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Recital
MYER'S MENDO FESTIVAL RECITAL SPOTLIGHTS MOZART TO BALCOM
by Terry McNeill
Wednesday, July 22, 2015
Completing the Mendocino Music Festivalís piano series July 22 was an energetic recital by returning Festival artist Spencer Myer. The nearly full Preston Hall audience was treated to a program, announced from the piano, that had broad musical appeal and panache. Exploring the Festivalís Mozart t...
Symphony
MOZART'S GENIUS UPSTAGES DIVA, YOUTH AND CONDUCTOR IN STERLING MMF CONCERT
by Terry McNeill
Wednesday, July 22, 2015
Mendocinoís eclectic Music Festival gave a strong imprimatur to the Mozart theme July 22 with a radiant orchestral and vocal concert in the big white tent on the Mendocino headlands. The Overture from ďThe Abduction from the SeraglioĒ (K. 384) opened the concert in an adroit reading that was...
Chamber
CLARINET MUSIC LAUNCHES NEW FESTIVAL IN SONOMA VALLEY
by Terry McNeill
Sunday, July 19, 2015
Among the several North Coast summer festivals in 2015 is a new one, the Valley of the Moon Music Festival, directed by San Francisco-area artists Tanya Tomkins and Eric Zivian. Itís unique in presenting seven concerts of the Classical and Romantic eras with instruments designed and mostly built wh...
Opera
OPERA BUFFA HI JINX IN ROSSINI'S BARBER AT MENDO FESTIVAL
by Ken Bullock
Friday, July 17, 2015
During his July 17 lecture before the sole Mendocino Music Festival performance of Rossiniís The Barber of Seville, stage director Eugene Brancoveanu spoke of Commedia DellíArte. Mr. Brancoveanu, who sang the baritone title role of Figaro, alluded to the stylized clowning that is sometimes p...
Recital
ELEGANT SCRIABIN, CHOPIN AND GRANADOS IN MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 16, 2015
Taiwanese pianist Ching-Yun Hu made a formidable Mendocino Music Festival debut recital July 16 in Mendocinoís Preston Hall. A full house warmly greeted the diminutive artist, and she responded with a pensive and then dramatic performance of Scriabinís Sonata Fantasy, Op. 19. Writers refer to thi...
Symphony
SPLASHY RUSSIAN MUSIC IN MENDOCINO MUSIC FESTIVAL OPENER
by Terry McNeill
Saturday, July 11, 2015
Summer music festivals season tend to be launched each season with a sparkling audience-pleasing program, and the 29th Mendocino Music Festival opening concert was no exception July 11 with an all-Russian program in the big white tent concert hall on Mendocinoís breezy bluff. Conducted by Artistic ...
Recital
FRENCH ROMANTIC ORGAN MUSIC IN NUMINA RECITAL
by James Harrod
Friday, July 10, 2015
Etienne Walhain played a magical recital July 10 of organ music of Bach, Scarlatti and Franck. Displaying total command of the Church of the Incarnationís Casavant instrument under his hands and feet, Mr. Walhain performed his program from memory with breath taking speed, accuracy, and clean articul...
Symphony
BRANDENBURGS A SPIRITUAL GIFT IN FINAL CHAMBERFEST CONCERT
by Terry McNeill
Sunday, June 28, 2015
ďWell, you should have been there.Ē A trite saying used too often by concertgoers? Sure. But surely it was the appropriate adage for the final Chamberfest concert June 28 in Sonoma Stateís Weill Hall. Capping a nine-event series mostly in Schroeder Hall, Jeffrey Kahane led ensembles of up to 20 ...
Recital
TWO EXEMPLARY ORGAN RECITALS HIGHLIGHT CHAMBERFEST
by James Harrod
Sunday, June 28, 2015
Baroque music aficionados and organists were glued to their seats at Chamberfestís June 27 and 28 when Malcolm Matthews performed two amazingly perfect recitals of Baroque organ music from North Europe of the 16th and 17th centuries. The two prodigious concerts included no less than 17 selections,...
Chamber
INTREPID VIRTUOSITY IN PAREMSKI'S BRAHMS VARIATIONS
by Terry McNeill
Friday, June 26, 2015
Sonoma County organist James Harrod contributed the organ work analysis in this review. Pianist Natasha Paremski had the stellar role June 26 in the third Chamberfest program in Schroeder Hall, beginning with Beethovenís A Flat Sonata, Op. 110. Classical Sonoma was unable to review the Sonat...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagrů, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Operaís season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theaterís latest production, Mozartís Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozartís mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabarís ďDon GiovanniĒ had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Brittís Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William OíNeill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanniís aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited Iím sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichensteinís stage direction was masterful, making full use of Paul Gilgerís gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. Itís a fabulous production with outstanding singing.