of Annette von Hehn, violin; Thomas Hoppe, piano; and...
Chamber
ATOS TRIO IN OCCIDENTAL CHAMBER CONCERT
by Terry McNeill
Saturday, November 03, 2018
When the Berlin-based ATOS Piano Trio entered the cramped Occidental Performing Arts stage Nov. 3, the audience of 100 anticipated familiar works in the announced all-Russian program. What they got was a selection of rarely-plays trios, with a gamut of emotions. Then one-movement Rachmaninoff G Mi...
Symphony
MIGHTY SHOSTAKOVICH 10TH OPENS MARIN SYMPHONY SEASON
by Terry McNeill
Sunday, October 28, 2018
Just two works were on the opening program of the Marin Symphony’s 67th season Oct. 28, Tchaikovsky’s iconic D Major Violin Concerto, and Shostakovich’s Tenth Symphony. Before a full house in the Marin Center Auditorium conductor Alasdair Neale set a judicious opening tempo in the brief orchestra i...
Symphony
VIVALDI FOR ALL SEASONS IN WEILL BAROQUE CONCERT
by Sonia Morse Tubridy
Saturday, October 27, 2018
The Venice Baroque Orchestra, a dozen superb musicians that include strings, harpsichord and recorder, played an uplifting concert Oct. 27 of mostly Vivaldi sinfonias and concertos. The Weill Hall audience of 600 had rapt attention throughout, and the playing was of the highest musical level. This r...
Recital
LIN'S PIANISM AND PERSONA CHARM SCHROEDER HALL AUDIENCE
by Terry McNeill
Sunday, October 21, 2018
In somewhat of a surprise a sold out Schroeder Hall audience greeted pianist Steven Lin Oct. 21 in his local debut recital. Why a surprise? Because Mr. Lin was pretty much unknown in Northern California, and Schroeder is rarely, very rarely sold out for a single instrumentalist. But no matter, and...
Chamber
HEROIC TRUMPET AND ORGAN MUSIC AT INCARNATION
by Jerry Dibble
Friday, October 12, 2018
The strong connections between Santa Rosa’s musical community and California State University Chico were on display Oct. 12 as David Rothe, Professor Emeritus in the Chico Music Department, and Ayako Nakamura, trumpet with the North State Symphony, presented a concert titled “Heroic Music for Trumpe...
CHAMBER REVIEW
Brave New Music / Wednesday, February 04, 2015
Szymanowski Quartet. Agata Szymczewska and Grzegorz Koloq, violin; Vladimir Mykytka, viola; Marcin Sieniawski, cello

Szymanowski Quartet Feb. 4 in Healdsburg (N. Bell Photo)

INTENSE STRING PLAYING IN HEALDSBURG'S ALL-POLISH COMPOSER PROGRAM

by Nicki Bell
Wednesday, February 04, 2015

A surprise program change greeted a full house in Healdsburg’s SHED Grange Room Feb. 4 when the Szymanowski Quartet from Warsaw played an all-Polish composer concert. Judging by audience comments at intermission the displacement of an arrangement of a Mussorgsky work by Penderecki’s Third Quartet was a happy one.

The entire concert, produced by Brave New Music, was saturated by dramatics that reflected the evening’s theme - No Expressive Stone Unturned. The playing of this consummate ensemble infused the room with provocative music, beginning with the Quartet’s namesake “Nocturne and Tarantella” from 1915. Originally written for violin and piano the piece was arranged for the Szymanowski by Ukrainian composer Myroslav Skoryk, and the contrasts between the gentle Nocturne and the increasingly percussive (and eventually fatal) tarantella were stark and angry.

Penderecki’s recent Quartet (“Leaves from an Unwritten Diary”) received a reading full of vitality and featured several gorgeous viola solos from Vladimir Mykytka. It’s written in one long movement with different scenes, and was commissioned by the Shanghai Quartet in 2008.

At the opening the music was wild and percussive, the string glissandos and shimmering tremolos becoming at times angry, and then reflective and lyrical. There were references to Bartok’s style in the primitive dance figurations and a dialogue of confrontation. The performance was virtuosic.

Following intermission and a position switch for violinists the Bacewicz Fourth String Quartet, based on Polish folk melodies, was performed. Here the dynamics were continuously nuanced, an exceptional accomplishment given the excitement of the playing and the tricky dance-like rhythms. Harmonies in this 1951 work were Brahmsian and then Ravelian, the latter with textures of teasing jazz.

The lovely slow movement was played with intertwined melodies from cellist Marcin Sieniaski and violinists Agata Szymczenska and Grzegorz Koloq, and the finale was a romp that could have come from Prokofiev. Wistful folk tunes turned into a frantic dance, reminding one of the Tarantella performed earlier in the program. The Quartet gave the Bacewicz heart-stopping intensity and a glowing and rapturous finish.

An ecstatic audience demanded an encore and it came with the Quartet’s own arrangement of a waltz from Shostakovich’s Jazz Suite. Recent research has shown the theme actually is from the Russian’s 1956 “Suite for Variety Orchestra” and became famous as a part of the soundtrack to the movie “Eyes Wide Shut.” It was a sweet and sincere ending to a kaleidoscopic concert of potent chamber music.

Contributing to this review were Linda McLaughlin and Vishnu.