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Recital
IMPECCABLE ARTISTIC TASTE IN ANTON NEL SRJC RECITAL
by Terry McNeill
Sunday, October 19, 2014
Reporting on a recital by the Austin-based pianist Anton Nel is a predictably satisfying task. His playing Oct. 19 in SRJCís Newman Auditorium mirrored a recital on the same stage nearly two years ago and showcased a high level of professionalism and artistry. Beginning with Mozartís D Major "Dupor...
Symphony
BOUNDLESS BAROQUE ARTISTRY IN LIVE OAK SCHROEDER HALL CONCERT
by Joanna Bramel Young
Sunday, October 19, 2014
On October 19 the Live Oak Baroque Orchestra, directed by baroque violinist Elizabeth Blumenstock, appeared in the first of several concerts it is to present at Schroeder Hall in Sonoma State Universityís Green Music Center. The new 250-seat recital space is the perfect venue for chamber music, whi...
Chamber
AUTUMNAL BRAHMS IN WEILL CHAMBER MUSIC CONCERT
by Nicki Bell and Sonia Tubridy
Saturday, October 18, 2014
If you were in Weill Oct. 18 you might have experienced heaven, a Brahms heaven, when New Yorkís Chamber Music Society of Lincoln Center played an all-Brahms concert in the Hallís MasterCard Performance series. It was late Brahms which means rich emotional expression and deep and fluid themes. The...
Recital
PIANISM OF SUBSTANCE AND CONTROL
by Terry McNeill
Thursday, October 16, 2014
Israeli pianist Einav Yarden has had several past Sonoma County appearances, but her Oct. 16 Music at Oakmont recital exhibited a new and attractive level of resolute programming, instrumental mastery and impressive musicianship. She played three substantial works, including the opening Second Engl...
Symphony
BEYOND THE GOLDEN GATE
by Terry McNeill
Thursday, October 16, 2014
Three works composed within three years of each other were programmed in the San Francisco Symphonyís concert in Weill Hall on Oct. 16, but each was sharply different. Before a nearly full house, conductor Stťphane DenŤve opened with Barberís iconic Adagio for Strings, Op. 11, in a compelling but ...
Symphony
LATE-INNING HEROICS
by Steve Osborn
Sunday, October 12, 2014
Much like a home baseball team that scores the winning run in the bottom of the ninth, the Santa Rosa Symphony saved the best for last in its Sunday afternoon concert on Oct. 12. They led off with a tentative but ultimately captivating reading of Richard Strauss's "Till Eulenspiegel's Merry Pranks,...
Recital
MAGICAL GUITAR MASTERY IN KANENGISER'S SCHROEDER RECITAL
by Chloe Tucker
Friday, October 10, 2014
William Kanengiser is known to many in the classical guitar world as one of todayís most virtuosic players, and his recital October 10 in Sonoma Stateís new Schroeder Hall was a fine testimony to his stellar reputation. Mr. Kanengiser took the stage with all the charming felicity of a player who si...
Symphony
PROPULSIVE BERLIOZ AND CONSUMMATE CONDUCTOR STAR AT MARIN SYMPHONY
by Terry McNeill
Tuesday, September 30, 2014
Itís not an easy task to upstage the virtuoso cellist Zuill Bailey, but Marin Symphony conductor Alasdair Neale did it convincingly in a Sept. 30 concert at the Marin Center Auditorium. Mr. Bailey didnít easily relinquish the starring role and played an eloquent and urbane performance in St. SaŽnsí...
Symphony
INTOXICATING ORCHESTRAL SONORITIES
by Terry McNeill
Sunday, September 28, 2014
For the first Sunday afternoon concert of their 16th season, on Sept. 28, the Sonoma County Philharmonic presented an all-Russian program that spotlighted intoxicating orchestral sonorities and heroic conducting from Norman Gamboa. He opened with a stunning performance of Kabalevsky's snappy overtur...
Recital
THE BALLADE OF JUHO POHJONEN
by Terry McNeill
Sunday, September 14, 2014
Planning a piano program around a single theme or name can be tricky because cutesy connections can easily displace artistic merit. Fortunately, Juho Pohjonen's Sept. 14 recital in the inaugural "Sundays at Schroeder" concert was a textbook example of a successful theme--ballades--supported by wonde...
RECITAL REVIEW
Creative Arts Series / Sunday, March 18, 2012
Angela Cross, organ

Organists (l to r) Beth Zucchino, Angela Kraft Cross and Harold Julander March 18

ORGAN VIRTUOSITY IN CROSS' CREATIVE ARTS SERIES RECITAL

by James Harrod
Sunday, March 18, 2012

Bay area virtuoso organist Angela Kraft Cross favored Sonoma County organ fans with a bounteous floribunda of favorite organ classics in a March 18 recital at Santa Rosa's Resurrection Parish, produced by the Creative Arts Series.

Ms. Crossís robustly athletic program featured Bachís Fantasie and Fugue in G minor, BWV 542, and the chorale Christ, unser Herr, zum Jordan kam; Mendelssohnís Allegro, Chorale and Fugue in D; Schumannís Canons in A flat and B minor, Opus 56; Lisztís Prelude and Fugue on B*A*C*H*; and the popular Symphonie VI in G minor by Widor.

However, for a welcoming introduction, Ms. Cross played her own composition from 2009, A Joyous Celebration. This work is an exuberantly happy arrangement of canons dancing in perfect counterpoint. Although composed for the solemnity of a friendís wedding, one could imagine, when listening to this lovely invention, that the entire Bay Area morning commute had become suddenly giddy with springtime. We should hear it every morning on the radio. I recommend it.

This entire program was performed with unrelenting artistry, unhesitating tempo, and delicately articulated touch appropriate to each composer. The familiar standards of the organ literature were played note perfect and heart felt as if they could be immediate inventions of the performer.

The artist employed the organ sensitively and correctly underpowered for the instrumentís space. The Allen Renaissance Quantum digital organ has four separate and complete tonal resources for use: English Cathedral, French Romantic, American Classic, and Neo-Baroque.

Angela Kraft Cross is well known as a performing artist and promoter of organ performance in the San Francisco Bay Area. In addition to her music career, Ms. Cross is an ophthalmologist.