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Chamber
THE FAMILIAR, THE RARE AND THE NEW
by Terry McNeill
Sunday, March 31, 2013
 Sonoma State's resident Trio Navarro has a well-earned reputation for eclectic programming, and in their Easter Sunday concert in Weill Hall, they chose the familiar, the rare and the new.
The new was SSU faculty composer Brian Wilson's "And Ezra the Scribe Stood Upon a Pulpit," a trio for horn, vi...
Chamber
SOLID GOLD FROM THE PARKER STRING QUARTET
by Steve Osborn
Friday, February 15, 2013
 Santa Rosa has been blessed with three superlative chamber music concerts during the past month, beginning with the Calder String Quartet in late January, followed by the Alexander String Quartet with violist Toby Appel in early February, and culminating with the Parker String Quartet one day after ...
Chamber
FROM THE MAGISTERIAL TO THE MACABRE
by Terry McNeill
Sunday, February 03, 2013
 Two more disparate chamber works could not be imagined in Weill Hall Feb. 3 when the Trio Navarro presented the Shostakovich Trio in E Minor and Dvorak’s “Dumky,” also in E minor. Both masterpieces have riveting audience interest but are worlds apart in structure and harmonic language.
Dvorak’s tri...
Chamber
AMARYLLIS TRIO IN FULL FLOWER
by Terry McNeill
Saturday, January 26, 2013
 The West County’s Amaryllis Trio began their winter concert season Jan. 26 in a charming Sebastopol home. Led by the ubiquitous pianist Sonia Tubridy, the Amaryllis programmed the entire first half with Schumann’s late third Piano Trio, Op. 110. A passionate and wild work, the trio demands an aggres...
Chamber
NATIVE VIRTUOSITY
by Terry McNeill
Saturday, January 05, 2013
 Violinist Nigel Armstrong is becoming a virtuoso staple for North Bay concerts, having played locally over the past three years in private homes, with symphonic groups and in several formal recitals. January 5 found him giving a benefit recital for the Sonoma Classical Music Society in his Sonoma ho...
Chamber
FROM TRIO TO SEXTET
by Terry McNeill
Sunday, November 18, 2012
 Sonoma State’s estimable Trio Navarro, long at the center of the North Bay chamber music scene, morphed into the Navarro Chamber Players on Nov. 18 in a Weill Hall concert that was both exhilarating and puzzling. The trio’s violinist Roy Malan and cellist Jill Rachuy Brindel were absent. Taking thei...
Chamber
ADÉS' ARCADIANA HIGHLIGHTS CALDER QUARTET CONCERT IN MILL VALLEY CHAMBER SERIES
by John Metz
Sunday, November 04, 2012
 The Calder Quartet saved the day Nov. 4 by stepping in at last minute to play for the Mill Valley Chamber Music Society’s second concert of this season. Originally set to appear was the Prague-based Prazak Quartet which cancelled due to an ill violinist. The Calder Quartet had performed the previous...
Chamber
ADLER FELLOWS WOW AUDIENCE IN NEW CAROLE ELLIS HALL CONCERT
by Mary Gillespie
Friday, October 12, 2012
 A nearly full house attended an inaugural chamber concert October 12 in the Carole Ellis Auditorium of SRJC’s Petaluma campus, the first time a formal chamber music concert was heard in the newly refurbished hall. The musicians were four San Francisco Opera Center’s Adler Fellows with pianist and...
Chamber
BEETHOVEN VARIATIONS HIGHLIGHT CULP-WOO RECITAL AT OAKMONT
by Terry McNeill
Thursday, September 13, 2012
 Cellist Jennifer Culp brought a surprise to her Oakmont Concert Series performance on Sept. 13 when she opened with Barber’s early Cello Sonata, Op. 6. Beginning with a tonal yet difficult to assimilate work was a good choice, as mostly familiar pieces filled out the recital before about 125 patrons...
Chamber
BEETHOVEN ON PARADE
by Steve Osborn
Saturday, March 31, 2012
 Movies have subtitles and operas have supertitles, but the Borromeo String Quartet has metatitles--titles so substantial that they replicate the entire performance, just within sight of the actual performers. Instead of words, the “metatitles” (i.e., the musical score projected on a screen) contain ...
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 Eroica Piano Trio |
EROICA PLAYS THREE TRIOS TO PACKED HOUSE IN MILL VALLEY CHAMBER CONCERT
by Elenor Barcsak
Sunday, March 25, 2012
To a packed house March 25 the Mill Valley Chamber Music Society presented their fourth season concert in the Mt. Tamalpais United Merthodist Church, and the Eroica Trio quickly established the "wow" factor in a program of Spanish, Russian and French music.
The opening Cassadó Trio, evoking a freshness in their demeanor that conveyed the music, from 1929, and its Iberian flavor. Pianist Erika Nickrenz’ technical proficiency sounded well in the large church space with even trills and able command of dynamics. Sara Sant'Ambrogio's lush cello line delivered the tango-like passages in the opening movement, balanced beautifully with the singing line from violinist Susie Park.
The playing in the second movement was more languid and projected a broader palette, and the pizzicato effects and rhythmic excitement from the cello were deft. The finale was playful in a dance mode, and foot tapping seemed to be infectious with the audience. There were glistening glissandos and clean scale passage playing from Ms. Nickrenz.
Spoken comments from Ms. Sant'Ambrogio announced the Shostakovich Second Piano Trio in E Minor, Op. 67, and the composition uses unique technical components and harmonics that require the fingers to create an eerie and ghostly sound. The second movement was not a typical playful scherzo, as this movement is impetuous with sarcastic undertones stealthy conveyed. The third movement is a Baroque passacaglia and Ms. Nickrenz displayed careful dynamic control and never covered her partners. The finale, with themes from Jewish tunes, saw the return of the passacaglia and was a highlight of the concert. Ending on a major chord, the work gave rise to hope.
Ravel's A Major Trio comprised the second half and was a refreshing glimpse into the Impressionistic world. The Eroica, now clad in royal red gowns, gave the impression of being considered classical music sovereigns. The instruments have long undulating melodic lines which were in constant balance, with lovely arpeggios. Each of the three movement are related thematically and in the elaborate finale Ms. Park's violin mimicked the rich vibrato from the cello and brought passion to this noble music. In the finale there were moments reminiscent of Debussy's "La Cathédrale Engloutie" (10th Prelude from his First book of Preludes) and a more moderate tempo than one might have wished for.
Following the Ravel there was a standing ovation and the demanded encore was a transcription for all three instruments by Ms. Sant'Ambrogio of the Saint-Saëns "Swan" from his 1886 Carnival of the Animals.
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