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Symphony
A SOUND TO BEHOLD
by Steve Osborn
Saturday, May 07, 2016
Concert titles are rarely specific, but the one for the Santa Rosa Symphony’s May 7 concert, “Jazzy Impressions,” is as literal as they get. The first half consisted of two American pieces influenced by jazz, and the second of two French works in the impressionist style. Pairing two similar pieces ...
Recital
AT THE BOUNDARIES OF MUSICAL EXPLORATION
by Sonia Morse Tubridy and Nicki Bell
Friday, May 06, 2016
On May 6 at Weill Hall, pianist Yuja Wang gave a much-anticipated recital of Brahms, Schumann and Beethoven. This young artist has been heralded internationally for her brilliant virtuosic technique and sensational performances. In this recital, her first to focus on a Beethoven sonata, she played h...
Recital
A WANDERING MILLER IN SCHUBERT'S AGELESS CYCLE
by Mark Kratz
Sunday, April 24, 2016
The Green Center’s Weill Hall is a Sonoma County treasure that allows North Bay audiences to enjoy the world’s finest musicians against the backdrop of our grapevine-covered hills. German baritone Matthias Goerne and pianist Alexander Schmalcz presented a recital of Schubert’s song cycle "Die Schön...
Recital
EERIE SCHUBERT AND SOPORIFIC BRAHMS IN MIDORI RECITAL IN WEILL
by Terry McNeill
Saturday, April 23, 2016
California has long been a big part of Midori Goto’s career, and she now teaches and tours from the USC campus in Los Angeles. After never performing in Sonoma County, the violinist’s area debut April 23 in Weill was a moderate success before an audience of 800 that included a large sprinkling of s...
Choral and Vocal
EASTER AND ASCENSION ORATORIOS SOAR IN ABS MARIN CONCERT
by Joanna Bramel Young
Friday, April 22, 2016
Three baroque composers were brought together April 22 at the American Bach Soloists‘ offering of oratorios: Buxtehude, Johann Kuhnau and Bach. In Belvedere’s St. Stephen’s Church the ABS highlighted the sequence of influence for these three masters, displaying stunning choral singing, virtuoso in...
Recital
CHRISTIE RETURNS TO SCHROEDER WITH THE FAMILIAR AND THE NEW
by James Harrod
Sunday, April 17, 2016
Organist James David Christie returned to Schroeder Hall on the SSU campus April 17 to play an awesome concert of Baroque music on the Hall’s Brombough Opus 9 organ. The artist performed to a large appreciative and attentive audience, and presented both familiar and unknown musical selections from t...
Choral and Vocal
CHANTICLEER SINGS TO THE MOON IN WEILL HALL CONCERT
by Sonia Morse Tubridy
Saturday, April 16, 2016
The renowned male a cappella  Chanticleer choir presented an "Over the Moon" program April 15 at the Green Music Centers Weill Hall.  The audience, including many choral music cognoscenti, was entranced by a varied and enriching program spanning centuries and continents. The theme of the evening was...
Symphony
SPANISH SPLENDOR IN SO CO PHIL'S SEASON FINALE CONCERT
by Terry McNeill
Sunday, April 10, 2016
Two program staples for the Sonoma County Philharmonic have been works of a Latin flavor, and spotlighting local soloists. Conductor Norman Gamboa has mounted intriguing Central American, Mexican and Spanish works for years, and flutist Kathleen Lane Reynolds, pianists Alice Zhu Lauren Xie, and tro...
Recital
OAKMONT 25TH ANNIVERSARY CONCERT FEATURES KAHANE'S SCHUBERT AND CHOPIN
by Terry McNeill
Sunday, April 10, 2016
Jeffery Kahane spreads his musical largess widely. Since leaving a Sonoma County residence for Colorado the pianist has returned often for performances, the most recent the wildly successful ChamberFest series at the Green Music Center last summer. April 10 found him again in Sonoma County, this t...
Symphony
COLORFUL FALLA AND PROVOCATIVE BRITTEN WORKS IN SRS WEILL HALL CONCERTS
by Terry McNeill
Monday, April 04, 2016
Current fashion in orchestra season marketing showcases themes, and it’s de rigueur now, from the fledgling Sonoma County Philharmonic to the august San Francisco Symphony. Some of these themes are inane, but the Santa Rosa Symphony’s set of three concerts beginning April 2, with the event ...
OPERA REVIEW
Cinnabar Theater / Friday, March 23, 2012
Anders Froehlich, Kelly Britt, Mark Kratz, Emma McNairy, John Minagró, Eileen Morris, William O'Neill and Eugene Walden. Mary Chun,conductor; Elly Lichenstein, stage director

Anders Froehlich (Don) and Emma McNairy (Zerlina) March 23 at Cinnabar

TERRIFIC SINGING AND COLORFUL STAGING HIGHLIGHT CINNABAR'S DON GIOVANNI

by Richard Riccardi
Friday, March 23, 2012

Question: where do dedicated North Bay opera lovers go to experience great performances when San Francisco Opera’s season ends? The quick answer is the Cinnabar Theater in Petaluma. Cinnabar Theater’s latest production, Mozart’s Don Giovanni, K. 527, is a splendid experience that opened a nine-show run March 23.

Don Giovanni, written in Mozart’s mature years to a Lorenzo Da Ponte libretto, stretches the resources of the most dedicated and professional opera companies. A piece both musically and dramatically challenging, Cinnabar met and conquered that task with ease, thanks to a solid cast of singers and the artistry of Musical Director Mary Chun and Stage Director Elly Lichenstein.

Performers in this production were not only strong in their respective roles, but unified as an ensemble, particularly in the larger developing sections, a style Mozart initiated in his second act finale of Le Nozze di Figaro years earlier. A lengthy piece to be sure, Cinnabar’s “Don Giovanni” had my full attention for its entire two and a half hours. Beautiful singing, great acting and fight choreography all contributed to the glory of this production. Anders Froehlich, convincing musically and dramatically as the lecherous Don Giovanni, shone as the lead but also played exceedingly well into the ensemble.

Emma McNairy as Zerlina and Kelly Britt’s Donna Anna are young singers whose pitch perfect performances make them ones to watch. Mark Andrew Kratz as Don Ottavio, John Minagro as the Commendatore, Eileen Morris as Donna Elvira and William O’Neill as Masetto, all delivered solid and delightful performances individually and collectively. Eugene Walden, a consummate Leporello as Don Giovanni’s aide and servant, made the strongest dramatic and musical impression: accurate, comical and engaging. In short, Mr. Walden led the charge for the success of this show.

Mary Chun conducted a small (limited I’m sure, by budget and space constraints) but very precise orchestra for the opera. The sound was well balanced with the stage action, but I found myself longing for a little more sonic projection from the pit. Ms. Lichenstein’s stage direction was masterful, making full use of Paul Gilger’s gorgeous and innovative set. Tracy Sigrist (Costume Designer), Lighting Designer Wayne Hovey and Scenic Artists Anita Walden, Sharlyn Klein and Ms. Lichenstein contributed to the beauty and splendor of this opera buffa masterpiece that premiered in Prague in 1787.

Don Giovanni (sung in English) continues its Cinnabar performances through April 15, and details are at www.cinnabartheater.org and in the calendar at Classical Sonoma. It’s a fabulous production with outstanding singing.