Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
SO CO PHIL BON VOYAGE CONCERT AN ODYSSEY OF CONTRASTING SOUND
by Terry McNeill
Friday, June 15, 2018
In a splashy bon voyage concert June 15 the Sonoma County Philharmonic Orchestra launched its June 17-25 Costa Rica tour, performing gratis in Santa Rosa’s Jackson Theater the repertoire for tour concerts in San José, Costa Rica’s capital, and in surrounding towns. Conductor Norman Gamboa pr...
Chamber
COMMANDING CHOPIN AND DEBUSSY IN SLV RECITAL
by Terry McNeill
Wednesday, June 06, 2018
Concerts at the classy Spring Lake Village Retirement Home in Santa Rosa have admission limited to residents and a few guests, but the chance to hear a first cabin North Bay pianist June 6 brought a Classical Sonoma reviewer into the audience of 100. The crowd numbers were unusually low due to a ba...
Recital
MUSICAL ALCHEMY INSIDE A HIDDEN GEM
by Kayleen Asbo
Friday, May 25, 2018
The Petaluma Historical Library and Museum is a hidden gem of Sonoma County, a gracious building that is one of Sonoma County’s loveliest venues for chamber music concerts, with a fine period piano particularly suited to Romantic music.  Of the surprisingly large array of festivities there, one of t...
Chamber
FINAL VOM MUSICIANS CONCERT IN SCHROEDER A SCHUBERT DELIGHT
by Terry McNeill
Saturday, May 12, 2018
It's rare to have the opportunity to compare in a short period two performances of the same major Schubert work, in this case the great B Flat Piano Trio, D. 898. The chance came May 12 when the Valley of the Moon Festival musicians played it in Schroeder, just over a month since the Hall’s residen...
Symphony
FERRANDIS BIDS ADIEU WITH MAHLER’S FINAL SYMPHONY
by Steve Osborn
Sunday, May 06, 2018
Sonoma State students in graduation robes posed for pictures and hugged each other at the university’s stone gates on Sunday afternoon, mirroring the prolonged farewells within the university’s Green Music Center, where Bruno Ferrandis bid adieu to the Santa Rosa Symphony after a dozen years at the ...
Symphony
SONIC SPLENDOR AT MARIN SYMPHONY SEASON FINALE
by Abby Wasserman
Tuesday, May 01, 2018
The Marin Symphony Orchestra ended the current season with a flourish, interpreting big and small works by Richard Strauss and Stravinsky. Strauss and Stravinsky were contemporaries for 40 years, but inhabited different worlds. Both composers were affected by cataclysmic changes and war, and musical...
Symphony
ORGAN SYMPHONY IN SSU ORCHESTRA CONCERT IN WEILL
by Terry McNeill
Sunday, April 29, 2018
Though Classical Sonoma seldom reviews student concerts, as ample North Coast concerts keep the staff of 11 reviewers busy. But the chance to hear the Sonoma State University Orchestra tackle St. Saëns’ majestic Organ Symphony April 29 was a rare opportunity and not easily to be missed. Avec l’...
Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago “Golden Era” of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didn’t play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuber’s work to the public’s attention, and now they seem to be on almost ever...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the season’s final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopol’s Community Church, as the performers...
CHAMBER REVIEW
Piano Sonoma / Sunday, August 03, 2014
Performers TBA

Peter Duggan and Charles Yang

PIANO SONOMA JAMS IN FINAL WEILL CONCERT

by Terry McNeill
Sunday, August 03, 2014

PianoSonoma concluded its artist-in-residence performances August 3 in a sparkling Weill Hall concert where mostly new music overshadowed conventional fare.

Mendelssohn’s popular D Minor Trio began the program in a workmanlike performance that never quite caught fire. Tempos throughout were judicious, supported by the warm bottom register of cellist Julian Schwartz, and pianist David Aladashvili’s legato scale passages were, as usual for chamber music in Weill, often indistinct.

The lyrical Andante was lovely with fetching piano duos with violinist Yevgeny Kutik, the latter’s sound having pitch problems and a thin treble tone. The Scherzo was lively and the headlong rush of the finale well controlled. It was trio playing that was light on thematic projection and rubato but deserved the loud applause from the audience of 300.

A seven-section Thomas Cabaniss work, “Movements for Tiny Bits of Outrageous Love,” was boisterously played four hands from score by PianoSonoma directors Jessica and Michael Shinn. In his pre-performance remarks, Mr. Shinn asked the audience to make connections between the work’s witty titles and their own lives. Virtuosity was on display in every piece, from the quotidian “One and One” through “Flutter Flutter” (long shimmering trills and tremolos) and the new age and minimalist “Love Song.” In the nocturne-like “Respite” there was an air of nostalgic Brahms that quickly moved to a brief toccata and a charming slow waltz.

The only astringency was “Crossings,” wild at times with each pianist crossing both hands and making verbal shouts and looks of feigned surprise. The “Two” finale had relaxed playing with a deft rise and fall of phrase. Here the control of dynamics was perfect and the playing was justly received with one of the afternoon’s many ovations. What a showpiece “Movements” is!

A local premiere followed, composer-in-residence Paul Frucht’s unnamed piece for two pianos. Peter Duggan and Mr. Aladashvili played it wonderfully. At turns percussive, rumbling and busy, Mr. Frucht (in the audience and shouting “bravos” at the end) has written a work with cascades of notes and some inside-the-piano string plucking. The artists made the most of the short lyrical sections amid the raucous grand sweep that grew inexorably to a powerful conclusion.

Violinist Charles Yang and Mr. Duggan concluded the program with Ravel’s exciting Tzigane, the long solo violin introductory passage carrying clearly in the hall. Though sporadically clipping off phrase endings. Mr. Yang took his time in the 1924 piece, eschewing the often seen flamboyant body motions for lithe leaning into the gypsy harmonics and rhythms. Liszt’s Hungarian Rhapsodies (6, 9 and 12) for piano seemingly were models for this impassioned work. Both artists played off the other’s energy and conveyed a bit of menace in the scintillating score, a staple for virtuosi. The string pizzicato was convincingly forceful, as were Mr. Duggan’s even trills and athletic right hand skips. The acceleration of the coda to presto was dramatic.

Speaking of skips, after an unprogrammed five-minute piano-violin jam session that finished the concert to a standing ovation, Mr. Yang skipped off the stage with a full cartwheel.

PianoSonoma’s final concert was a cheerful event with serious and genial music captivatingly played.