Home  Reviews  Articles  Calendar  Presenters  Add Event     
Chamber
PERFORMER AS PROMOTER: CLARA SCHUMANN AND MUSICAL SALONS CLOSE VOM FESTIVAL
by Pamela Hicks Gailey
Sunday, July 28, 2019
The July 28 closing performance of the Valley of the Moon Chamber Music Festival could have been subtitled "Friends", as it was devoted to works by both Clara and Robert Schumann, and those of their friends and protégés Brahms and virtuoso violinist Joseph Joachim, with whom Clara toured extensively...
Chamber
ROMANTIC CHAMBER WORKS HIGHLIGHT VOM FESTIVAL AT HANNA CENTER
by Sonia Morse Tubridy
Saturday, July 27, 2019
Now in its 5th season the Valley of the Moon Chamber Music Festival presented July 27 a concert titled “My Brilliant Sister,” featuring Fanny Mendelssohn Hensel’s compositions for combinations of voice, fortepiano and strings. Fanny and her brother Felix were close, and Felix occasionally published ...
Symphony
ROMANTIC DREAMS AT THE MENDOCINO MUSIC FESTIVAL
by Kayleen Asbo
Wednesday, July 24, 2019
Romanticism, contrary to many popular perceptions, wasn’t simply about diving into the habitat of the heart. Romanticism began as a literary movement that elevated the power of nature as a transcendent force and sought with keen nostalgia to rediscover the wisdom of the past. The Romantics in both l...
Chamber
CHAUSSON CONCERTO SHINES IN A VISIONARY'S SALON
by Steve Osborn
Sunday, July 21, 2019
Ernest Chausson’s four-movement Concerto in D Major for Violin, Piano, and String Quartet (1891) is neither concerto nor sonata nor symphony, but it somehow manages to be all three, especially when played with fire and conviction by an accomplished soloist. Those incendiary and emotional elements w...
Chamber
EUROPEAN SALON MUSIC CAPTIVATES AT VOM FESTIVAL CONCERT
by Pamela Hicks Gailey
Sunday, July 21, 2019
Two stunning programs of 19th and 20th century chamber music were presented on July 21 and 28 as part of the Valley of the Moon Music Festival at the Hanna Center in Sonoma. Festival founders and directors pianist Eric Zivian and cellist Tanya Tompkins were both on hand to contribute brilliantly at ...
Chamber
ECLECTIC INSTRUMENTAL COMBINATIONS IN VOM FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 20, 2019
A Lovely summer afternoon in Sonoma Valley, an excellent small concert hall, enthusiastic audience, exciting musicians and creative programming with interesting story lines. All these were combined July 20 at a Valley of the Moon Festival concert titled “An Italian in Paris.” This is the fifth seaso...
Opera
'ELIXIR' A WELCOME TONIC IN SPRIGHTLY ANNUAL MMF OPERA
by Terry McNeill
Friday, July 19, 2019
In most of the Mendocino Music Festival’s 33 seasons a single evening is given over to a staged opera, with bare bones sets, lighting, costumes, minimal cast and short length. No Wagner or Verdi here, no multiple acts and complicated production demands. Light and frothy are the usual, and so it wa...
Recital
PUNGENT WALTZES AND VIRTUOSITY IN LADEUR'S SLV RECITAL
by Terry McNeill
Wednesday, July 17, 2019
San Francisco based pianist Jeffrey LaDeur has become one of the most sought-after North Bay virtuosi, and cemented that reputation July 17 in a short but eclectic recital in Santa Rosa’s Spring Lake Village Chamber Music Series. Before 140 in the Village’s auditorium Mr. LaDeur began with Schubert...
Choral and Vocal
NOBLE BRAHMS REQUIEM PERFORMANCE CLOSES SONOMA BACH'S SEASON
by Pamela Hicks Gailey
Saturday, June 01, 2019
Sonoma Bach, conducted by Robert Worth, presented a truly grand finale to their 2018-19 "Light Out of Darkness" season in two sold out Schroeder Hall performances June 1 and 2. The program "A Human Requiem" was received rapturously with a well-deserved standing ovation for the main work, Brahms' ...
Chamber
THREE SONG CYCLES HIGHLIGHT VIBRANT SLV RECITAL
by Pamela Hicks-Gailey
Wednesday, May 08, 2019
An ambitious recital of vocal and piano music was presented May 8 at Santa Rosa’s Spring Lake Village by mezzo-soprano Kindra Scharich and pianist Jeffrey LaDeur. The duo engaged the enthusiastic audience with scholarly friendliness and artistry in performances of Beethoven's short cycle of six song...
CHAMBER REVIEW
Piano Sonoma / Sunday, August 03, 2014
Performers TBA

