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Symphony
ZOOLOGICAL THEME RESOUNDS IN SPLENDID VSO HOGAN CONCERT
by Elizabeth Warnimont
Sunday, January 25, 2015
A pair of virtuosic young pianists wowed the crowd Jan. 25 at the Vallejo Symphony Orchestra concert in Vallejo’s Hogan Auditorium, and part of the proceeds from the mostly animal-themed music benefited the Humane Society of the North Bay. Symphony conductor David Ramadanoff warmed up the afternoon...
Chamber
SNAZZY CLARINET-PIANO WORKS IN MILL VALLEY CHAMBER CONCERT
by Terry McNeill
Sunday, January 25, 2015
Often international-level instrumental duos are pickup couplings, one virtuoso’s schedule meeting another’s with the resulting desultory concerts. An exception would be the violinist Anne Sophie Mutter with her long-time partner Lambert Orkis, and the Nakamatsu-Manesse Duo. The latter played a pro...
Recital
MESMERIZING BACH AND CASALS IN MA'S WEILL HALL RECITAL
by Terry McNeill
Saturday, January 24, 2015
Cellist Yo Yo Ma’s warm friendship with North Coast audiences entered a new chapter Jan. 24 in a standing-room only and stage seats Weill Hall recital. Playing three Bach Suites for solo cello, Mr. Ma could have echoed the young Liszt’s famous comment, “the concert is me.” But the concert was real...
Choral and Vocal
A BRIGHT AXIS FOR ABS HANDEL AND BACH IN MARIN
by Joanna Bramel Young
Friday, January 23, 2015
American Bach Soloists’ opening concert of their 26th season, with performances of Bach’s beloved Fourth Brandenburg Concerto and Handel’s touchingly pastoral Acis and Galatea. The Fourth Brandenburg is one of six that Bach sent as a gift to the Margrave Christian Ludwig of Brandenburg in 17...
Recital
BRINGING NOTES TO SHIMMERING LIFE
by Terry McNeill
Sunday, January 18, 2015
David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire. They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, a...
Symphony
AMERICANA WITH A FLASHING BOW
by Steve Osborn
Sunday, January 11, 2015
Mark O'Connor is an extraordinary fiddler, as he amply demonstrated via his bravura performance with the Santa Rosa Symphony on Sunday afternoon. Whether he is an extraordinary composer is open to debate. The audience had ample time to judge O'Connor's compositional skills during the program, half ...
Chamber
MOZART IN THE MIX
by Terry McNeill
Sunday, January 11, 2015
Napa Valley Music Associates 20th annual Mozart concert Jan. 11 was a mostly Mozart event at the Jamieson Ranch Vineyards, but five mostly romantic composers happily joined the musical mix. Jassen Todorov was the featured violinist in two Sonatas, the F Major (K. 377) and the B Flat (K. 378), partn...
Chamber
WINDS WARM LAKEPORT CHAMBER CONCERT
by Cathy Kaiser
Sunday, January 11, 2015
The cold winter weather, so common to Lake County in January, gave way to warm winds Jan.11 as the La Voce Del Vento Chamber Players presented their first concert of 2015 with guest pianist Aaron Ames. Formed in 1982 by bassoonist Ann Hubbard, La Voce Del Vento (The Voice of the Wind) introduced Lak...
RICH PALETTE OF CELLO COLORS IN ARRON-PARK OAKMONT RECITAL
by Terry McNeill
Thursday, January 08, 2015
Rachmaninoff’s haunting cello sonata highlighted Music at Oakmont’s first 2015 concert Jan. 8 in the retirement community’s spacious Berger Auditorium. In a reading that was both muscular and lush cellist Edward Arron and pianist Jeewon Park explored the ripe romanticism of the Russian’s 1901 G Min...
Choral and Vocal
ABS PERFORMS HANDEL'S MESSIAH IN TRIUMPHAL WEILL HALL DEBUT
by Joanna Bramel Young
Sunday, December 21, 2014
The American Bach Soloists (ABS) made their Sonoma County debut at Weill Hall December 19, performing the three-hour-long oratorio “Messiah” to a full house. In the 25 years since its founding in Marin the ABS has achieved world renown, and has long performed regularly in Belvedere, San Francisco, ...
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, March 25, 2012
Eroica Trio: Erika Nickrenz, piano; Susie Park, violin; Sara Sant'Ambrogio, cello

Eroica Piano Trio

EROICA PLAYS THREE TRIOS TO PACKED HOUSE IN MILL VALLEY CHAMBER CONCERT

by Elenor Barcsak
Sunday, March 25, 2012

To a packed house March 25 the Mill Valley Chamber Music Society presented their fourth season concert in the Mt. Tamalpais United Merthodist Church, and the Eroica Trio quickly established the "wow" factor in a program of Spanish, Russian and French music.

The opening Cassadó Trio, evoking a freshness in their demeanor that conveyed the music, from 1929, and its Iberian flavor. Pianist Erika Nickrenz’ technical proficiency sounded well in the large church space with even trills and able command of dynamics. Sara Sant'Ambrogio's lush cello line delivered the tango-like passages in the opening movement, balanced beautifully with the singing line from violinist Susie Park.

The playing in the second movement was more languid and projected a broader palette, and the pizzicato effects and rhythmic excitement from the cello were deft. The finale was playful in a dance mode, and foot tapping seemed to be infectious with the audience. There were glistening glissandos and clean scale passage playing from Ms. Nickrenz.

Spoken comments from Ms. Sant'Ambrogio announced the Shostakovich Second Piano Trio in E Minor, Op. 67, and the composition uses unique technical components and harmonics that require the fingers to create an eerie and ghostly sound. The second movement was not a typical playful scherzo, as this movement is impetuous with sarcastic undertones stealthy conveyed. The third movement is a Baroque passacaglia and Ms. Nickrenz displayed careful dynamic control and never covered her partners. The finale, with themes from Jewish tunes, saw the return of the passacaglia and was a highlight of the concert. Ending on a major chord, the work gave rise to hope.

Ravel's A Major Trio comprised the second half and was a refreshing glimpse into the Impressionistic world. The Eroica, now clad in royal red gowns, gave the impression of being considered classical music sovereigns. The instruments have long undulating melodic lines which were in constant balance, with lovely arpeggios. Each of the three movement are related thematically and in the elaborate finale Ms. Park's violin mimicked the rich vibrato from the cello and brought passion to this noble music. In the finale there were moments reminiscent of Debussy's "La Cathédrale Engloutie" (10th Prelude from his First book of Preludes) and a more moderate tempo than one might have wished for.

Following the Ravel there was a standing ovation and the demanded encore was a transcription for all three instruments by Ms. Sant'Ambrogio of the Saint-Saëns "Swan" from his 1886 Carnival of the Animals.