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Recital
ELEGANT VOCAL MASTERY AT ROSES SIGNATURE RECITAL
by Pamela Hicks Gailey
Sunday, February 25, 2024
Recital
DEMANDING SCHUMANN WORK IN MUSIC AT OAKMONT RECITAL
by Terry McNeill
Thursday, November 9, 2023
Recital
RARE RAVEL IN MENDO FESTIVAL'S PRESTON HALL
by Terry McNeill
Thursday, July 20, 2023
Recital
FRENCH FLAVOR IN RARE FOUR-HAND RECITAL
by Judy Walker
Sunday, January 15, 2023
Recital
ASSERTIVE PIANISM IN YAKUSHEV'S OCCIDENTAL RECITAL
by Terry McNeill
Sunday, November 13, 2022
Recital
HEROIC LIM PERFORMANCE AT STEINWAY SOCIETY RECITAL
by Abby Wasserman
Sunday, September 18, 2022
Recital
AGGRESSIVE PIANISM IN MYER'S MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 14, 2022
Recital
UNIQUE ELEGANCE IN GALBRAITH GUITAR RECITAL
by Gary Digman
Friday, April 29, 2022
Recital
ALLURING GLASS WORKS IN WEILL RECITAL
by Terry McNeill
Friday, March 25, 2022
Recital
FORGOTTEN BACH SHINES IN YARDEN'S OAKMONT RECITAL
by Terry McNeill
Thursday, March 10, 2022
RECITAL REVIEW

Organist Philip Manwell

FRANCK ORGAN WORKS SUBLIMELY PLAYED BY MANWELL IN CAS RECITAL

by Jim Harrod
Sunday, October 26, 2014

Organist Philip Manwell played a sublime recital of the major organ works of César Franck October 26 at Santa Rosa’s Resurrection Parish. The concert was a delightful treat both for those not acquainted with Franck’s organ music and for the many organists in the audience who have studied the Belgian master’s work intensely.

Franck, who lived from 1822 through 1890, wrote music that is essential in the repertory of every classical organist. The six compositions played during the afternoon’s concert, produced by the Creative Arts Series, were Choral in E major; Prélude, Fugue and Variation; Cantabile; Fantasie in A Major; Pastorale; and Choral in A minor.

A sensuous but perfectly transparent legato technique is required to play well Franck’s somberly romantic symphonic music. Mr. Manwell demonstrated convincingly in each piece that he is a master of the Franck style. The music was played lovingly and tenderly legato throughout. Franck’s compositional style is to present two grand musical motifs in tandem, elegantly bridged together, and to follow by interweaving both themes into a glorious tonal tapestry. The romantic French stops of the organ were used correctly in the recital to achieve the desired effect. The artist’s pedal technique, as well as sensitive touch on the church’s three-manual instrument, was smoothly effective in all parts. Especially evident was Mr. Manwell’s instinctive and sensitive timing of each of the small pauses between the musical themes, as though to allow each flavor to last a bit longer. His awesome performance of “Cantabile,” from the 1878 Trois Pièces, was that of a heavenly vision descending.

Philip Manwell’s long career as professor of organ music, church musician, composer and international recitalist can be the envy of many musicians. He is currently Organist and Director of Music at the historic Trinity Episcopal Church in Reno.