Peter Duggan and Charles Yang

PIANO SONOMA JAMS IN FINAL WEILL CONCERT

by Terry McNeill
Sunday, August 03, 2014

PianoSonoma concluded its artist-in-residence performances August 3 in a sparkling Weill Hall concert where mostly new music overshadowed conventional fare.

Mendelssohn’s popular D Minor Trio began the program in a workmanlike performance that never quite caught fire. Tempos throughout were judicious, supported by the warm bottom register of cellist Julian Schwartz, and pianist David Aladashvili’s legato scale passages were, as usual for chamber music in Weill, often indistinct.

The lyrical Andante was lovely with fetching piano duos with violinist Yevgeny Kutik, the latter’s sound having pitch problems and a thin treble tone. The Scherzo was lively and the headlong rush of the finale well controlled. It was trio playing that was light on thematic projection and rubato but deserved the loud applause from the audience of 300.

A seven-section Thomas Cabaniss work, “Movements for Tiny Bits of Outrageous Love,” was boisterously played four hands from score by PianoSonoma directors Jessica and Michael Shinn. In his pre-performance remarks, Mr. Shinn asked the audience to make connections between the work’s witty titles and their own lives. Virtuosity was on display in every piece, from the quotidian “One and One” through “Flutter Flutter” (long shimmering trills and tremolos) and the new age and minimalist “Love Song.” In the nocturne-like “Respite” there was an air of nostalgic Brahms that quickly moved to a brief toccata and a charming slow waltz.

The only astringency was “Crossings,” wild at times with each pianist crossing both hands and making verbal shouts and looks of feigned surprise. The “Two” finale had relaxed playing with a deft rise and fall of phrase. Here the control of dynamics was perfect and the playing was justly received with one of the afternoon’s many ovations. What a showpiece “Movements” is!

A local premiere followed, composer-in-residence Paul Frucht’s unnamed piece for two pianos. Peter Duggan and Mr. Aladashvili played it wonderfully. At turns percussive, rumbling and busy, Mr. Frucht (in the audience and shouting “bravos” at the end) has written a work with cascades of notes and some inside-the-piano string plucking. The artists made the most of the short lyrical sections amid the raucous grand sweep that grew inexorably to a powerful conclusion.

Violinist Charles Yang and Mr. Duggan concluded the program with Ravel’s exciting Tzigane, the long solo violin introductory passage carrying clearly in the hall. Though sporadically clipping off phrase endings. Mr. Yang took his time in the 1924 piece, eschewing the often seen flamboyant body motions for lithe leaning into the gypsy harmonics and rhythms. Liszt’s Hungarian Rhapsodies (6, 9 and 12) for piano seemingly were models for this impassioned work. Both artists played off the other’s energy and conveyed a bit of menace in the scintillating score, a staple for virtuosi. The string pizzicato was convincingly forceful, as were Mr. Duggan’s even trills and athletic right hand skips. The acceleration of the coda to presto was dramatic.

Speaking of skips, after an unprogrammed five-minute piano-violin jam session that finished the concert to a standing ovation, Mr. Yang skipped off the stage with a full cartwheel.

PianoSonoma’s final concert was a cheerful event with serious and genial music captivatingly played.