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Symphony
A SOUND TO BEHOLD
by Steve Osborn
Saturday, May 07, 2016
Concert titles are rarely specific, but the one for the Santa Rosa Symphony’s May 7 concert, “Jazzy Impressions,” is as literal as they get. The first half consisted of two American pieces influenced by jazz, and the second of two French works in the impressionist style. Pairing two similar pieces ...
Recital
AT THE BOUNDARIES OF MUSICAL EXPLORATION
by Sonia Morse Tubridy and Nicki Bell
Friday, May 06, 2016
On May 6 at Weill Hall, pianist Yuja Wang gave a much-anticipated recital of Brahms, Schumann and Beethoven. This young artist has been heralded internationally for her brilliant virtuosic technique and sensational performances. In this recital, her first to focus on a Beethoven sonata, she played h...
Recital
A WANDERING MILLER IN SCHUBERT'S AGELESS CYCLE
by Mark Kratz
Sunday, April 24, 2016
The Green Center’s Weill Hall is a Sonoma County treasure that allows North Bay audiences to enjoy the world’s finest musicians against the backdrop of our grapevine-covered hills. German baritone Matthias Goerne and pianist Alexander Schmalcz presented a recital of Schubert’s song cycle "Die Schön...
Recital
EERIE SCHUBERT AND SOPORIFIC BRAHMS IN MIDORI RECITAL IN WEILL
by Terry McNeill
Saturday, April 23, 2016
California has long been a big part of Midori Goto’s career, and she now teaches and tours from the USC campus in Los Angeles. After never performing in Sonoma County, the violinist’s area debut April 23 in Weill was a moderate success before an audience of 800 that included a large sprinkling of s...
Choral and Vocal
EASTER AND ASCENSION ORATORIOS SOAR IN ABS MARIN CONCERT
by Joanna Bramel Young
Friday, April 22, 2016
Three baroque composers were brought together April 22 at the American Bach Soloists‘ offering of oratorios: Buxtehude, Johann Kuhnau and Bach. In Belvedere’s St. Stephen’s Church the ABS highlighted the sequence of influence for these three masters, displaying stunning choral singing, virtuoso in...
Recital
CHRISTIE RETURNS TO SCHROEDER WITH THE FAMILIAR AND THE NEW
by James Harrod
Sunday, April 17, 2016
Organist James David Christie returned to Schroeder Hall on the SSU campus April 17 to play an awesome concert of Baroque music on the Hall’s Brombough Opus 9 organ. The artist performed to a large appreciative and attentive audience, and presented both familiar and unknown musical selections from t...
Choral and Vocal
CHANTICLEER SINGS TO THE MOON IN WEILL HALL CONCERT
by Sonia Morse Tubridy
Saturday, April 16, 2016
The renowned male a cappella  Chanticleer choir presented an "Over the Moon" program April 15 at the Green Music Centers Weill Hall.  The audience, including many choral music cognoscenti, was entranced by a varied and enriching program spanning centuries and continents. The theme of the evening was...
Symphony
SPANISH SPLENDOR IN SO CO PHIL'S SEASON FINALE CONCERT
by Terry McNeill
Sunday, April 10, 2016
Two program staples for the Sonoma County Philharmonic have been works of a Latin flavor, and spotlighting local soloists. Conductor Norman Gamboa has mounted intriguing Central American, Mexican and Spanish works for years, and flutist Kathleen Lane Reynolds, pianists Alice Zhu Lauren Xie, and tro...
Recital
OAKMONT 25TH ANNIVERSARY CONCERT FEATURES KAHANE'S SCHUBERT AND CHOPIN
by Terry McNeill
Sunday, April 10, 2016
Jeffery Kahane spreads his musical largess widely. Since leaving a Sonoma County residence for Colorado the pianist has returned often for performances, the most recent the wildly successful ChamberFest series at the Green Music Center last summer. April 10 found him again in Sonoma County, this t...
Symphony
COLORFUL FALLA AND PROVOCATIVE BRITTEN WORKS IN SRS WEILL HALL CONCERTS
by Terry McNeill
Monday, April 04, 2016
Current fashion in orchestra season marketing showcases themes, and it’s de rigueur now, from the fledgling Sonoma County Philharmonic to the august San Francisco Symphony. Some of these themes are inane, but the Santa Rosa Symphony’s set of three concerts beginning April 2, with the event ...
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, March 25, 2012
Eroica Trio: Erika Nickrenz, piano; Susie Park, violin; Sara Sant'Ambrogio, cello

Eroica Piano Trio

EROICA PLAYS THREE TRIOS TO PACKED HOUSE IN MILL VALLEY CHAMBER CONCERT

by Elenor Barcsak
Sunday, March 25, 2012

To a packed house March 25 the Mill Valley Chamber Music Society presented their fourth season concert in the Mt. Tamalpais United Merthodist Church, and the Eroica Trio quickly established the "wow" factor in a program of Spanish, Russian and French music.

The opening Cassadó Trio, evoking a freshness in their demeanor that conveyed the music, from 1929, and its Iberian flavor. Pianist Erika Nickrenz’ technical proficiency sounded well in the large church space with even trills and able command of dynamics. Sara Sant'Ambrogio's lush cello line delivered the tango-like passages in the opening movement, balanced beautifully with the singing line from violinist Susie Park.

The playing in the second movement was more languid and projected a broader palette, and the pizzicato effects and rhythmic excitement from the cello were deft. The finale was playful in a dance mode, and foot tapping seemed to be infectious with the audience. There were glistening glissandos and clean scale passage playing from Ms. Nickrenz.

Spoken comments from Ms. Sant'Ambrogio announced the Shostakovich Second Piano Trio in E Minor, Op. 67, and the composition uses unique technical components and harmonics that require the fingers to create an eerie and ghostly sound. The second movement was not a typical playful scherzo, as this movement is impetuous with sarcastic undertones stealthy conveyed. The third movement is a Baroque passacaglia and Ms. Nickrenz displayed careful dynamic control and never covered her partners. The finale, with themes from Jewish tunes, saw the return of the passacaglia and was a highlight of the concert. Ending on a major chord, the work gave rise to hope.

Ravel's A Major Trio comprised the second half and was a refreshing glimpse into the Impressionistic world. The Eroica, now clad in royal red gowns, gave the impression of being considered classical music sovereigns. The instruments have long undulating melodic lines which were in constant balance, with lovely arpeggios. Each of the three movement are related thematically and in the elaborate finale Ms. Park's violin mimicked the rich vibrato from the cello and brought passion to this noble music. In the finale there were moments reminiscent of Debussy's "La Cathédrale Engloutie" (10th Prelude from his First book of Preludes) and a more moderate tempo than one might have wished for.

Following the Ravel there was a standing ovation and the demanded encore was a transcription for all three instruments by Ms. Sant'Ambrogio of the Saint-Saëns "Swan" from his 1886 Carnival of the Animals.