Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
DRAMATIC DIVA SINGS WORKS OF AMERICAN COMPOSERS IN WEILL
by Vaida Falconbridge
Sunday, April 13, 2014
After opening her April 13 Weill Hall recital with the bright “The Year’s at the Spring,” probably Amy Beach’s best-known song, soprano Deborah Voigt paused for a moment to say to the audience, “When we were putting the program together, we had no idea it would be so apropos!” Continuing with the ...
Recital
RUSSIAN PIANIST, RUSSIAN MUSIC, RUSSIAN DRAMA
by Terry McNeill
Sunday, April 13, 2014
In the season’s penultimate Sonoma Classical Music Society concert on Sunday afternoon, April 13, Russian pianist Anastasia Dedik played an all-Russian program that was heavy on drama with just a modicum of lyricism. Two Rachmaninoff Etudes Tableaux opened the program, the E-Flat Minor from Op. 33 ...
Chamber
THEMATIC OPULENCE FROM THE TRIO NAVARRO
by Terry McNeill
Sunday, April 06, 2014
Northern California’s Trio Navarro presented just two works in an April 6 Weill Hall concert, an event with consummate playing, inspired drama and ample thematic richness. Schubert’s B-Flat Major Trio, D. 898, was the evening’s highlight and was familiar fare for the estimable Navarro. The wonderfu...
Chamber
LUSH ZEMLINSKY AND A PREMIERE IN ARIADNE'S WEILL CONCERT
by Nicki Bell
Friday, April 04, 2014
Trio Ariadne played a riveting concert April 4 in Weill Hall as part of Sonoma State’s Music Department Spring Series. This concert had something juicy for all musical tastes. The program spanned centuries and moods with a Beethoven pot pourri, a world premiere from an Icelandic composer, and a lus...
Recital
WARM SPRING MUSIC AND ART IN CAS ORGAN RECITAL
by Jim Harrod
Sunday, March 23, 2014
Spring brought flowers and the virtuoso organist Faythe Freese to play a joyful recital on March 23 at Santa Rosa’s Resurrection Parish. Both the artist and the beautiful spring weather were most welcome, and the event was part of the Creative Arts Series. Ms. Freese, Professor of Organ at The Un...
Symphony
A TOUR DE FORCE OF SONIC SPLENDOR
by Terry McNeill
Sunday, March 23, 2014
On paper the Santa Rosa Symphony's March 23 concert in Weill Hall looked promising and even provocative, with a world-premiere concerto, a famous solo violist and two flashy Russian orchestral works. But as often is the case, in unexpected ways the whole was not equal to the sum of the parts. Behza...
Chamber
GLASS TOWER SHINES IN CATALYST QUARTET CONCERT
by Linda McLaughlin
Tuesday, March 18, 2014
A concert produced by Brave New Music and featuring the Catalyst Quartet March 18 in Healdsburg’s SHED Grange Hall was a delight from almost any standpoint, or sitting point. Unlike the first Brave New Music concert last November, this time there were no visual accompaniments (film) behind the perfo...
Symphony
NEW-WORLD ORCHESTRAL MASTERY
by Terry McNeill
Saturday, March 15, 2014
Orchestral splendor and dynamic contrast were the hallmarks of the American Philharmonic's (APSC) third concert of the 2014 season March 15 before an enthusiastic audience of 400 in the Santa Rosa High School Performing Arts Center. With the concert titled "From the New World," the music needed to d...
Symphony
AMPLE EVIDENCE OF A BRIGHT FUTURE
by Terry McNeill
Friday, March 14, 2014
An inaugural concert for a new area orchestra is a special deal, and the fledgling North Bay Sinfonietta’s March 14 concert in Santa Rosa’s First Presbyterian Church gave ample evidence of a bright future. Organized and conducted by Cynthia Weichel, the Sinfonietta’s 30-plus members filled the cram...
Chamber
GHOSTS AND GYPSIES USHER IN THE SPRING
by Terry McNeill
Thursday, March 13, 2014
As a harbinger of spring, the Boston Trio brought sprightly piano trios of Haydn and Beethoven to their Music at Oakmont concert March 13 in Berger Auditorium. Happily the long and weighty Dvorak F Minor Trio, Op. 65, didn't manage to dampen the warm afternoon's ambiance. The Dvorak performance was...
CHAMBER REVIEW
Mill Valley Chamber Music Society / Sunday, March 25, 2012
Eroica Trio: Erika Nickrenz, piano; Susie Park, violin; Sara Sant'Ambrogio, cello

Eroica Piano Trio

EROICA PLAYS THREE TRIOS TO PACKED HOUSE IN MILL VALLEY CHAMBER CONCERT

by Elenor Barcsak
Sunday, March 25, 2012

To a packed house March 25 the Mill Valley Chamber Music Society presented their fourth season concert in the Mt. Tamalpais United Merthodist Church, and the Eroica Trio quickly established the "wow" factor in a program of Spanish, Russian and French music.

The opening Cassadó Trio, evoking a freshness in their demeanor that conveyed the music, from 1929, and its Iberian flavor. Pianist Erika Nickrenz’ technical proficiency sounded well in the large church space with even trills and able command of dynamics. Sara Sant'Ambrogio's lush cello line delivered the tango-like passages in the opening movement, balanced beautifully with the singing line from violinist Susie Park.

The playing in the second movement was more languid and projected a broader palette, and the pizzicato effects and rhythmic excitement from the cello were deft. The finale was playful in a dance mode, and foot tapping seemed to be infectious with the audience. There were glistening glissandos and clean scale passage playing from Ms. Nickrenz.

Spoken comments from Ms. Sant'Ambrogio announced the Shostakovich Second Piano Trio in E Minor, Op. 67, and the composition uses unique technical components and harmonics that require the fingers to create an eerie and ghostly sound. The second movement was not a typical playful scherzo, as this movement is impetuous with sarcastic undertones stealthy conveyed. The third movement is a Baroque passacaglia and Ms. Nickrenz displayed careful dynamic control and never covered her partners. The finale, with themes from Jewish tunes, saw the return of the passacaglia and was a highlight of the concert. Ending on a major chord, the work gave rise to hope.

Ravel's A Major Trio comprised the second half and was a refreshing glimpse into the Impressionistic world. The Eroica, now clad in royal red gowns, gave the impression of being considered classical music sovereigns. The instruments have long undulating melodic lines which were in constant balance, with lovely arpeggios. Each of the three movement are related thematically and in the elaborate finale Ms. Park's violin mimicked the rich vibrato from the cello and brought passion to this noble music. In the finale there were moments reminiscent of Debussy's "La Cathédrale Engloutie" (10th Prelude from his First book of Preludes) and a more moderate tempo than one might have wished for.

Following the Ravel there was a standing ovation and the demanded encore was a transcription for all three instruments by Ms. Sant'Ambrogio of the Saint-Saëns "Swan" from his 1886 Carnival of the Animals.