Home  Reviews  Articles  Calendar  Presenters  Add Event     
Symphony
A PIANIST AND ORCHESTRA IN NEED OF A PIANO
by Terry McNeill
Saturday, November 15, 2014
Sonoma County Philharmonic conductor Norman Gamboa mounted a crackerjack program Nov. 15 to end the Philharmonic's 2014 calendar year. It was a balanced menu of dramatic orchestral playing, beguiling choral works and an intriguing piano soloist in Santa Rosa's High School Auditorium. The evening's ...
Symphony
A CELLO CONCERTO FROM A DISTANT WORLD
by Terry McNeill
Monday, November 10, 2014
Several surprises characterized the Santa Rosa Symphony’s Nov. 10 Weill Hall concert, the first being an almost full house on a Monday night after the same program was heard the two previous days. The important surprise was how well the audience liked the thorny Dutilleux cello concerto, Tout un...
Recital
ROBUST PLAYING IN KENNER'S ANGELICO HALL DEBUT RECITAL
by Terry McNeill
Sunday, November 09, 2014
Europe-based Kevin Kenner chose a husky program for his Marin debut recital Nov. 9 in Dominican University’s Angelico Hall, and elected three masterpieces from the Romantic piano literature. Schubert’s C Major “Wanderer” Fantasy has nearly disappeared from recital programs, but it was a deft openi...
Recital
CHAMBER MUSIC MASTERY IN VALLEJO SYMPHONY ORCHESTRA CONCERT
by Elizabeth Warnimont
Sunday, November 09, 2014
The Vallejo Symphony Orchestra presented the first small group performance of its 2014-2015 season Nov. 9 in the casual setting of Vallejo’s First Presbyterian Church. Clarinetist Diane Maltester wowed the audience with stunning performances of pieces by well-known and rarely heard composers. “Dian...
Recital
FRANCK ORGAN WORKS SUBLIMELY PLAYED BY MANWELL IN CAS RECITAL
by Jim Harrod
Sunday, October 26, 2014
Organist Philip Manwell played a sublime recital of the major organ works of César Franck October 26 at Santa Rosa’s Resurrection Parish. The concert was a delightful treat both for those not acquainted with Franck’s organ music and for the many organists in the audience who have studied the Belgian...
Chamber
A BRUCH SURPRISE IN TRIO'S SCHROEDER CONCERT
by Terry McNeill
Sunday, October 26, 2014
Part of the Trio Navarro’s sterling reputation rests with the rare repertoire they perform. So it was a bit of a surprise Oct. 26 in Schroeder Hall when they programmed popular works by Beethoven and Rachmaninoff. Somehow Max Bruch pieces managed to sneak into the mix. The Bruch in a way stole th...
Symphony
DARK SPIRITS IN SPOOKY ANDERSON AND ROE WEILL PROGRAM
by Sonia Tubridy
Friday, October 24, 2014
The Anderson and Roe piano duo have been a force in the music world for over a decade. Their arrangements and performances present virtuoso abilities and commitment to engaging audiences in the beauty and drama of classical music, juxtaposed with contemporary artists' music of other genres. The conc...
Recital
THREE DISPARATE SONATAS HIGHLIGHT BELL'S SR SYMPHONY BENEFIT IN WELLS
by Nicki Bell
Friday, October 24, 2014
Superstar violinist Joshua Bell and pianist Alessio Bax made the Well Fargo Center their first stop Oct. 24 on their world tour, and it was a scintillating benefit recital for the Santa Rosa Symphony. Mr. Bellʼs virtuosity and musicianship have elicited universal critical praise including swe...
Recital
IMPECCABLE ARTISTIC TASTE IN ANTON NEL SRJC RECITAL
by Terry McNeill
Sunday, October 19, 2014
Reporting on a recital by the Austin-based pianist Anton Nel is a predictably satisfying task. His playing Oct. 19 in SRJC’s Newman Auditorium mirrored a recital on the same stage nearly two years ago and showcased a high level of professionalism and artistry. Beginning with Mozart’s D Major "Dupor...
Symphony
BOUNDLESS BAROQUE ARTISTRY IN LIVE OAK SCHROEDER HALL CONCERT
by Joanna Bramel Young
Sunday, October 19, 2014
On October 19 the Live Oak Baroque Orchestra, directed by baroque violinist Elizabeth Blumenstock, appeared in the first of several concerts it is to present at Schroeder Hall in Sonoma State University’s Green Music Center. The new 250-seat recital space is the perfect venue for chamber music, whi...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagró, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Opera’s season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theater’s latest production, Mozart’s Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozart’s mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabar’s “Don Giovanni” had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Britt’s Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William O’Neill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanni’s aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited I’m sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichenstein’s stage direction was masterful, making full use of Paul Gilger’s gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. It’s a fabulous production with outstanding singing.