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Chamber
EVEREST AND A MAGIC STEED
by Sonia Morse Tubridy
Friday, June 24, 2016
Program three of SSU’s ongoing ChamberFest, directed by Jeffrey Kahane, was an afternoon concert and opened with Mozart's E-Flat Divertimento string trio, K. 563, a piece in its own category and a first of its kind when composed by Mozart in 1776. Many string quartets by that time been composed and ...
Chamber
MENDELSSOHN, SCHUBERT AND MOZART AGAIN SOAR IN SCHROEDER
by Sonia Morse Tubridy and Nicki Bell
Friday, June 24, 2016
Program four of ChamberFest 2016 was the second June 24 concert in one day, and there was an abundance of musical offerings and enrichment. Jeffrey Kahane and Jon Kimura Parker started the evening in Schroeder with Mendelssohn's A Major Andante and Allegro Brilliant, Op. 92, for piano four hands. Th...
Chamber
ACROSS VAST SPACES
by Sonia Morse Tubridy
Thursday, June 23, 2016
Program number two of this summer’s ChamberFest at Schroeder Hall June 23 was all one could wish for, second to none. Jeffrey Kahane and Jon Kimura Parker returned to play together, this time on two pianos. As they engagingly explained, it is a completely different experience than playing four hands...
Chamber
CHARM AND SMILES IN FIRST CHAMBERFEST CONCERT IN SCHROEDER
by Sonia Morse Tubridy
Wednesday, June 22, 2016
The Green Music Center’s summer ChamberFest, seven concerts in five days, opened June 22 to a jammed Schroeder Hall audience, and the initial concert was both delightful and exhilarating. In its second year, the current Festival features the chamber music of Mozart, Schubert and Mendelssohn, all m...
Opera
FROTHY FROLICKING AT CINNABAR'S MAGICAL FLUTE
by Terry McNeill
Saturday, June 11, 2016
Though having just two acts, Mozart’s Opera “The Magic Flute” encompasses a jumbled fairy tale plot with complicated staging and myriad performers in demanding vocal roles. Petaluma’s Cinnabar Theater took up the arduous challenge of this 1791 work, among Mozart’s last, in a series of performances ...
Symphony
A SOUND TO BEHOLD
by Steve Osborn
Saturday, May 07, 2016
Concert titles are rarely specific, but the one for the Santa Rosa Symphony’s May 7 concert, “Jazzy Impressions,” is as literal as they get. The first half consisted of two American pieces influenced by jazz, and the second of two French works in the impressionist style. Pairing two similar pieces ...
Recital
AT THE BOUNDARIES OF MUSICAL EXPLORATION
by Sonia Morse Tubridy and Nicki Bell
Friday, May 06, 2016
On May 6 at Weill Hall, pianist Yuja Wang gave a much-anticipated recital of Brahms, Schumann and Beethoven. This young artist has been heralded internationally for her brilliant virtuosic technique and sensational performances. In this recital, her first to focus on a Beethoven sonata, she played h...
Recital
A WANDERING MILLER IN SCHUBERT'S AGELESS CYCLE
by Mark Kratz
Sunday, April 24, 2016
The Green Center’s Weill Hall is a Sonoma County treasure that allows North Bay audiences to enjoy the world’s finest musicians against the backdrop of our grapevine-covered hills. German baritone Matthias Goerne and pianist Alexander Schmalcz presented a recital of Schubert’s song cycle "Die Schön...
Recital
EERIE SCHUBERT AND SOPORIFIC BRAHMS IN MIDORI RECITAL IN WEILL
by Terry McNeill
Saturday, April 23, 2016
California has long been a big part of Midori Goto’s career, and she now teaches and tours from the USC campus in Los Angeles. After never performing in Sonoma County, the violinist’s area debut April 23 in Weill was a moderate success before an audience of 800 that included a large sprinkling of s...
Choral and Vocal
EASTER AND ASCENSION ORATORIOS SOAR IN ABS MARIN CONCERT
by Joanna Bramel Young
Friday, April 22, 2016
Three baroque composers were brought together April 22 at the American Bach Soloists‘ offering of oratorios: Buxtehude, Johann Kuhnau and Bach. In Belvedere’s St. Stephen’s Church the ABS highlighted the sequence of influence for these three masters, displaying stunning choral singing, virtuoso in...
RECITAL REVIEW
Creative Arts Series / Sunday, March 18, 2012
Angela Cross, organ

Organists (l to r) Beth Zucchino, Angela Kraft Cross and Harold Julander March 18

ORGAN VIRTUOSITY IN CROSS' CREATIVE ARTS SERIES RECITAL

by James Harrod
Sunday, March 18, 2012

Bay area virtuoso organist Angela Kraft Cross favored Sonoma County organ fans with a bounteous floribunda of favorite organ classics in a March 18 recital at Santa Rosa's Resurrection Parish, produced by the Creative Arts Series.

Ms. Cross’s robustly athletic program featured Bach’s Fantasie and Fugue in G minor, BWV 542, and the chorale Christ, unser Herr, zum Jordan kam; Mendelssohn’s Allegro, Chorale and Fugue in D; Schumann’s Canons in A flat and B minor, Opus 56; Liszt’s Prelude and Fugue on B*A*C*H*; and the popular Symphonie VI in G minor by Widor.

However, for a welcoming introduction, Ms. Cross played her own composition from 2009, A Joyous Celebration. This work is an exuberantly happy arrangement of canons dancing in perfect counterpoint. Although composed for the solemnity of a friend’s wedding, one could imagine, when listening to this lovely invention, that the entire Bay Area morning commute had become suddenly giddy with springtime. We should hear it every morning on the radio. I recommend it.

This entire program was performed with unrelenting artistry, unhesitating tempo, and delicately articulated touch appropriate to each composer. The familiar standards of the organ literature were played note perfect and heart felt as if they could be immediate inventions of the performer.

The artist employed the organ sensitively and correctly underpowered for the instrument’s space. The Allen Renaissance Quantum digital organ has four separate and complete tonal resources for use: English Cathedral, French Romantic, American Classic, and Neo-Baroque.

Angela Kraft Cross is well known as a performing artist and promoter of organ performance in the San Francisco Bay Area. In addition to her music career, Ms. Cross is an ophthalmologist.