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Recital
HEAVENLY SCHUBERT AND DEMONIC CHOPIN
by Terry McNeill
Saturday, April 21, 2018
One of the anomalies in the long ago ďGolden EraĒ of romantic pianism (about 1905 to 1940) is that the virtuoso giants of the time didnít play Schubert. It took the German pianist Artur Schnabel to bring the beauties of Schuberís work to the publicís attention, and now it seems to be on almost every...
Symphony
SPLENDID JUPITER AND ZOOMING CONCERTO AT VALLEJO SYMPHONY SEASON FINALE
by Terry McNeill
Sunday, April 15, 2018
Over the past two years the Vallejo Symphony has made big changes, moving from a stark middle school auditorium to the snazzy remodeled 1911-era downtown Empress Theater, and engaging Marc Taddei as its seventh conductor. April 15 was the seasonís final concert of the 86th season. In a programmin...
Chamber
VIRTUOSO CELLO AND GUITAR TRANSCRIPTIONS AT RAC SEBASTOPOL CONCERT
by Terry McNeill
Saturday, April 14, 2018
Listeners and yes even music critics usually prepare for a concert with research, checking recorded performances, looking at artist biographies and even reviewing sheet music. This was a difficult task for the April 14 Redwood Arts Council concert in Sebastopolís Community Church, as the performers...
Chamber
TRIO NAVARRO'S POPULAR FARE IN SCHROEDER HALL CONCERT
by Terry McNeill
Sunday, April 08, 2018
Long time Classical Sonoma readers may recall many Trio Navarro concert reviews that lauded their virtuosity and interest in rarely played repertoire. The April 8 concert in Schroeder Hall before 85 chamber music fans featured sterling performances but had a mostly conservative menu of popular trio...
Recital
KENNER'S ALL POLISH RECITAL HAS PADEREWSKI RARITY
by Abby Wasserman
Sunday, April 08, 2018
Kevin Kennerís April 8 recital at Dominican Universityís Angelico Hall had been advertised as all-Chopin, but he added a detour into another seminal Polish composer-pianist, Paderewski. Several of Mr. Kennerís teachers were Poles, he speaks Polish, and he navigated at the piano both composersí deman...
Symphony
IT'S ALL ABOUT THE VOICE AT SANTA ROSA SYMPHONY
by Steve Osborn
Sunday, April 08, 2018
In an April 8 Santa Rosa Symphony concert filled to the brim with instruments--electric violin, vibraphone, marimba, xylophone, glockenspiel, keyboard samplers, harps, piano and myriad drums, gongs and bells, to say nothing of winds, brass and strings--the instrument that came out on top was the hum...
Chamber
VOM FESTIVAL TRIO CHARMS WITH CHAMBER MIX, AND HUMMEL
by Terry McNeill
Saturday, March 31, 2018
At the core of the group of Valley of the Moon Music Festival (VOM) musicians is an ensemble of trios and duos, and as a trio March 31 Festival founders cellist Tanya Tomkins and pianist Eric Zivian joined British violinist Monica Huggett for a chamber music concert in the Green Music Centerís Schro...
Choral and Vocal
GOOD FRIDAY REQUIEM FILLS INCARNATION
by Terry McNeill
Friday, March 30, 2018
Maurice Duruflťís short and intense Requiem has been heard in Santa Rosaís Church of the Incarnation before, but the March 30 Good Friday performance was stripped down in the number of performers, combining Cantiamo Sonoma and the St. Cecilia Choir with musical underpinning from organist Robert Youn...
Symphony
HAMELIN'S HUSKY MOOD IN SCHROEDER RECITAL
by Terry McNeill
Sunday, March 25, 2018
Convention in piano recitals has the artist coming on stage and playing. Canadian pianist Charles Richard-Hamelin walked on Schroeder Hallís stage March 25 and didnít play for six minutes, chatting with the audience. A risk for some artists. Then most programs include a contemporary or rarely play...
Recital
VIRTUOSIC VARIATIONS IN MORGAN'S SCHROEDER ORGAN RECITAL
by Paul Blanchard
Sunday, March 18, 2018
Organist Robert Huw Morganís artistry spun through the web of early variation form in a Mar. 18 recital on Schroeder Hallís wonderful Brombaugh organ. Mr. Morgan, Stanford Universityís resident organist, performs a wide range of repertoire, but as he said in comments to the audience, he loves when h...
RECITAL REVIEW
Creative Arts Series / Sunday, March 18, 2012
Angela Cross, organ

Organists (l to r) Beth Zucchino, Angela Kraft Cross and Harold Julander March 18

ORGAN VIRTUOSITY IN CROSS' CREATIVE ARTS SERIES RECITAL

by James Harrod
Sunday, March 18, 2012

Bay area virtuoso organist Angela Kraft Cross favored Sonoma County organ fans with a bounteous floribunda of favorite organ classics in a March 18 recital at Santa Rosa's Resurrection Parish, produced by the Creative Arts Series.

Ms. Crossís robustly athletic program featured Bachís Fantasie and Fugue in G minor, BWV 542, and the chorale Christ, unser Herr, zum Jordan kam; Mendelssohnís Allegro, Chorale and Fugue in D; Schumannís Canons in A flat and B minor, Opus 56; Lisztís Prelude and Fugue on B*A*C*H*; and the popular Symphonie VI in G minor by Widor.

However, for a welcoming introduction, Ms. Cross played her own composition from 2009, A Joyous Celebration. This work is an exuberantly happy arrangement of canons dancing in perfect counterpoint. Although composed for the solemnity of a friendís wedding, one could imagine, when listening to this lovely invention, that the entire Bay Area morning commute had become suddenly giddy with springtime. We should hear it every morning on the radio. I recommend it.

This entire program was performed with unrelenting artistry, unhesitating tempo, and delicately articulated touch appropriate to each composer. The familiar standards of the organ literature were played note perfect and heart felt as if they could be immediate inventions of the performer.

The artist employed the organ sensitively and correctly underpowered for the instrumentís space. The Allen Renaissance Quantum digital organ has four separate and complete tonal resources for use: English Cathedral, French Romantic, American Classic, and Neo-Baroque.

Angela Kraft Cross is well known as a performing artist and promoter of organ performance in the San Francisco Bay Area. In addition to her music career, Ms. Cross is an ophthalmologist.