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Opera
A PROVOCATIVE DON GIOVANNI AT MENDOCINO FESTIVAL
by Terry McNeill
Friday, July 18, 2014
At each Mendocino Music Festival a key evening is given over to a staged opera in the big tent, and last year Rossiniís frothy ďIl Signor BruschinoĒ was an audience hit but hardly comprehensive operatic fare. Times change. Mozartís weighty opera Don Giovanni was given a propulsive but often confus...
Recital
UNHURRIED COMMAND IN MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 17, 2014
Pianist Robert Schwartz opened Mendocino Music Festivalís piano series July 17 with a set of works in a recital made for keyboard connoisseurs. His success was doubly gratifying for the artist as he had played on the same stage at last yearís Festival, but had to cancel most of the recital due to il...
Symphony
A MUSIC OFFERING IN A SONIC MIXTURE
by Terry McNeill
Wednesday, July 16, 2014
Bachís iconic D Minor Clavier Concerto was the centerpiece in the fourth day of Mendocino Music Festival events July 16 in the big tent concert hall, with San Francisco-based Stephen Prutsman the featured artist. Conducting a chamber orchestra of ten from a lidless piano, Mr. Prutsman took fast te...
Choral and Vocal
A CAPAPELLA FEVER AHH
by Terry McNeill
Wednesday, July 16, 2014
Choral singing, especially unaccompanied by piano or orchestra, seldom gets exposure at a summer music festival. So it was a surprise July 16 to find the Mendocino Music Festival featuring a full program of a capella singing in downtown Mendocinoís Preston Hall. Perhaps due to the local performers...
Symphony
DRAMATIC SUMMER MUSICAL FARE IN WEILL
by Terry McNeill
Monday, July 14, 2014
Napaís Festival Del Soleís summer resident orchestra, Sphinx, made a dramatic Weill Hall appearance July 15 with three star performers and a curious mix of pungent repertoire. Violinist Pinchas Zuckerman received the biggest adulation from the audience, closing the first half playing Bruchís G Mino...
Chamber
SUMMER SCHUBERT SUNSHINE
by Terry McNeill
Friday, June 27, 2014
Though not as well known as the formidable Trio Navarro, the Amaryllis Trio has had an increasing chamber music presence since 2012 with manifold Sonoma and Marin County concerts. Sebastopolís St. Stephen's Church and the Numina Center for the Arts hosted them June 27 in a sparkling concert of four ...
Chamber
A ONCE-IN-A-LIFETIME BRASS CONCERT
by Philip Beard
Thursday, June 12, 2014
"I think I just died and went to heaven" is a stock phrase for times of unusual bliss. On June 12 at SSU's Green Music Center, I didn't in fact die, but the 2Ĺ hours spent listening to the National Brass Ensemble came as close to a brass player's heaven as I can imagine. The hall was all but sold o...
Opera
HILARIOUS "MARRIAGE OF FIGARO" AT CINNABAR
by Nicki Bell
Friday, May 30, 2014
The Cinnabar Theater mounted a delightful, madcap, rambunctious, completely charming, extremely funny, very classy production of Mozartʼs opera "The Marriage of Figaro" from May 30 to June 15. With the feel of a 1920s Upstairs/Downstairs farce, it was sung in English and easily understood. Tho...
Symphony
BENEFIT FOR CHILDREN, BOON FOR MUSIC LOVERS
by Steve Osborn
Thursday, May 22, 2014
For its postseason concert on May 22, the Santa Rosa Symphony--together with piano soloist Jeffrey Kahane and conductor Bruno Ferrandis--played for free. The money they would otherwise have earned will be used to benefit more than 20,000 children served by the Symphony's extensive outreach efforts, ...
Symphony
POWERFUL SHOSTAKOVICH WORKS CLOSE USO'S SEASON
by Earl Dixon
Sunday, May 18, 2014
The Ukiah Symphony Orchestra concluded its current season on the May 17 weekend with a focus on Shostakovich. The featured works in Mendocino Collegeís Center Theater were the second Piano Concerto in F major, Op. 102 and Symphony No. 5 in D minor, Op. 47. Pianist Aaron Ames played the concerto an...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagrů, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Operaís season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theaterís latest production, Mozartís Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozartís mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabarís ďDon GiovanniĒ had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Brittís Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William OíNeill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanniís aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited Iím sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichensteinís stage direction was masterful, making full use of Paul Gilgerís gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. Itís a fabulous production with outstanding singing.