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Choral and Vocal
A BRIGHT AXIS FOR ABS HANDEL AND BACH IN MARIN
by Joanna Bramel Young
Friday, January 23, 2015
American Bach Soloists’ opening concert of their 27th season, with performances of Bach’s beloved Fourth Brandenburg Concerto and Handel’s touchingly pastoral Acis and Galatea. The Fourth Brandenburg is one of six that Bach sent as a gift to the Margrave Christian Ludwig of Brandenburg in 17...
Recital
BRINGING NOTES TO SHIMMERING LIFE
by Terry McNeill
Sunday, January 18, 2015
David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire. They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, a...
Symphony
AMERICANA WITH A FLASHING BOW
by Steve Osborn
Sunday, January 11, 2015
Mark O'Connor is an extraordinary fiddler, as he amply demonstrated via his bravura performance with the Santa Rosa Symphony on Sunday afternoon. Whether he is an extraordinary composer is open to debate. The audience had ample time to judge O'Connor's compositional skills during the program, half ...
Chamber
MOZART IN THE MIX
by Terry McNeill
Sunday, January 11, 2015
Napa Valley Music Associates 20th annual Mozart concert Jan. 11 was a mostly Mozart event at the Jamieson Ranch Vineyards, but five mostly romantic composers happily joined the musical mix. Jassen Todorov was the featured violinist in two Sonatas, the F Major (K. 377) and the B Flat (K. 378), partn...
Chamber
WINDS WARM LAKEPORT CHAMBER CONCERT
by Cathy Kaiser
Sunday, January 11, 2015
The cold winter weather, so common to Lake County in January, gave way to warm winds Jan.11 as the La Voce Del Vento Chamber Players presented their first concert of 2015 with guest pianist Aaron Ames. Formed in 1982 by bassoonist Ann Hubbard, La Voce Del Vento (The Voice of the Wind) introduced Lak...
RICH PALETTE OF CELLO COLORS IN ARRON-PARK OAKMONT RECITAL
by Terry McNeill
Thursday, January 08, 2015
Rachmaninoff’s haunting cello sonata highlighted Music at Oakmont’s first 2015 concert Jan. 8 in the retirement community’s spacious Berger Auditorium. In a reading that was both muscular and lush cellist Edward Arron and pianist Jeewon Park explored the ripe romanticism of the Russian’s 1901 G Min...
Choral and Vocal
ABS PERFORMS HANDEL'S MESSIAH IN TRIUMPHAL WEILL HALL DEBUT
by Joanna Bramel Young
Sunday, December 21, 2014
The American Bach Soloists (ABS) made their Sonoma County debut at Weill Hall December 19, performing the three-hour-long oratorio “Messiah” to a full house. In the 25 years since its founding in Marin the ABS has achieved world renown, and has long performed regularly in Belvedere, San Francisco, ...
Chamber
NEW CENTURY AND SF CHORUS CHARMS WEILL AUDIENCE IN CHRISTMAS PROGRAM
by Sonia Tubridy
Friday, December 12, 2014
On December 12 a good-sized audience came out of the cold evening into the warmth and light of Weill Hall, and soon the regal warmth and light of beautiful music filled the auditorium and hearts of those present. Violinist Nadja Salerno-Sonnenberg with New Century Chamber Orchestra launched into a s...
Symphony
SYMPHONY'S STRAVINSKY A WIND AND RHYTHMIC FEAST
by Terry McNeill
Monday, December 08, 2014
Santa Rosa Symphony conductor Bruno Ferrandis put together a curious program mix Dec. 8 in Weill Hall that on paper promised a culture clash, but actually delivered a memorable musical experience. Composers often fashion suites from orchestral works, and just as often the shorter suite can be more ...
Recital
GOING BAROQUE!
by James Harrod
Sunday, November 30, 2014
Virtuoso organist Charles Rus returned to the Bay Area and Sonoma County November 30th to perform a dazzling recital of Baroque organ music. Mr. Rus channeled the souls of the great 17th century giants of organ composition into the beautiful newly installed pipe organ in Sonoma State’s Schroeder Hal...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagró, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Opera’s season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theater’s latest production, Mozart’s Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozart’s mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabar’s “Don Giovanni” had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Britt’s Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William O’Neill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanni’s aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited I’m sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichenstein’s stage direction was masterful, making full use of Paul Gilger’s gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. It’s a fabulous production with outstanding singing.