Home  Reviews  Articles  Calendar  Presenters  Add Event     
Opera
ONE-NIGHT STAND AT MMF'S ABDUCTION FROM THE SERAGLIO
by Terry McNeill
Friday, July 15, 2016
Mozartís Opera ďAbduction from the SeraglioĒ has a long reputation as being tough for singers, and it was with some trepidation that I entered the Mendocino Music Festivalís massive white tent July 15 to hear and see the new production from the 30th season. Not to Worry. Conducted by Festival Arti...
Opera
FROTHY FROLICKING AT CINNABAR'S MAGICAL FLUTE
by Terry McNeill
Saturday, June 11, 2016
Though having just two acts, Mozartís Opera ďThe Magic FluteĒ encompasses a jumbled fairy tale plot with complicated staging and myriad performers in demanding vocal roles. Petalumaís Cinnabar Theater took up the arduous challenge of this 1791 work, among Mozartís last, in a series of performances ...
Opera
OPERA BUFFA HI JINX IN ROSSINI'S BARBER AT MENDO FESTIVAL
by Ken Bullock
Friday, July 17, 2015
During his July 17 lecture before the sole Mendocino Music Festival performance of Rossiniís The Barber of Seville, stage director Eugene Brancoveanu spoke of Commedia DellíArte. Mr. Brancoveanu, who sang the baritone title role of Figaro, alluded to the stylized clowning that is sometimes p...
Opera
SIR JOHN'S VISUAL FEAST IN CINNABAR THEATER FALSTAFF PRODUCTION
by Terry McNeill
Saturday, June 13, 2015
Verdiís operas tend to have a visceral impact on listeners, the connection forged by emphasizing starkly realistic human emotions and glorious tunes for singers and richly hued orchestra writing. But not in his last opera written in 1893: Falstaff. In only the Italian master's second comedy, Fals...
Opera
A PROVOCATIVE DON GIOVANNI AT MENDOCINO FESTIVAL
by Terry McNeill
Friday, July 18, 2014
At each Mendocino Music Festival a key evening is given over to a staged opera in the big tent, and last year Rossiniís frothy ďIl Signor BruschinoĒ was an audience hit but hardly comprehensive operatic fare. Times change. Mozartís weighty opera Don Giovanni was given a propulsive but often confus...
Opera
HILARIOUS "MARRIAGE OF FIGARO" AT CINNABAR
by Nicki Bell
Friday, May 30, 2014
The Cinnabar Theater mounted a delightful, madcap, rambunctious, completely charming, extremely funny, very classy production of Mozartʼs opera "The Marriage of Figaro" from May 30 to June 15. With the feel of a 1920s Upstairs/Downstairs farce, it was sung in English and easily understood. Tho...
Opera
POWERFUL OPENING NIGHT FOR CINNABAR'S CARMEN
by Vaida Falconbridge
Saturday, June 01, 2013
When "Carmen" debuted at the Opera Comique in 1875, it was poorly received. Its composer, Georges Bizet, died a few months later, thinking he had written another failure. Now widely considered the most popular opera in the world, "Carmen" was excellently performed and given an enthusiastic reception...
Opera
OPERATIC TWIN BILL OPENS AT SONOMA STATE
by Terry McNeill
Thursday, February 07, 2013
Two one-act operas--Haydn's "The Deserted Island" and Vaughan Williams' "Riders to the Sea"--currently being mounted by Sonoma State University's music, theater and dance departments, reflect the University's usual innovative staging and production. On the Feb. 7 opening night Person Theater's 400 ...
Opera
TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI
by Richard Riccardi
Friday, March 23, 2012
Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Operaís season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theaterís latest production, Mozartís Don Giovanni, K. 527, is a splendid experience that opened a nine-sho...
Opera
HENNESSEY TRIUMPHS IN CINNABAR'S WEST COAST PREMIERE OF TOBIAS PICKER'S EMMELINE
by Richard Riccardi
Friday, May 28, 2010
Cinnabar Theater continues to excel in the Northern California music world. This small company has once again raised the musical and theatrical bar in their terrific production of Tobias Pickerís 1996 opera ďEmmelineĒ that opened a West Coast premiere May 28 to a boisterous full house in their smal...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagrů, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Operaís season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theaterís latest production, Mozartís Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozartís mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabarís ďDon GiovanniĒ had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Brittís Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William OíNeill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanniís aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited Iím sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichensteinís stage direction was masterful, making full use of Paul Gilgerís gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. Itís a fabulous production with outstanding singing.