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Recital
NORTH GERMAN CHORALES WERE MUSIC FOR THE SOUL AT AGO RECITAL
by James Harrod
Sunday, August 28, 2016
Organist Paul Blanchard played an outstanding and instructive recital August 28 at Santa Rosa’s First Presbyterian Church. It was the fourth and last in a series of summer Sunday recitals featuring organists of the local chapter of the American Guild of Organists (AGO), and underwritten by the Churc...
Recital
FRESH AND LIVELY HANDEL ORGAN CONCERTOS IN AGO ARTIST RECITAL
by James Harrod
Sunday, August 21, 2016
Organist Beth Zucchino played a delightful recital of three Handel concertos August 21 at the First Presbyterian Church in Santa Rosa. This was the third in a series of summer Sunday recitals featuring organists of the local chapter of the American Guild of Organists (AGO). The program was three o...
Recital
INSPIRING INTERPRETATIONS IN DE SANTIS ORGAN RECITAL
by James Harrod
Sunday, August 14, 2016
Organist Greg de Santis played a delightful and expertly shaped recital of mostly familiar selections August 14 from the classical organ repertory at the First Presbyterian Church in Santa Rosa. The program opened with Mendelssohn’s C Minor Prelude and Fugue, Opus 37, No 1. The three preludes and ...
Recital
BALANCED VIRTUOSITY IN ATZINGER MMF RECITAL
by Terry McNeill
Saturday, July 16, 2016
Pianist Christopher Atzinger’s Mendocino Music Festival recital July 16 in the small Preston Hall looked formidable on paper larded with what might be said to be “non festival, non summer” music. There were no light Gershwin or Schubert dance works, and for some the six pieces from Brahms’ Op. 118 ...
Recital
OF ANGELS, DEMONS AND ENCORES
by Kayleen Asbo
Thursday, July 14, 2016
Each successive event at this summer’s Mendocino Music Festival has brought an unfolding cornucopia of delights. Elements of the exceptional three previous classical programs coalesced July 14 into a magnificent and singular tour de force when pianist Robert Henry traversed the entire topography of...
Recital
AT THE BOUNDARIES OF MUSICAL EXPLORATION
by Sonia Morse Tubridy and Nicki Bell
Friday, May 06, 2016
On May 6 at Weill Hall, pianist Yuja Wang gave a much-anticipated recital of Brahms, Schumann and Beethoven. This young artist has been heralded internationally for her brilliant virtuosic technique and sensational performances. In this recital, her first to focus on a Beethoven sonata, she played h...
Recital
A WANDERING MILLER IN SCHUBERT'S AGELESS CYCLE
by Mark Kratz
Sunday, April 24, 2016
The Green Center’s Weill Hall is a Sonoma County treasure that allows North Bay audiences to enjoy the world’s finest musicians against the backdrop of our grapevine-covered hills. German baritone Matthias Goerne and pianist Alexander Schmalcz presented a recital of Schubert’s song cycle "Die Schön...
Recital
EERIE SCHUBERT AND SOPORIFIC BRAHMS IN MIDORI RECITAL IN WEILL
by Terry McNeill
Saturday, April 23, 2016
California has long been a big part of Midori Goto’s career, and she now teaches and tours from the USC campus in Los Angeles. After never performing in Sonoma County, the violinist’s area debut April 23 in Weill was a moderate success before an audience of 800 that included a large sprinkling of s...
Recital
CHRISTIE RETURNS TO SCHROEDER WITH THE FAMILIAR AND THE NEW
by James Harrod
Sunday, April 17, 2016
Organist James David Christie returned to Schroeder Hall on the SSU campus April 17 to play an awesome concert of Baroque music on the Hall’s Brombough Opus 9 organ. The artist performed to a large appreciative and attentive audience, and presented both familiar and unknown musical selections from t...
Recital
OAKMONT 25TH ANNIVERSARY CONCERT FEATURES KAHANE'S SCHUBERT AND CHOPIN
by Terry McNeill
Sunday, April 10, 2016
Jeffery Kahane spreads his musical largess widely. Since leaving a Sonoma County residence for Colorado the pianist has returned often for performances, the most recent the wildly successful ChamberFest series at the Green Music Center last summer. April 10 found him again in Sonoma County, this t...
RECITAL REVIEW
Concerts Grand / Sunday, February 26, 2012
Lara Downes, piano

Lara Downes Playing Sheng's Variation Fugato Feb. 26 (Joan Louie Photo)

13 COMPOSERS CHASE BACH'S GOLDBERG ARIA AT LARA DOWNES' NEWMAN HALL RECITAL

by Terry McNeill
Sunday, February 26, 2012

A popular way to reach a wide classical audience is to find a musical niche, playing unfamiliar works with an uncommon passion. Lara Downes has been an ingratiating niche pianist for years, presenting programs of Roy Harris, William Balcom and Aaron Jay Kernis, and lately a unique recital built around Bach’s Goldberg Variations. Before a Newman Auditorium audience Feb. 26 Ms. Downes brought her “13 Ways of Looking at Goldberg” program in the fifth recital of the Concerts Grand season.

The set of 13 “re-imaginings” of the Goldberg (BWV 988) comes from 2004 and enlists 13 contemporary composers contributing works of fewer than four minutes related to the famous 32-measure aria. The composers are either well known names (Balcom, Higdon, Sheng, Del Tredici, Foss, Hersch, Gothóni) or obscure, but each sheds light on Bach’s melodic genius and along the way exemplifies manifold moods. The pianist’s verbal descriptions were pithy and informative.

Ms. Downes read from an I Pad electronic score throughout, each page actuated by a foot switch next to the piano’s shift pedal, but mostly she played scant attention to the notes. Her playing of the opening a closing Bach aria was brisk, more in the style of the 1955 Gould recording than the newly lauded Simone Dinnerstein reading. Especially notable in the unfolding panoply of contemporary renditions were Fred Lerdahl’s Chasing Goldberg and C. Curtis-Smith’s Rube Goldberg Variation. Here Ms. Downes played with a facile technique and a chaste tone, her pedaling and cross-hand execution deft. None of the works require an orchestral sound and the artist was content to underscore a natural progression of the 13, the actual order selected by Ms. Downes and recently recorded. She never seemed to be in a hurry to get anywhere and the lovely Melancholy Minuet of Fred Hersch was performed with a nostalgic glow.

After prolonged applause Ms. Downes offered a rare gem from the nonagenarian Dave Brubeck, a five-minute improvisatory piece that moved irresistibly through many keys and moods, the harmonies piquant. The juxtaposition of the encore with the 13 composers and the always contemporary Bach was adroit and convincing.

Ms. Downes substituted for the originally announced program of pianist Evgeni Mikhailov, who was unable to obtain a visa in Moscow.

The reviewer is the producer of the Concerts Grand series.