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Recital
WEILERSTEIN-BARNATAN DUO IN WEILL - REVIEW ONE
by Joel Cohen
Sunday, April 26, 2015
The MasterCard Performance Series in Weill Hall featured an April 26 recital by cellist Alisa Weilerstein and pianist Inon Barnatan. In Beethoven’s substantial D Major sonata, Op.102, No. 2, the duo were clearly at ease with both the technical demands of the writing and with each other. They show...
Recital
WEILERSTEIN-BARNATAN DUO IN WEILL - REVIEW TWO
by Robert Hayden
Sunday, April 26, 2015
This was one of those concerts which far exceeded my expectations. I have heard Alisa Weilerstein several times before, as a colleague in concerts with Jeffrey Kahane, but she has matured and is certainly now one of America’s pre-eminent cellists. Playing before a sadly half empty Weill Hall audie...
Recital
STELLAR TRIO PLAYS ICONIC CHAMBER WORKS IN WEILL HALL CONCERT
by Terry McNeill
Sunday, April 19, 2015
Virtuoso instrumentalists frequently get together in a trio for a few concerts with the resulting playing being exciting but the performance sounding a little unfinished. This was decidedly not what happened with the Mutter-Bronfman-Harrell Trio April 19 in Weill, as the two works on the program ha...
Recital
PERAHIA'S INTENSITY SHINES IN WEILL HALL RECITAL
by Terry McNeill
Saturday, March 07, 2015
Murray Perahia has built a long pianistic career based on performances of discernment, classical structure and impeccable taste. His playing always exudes a refinement and lapidary attention to musical detail. And so it was in his March 7 Weill Hall debut recital before an audience of 900, with a c...
Recital
MESMERIZING BACH AND CASALS IN MA'S WEILL HALL RECITAL
by Terry McNeill
Saturday, January 24, 2015
Cellist Yo Yo Ma’s warm friendship with North Coast audiences entered a new chapter Jan. 24 in a standing-room only and stage seats Weill Hall recital. Playing three Bach Suites for solo cello, Mr. Ma could have echoed the young Liszt’s famous comment, “the concert is me.” But the concert was real...
Recital
BRINGING NOTES TO SHIMMERING LIFE
by Terry McNeill
Sunday, January 18, 2015
David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire. They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, a...
Recital
GOING BAROQUE!
by James Harrod
Sunday, November 30, 2014
Virtuoso organist Charles Rus returned to the Bay Area and Sonoma County November 30th to perform a dazzling recital of Baroque organ music. Mr. Rus channeled the souls of the great 17th century giants of organ composition into the beautiful newly installed pipe organ in Sonoma State’s Schroeder Hal...
Recital
ROBUST PLAYING IN KENNER'S ANGELICO HALL DEBUT RECITAL
by Terry McNeill
Sunday, November 09, 2014
Europe-based Kevin Kenner chose a husky program for his Marin debut recital Nov. 9 in Dominican University’s Angelico Hall, and elected three masterpieces from the Romantic piano literature. Schubert’s C Major “Wanderer” Fantasy has nearly disappeared from recital programs, but it was a deft openi...
Recital
CHAMBER MUSIC MASTERY IN VALLEJO SYMPHONY ORCHESTRA CONCERT
by Elizabeth Warnimont
Sunday, November 09, 2014
The Vallejo Symphony Orchestra presented the first small group performance of its 2014-2015 season Nov. 9 in the casual setting of Vallejo’s First Presbyterian Church. Clarinetist Diane Maltester wowed the audience with stunning performances of pieces by well-known and rarely heard composers. “Dian...
Recital
FRANCK ORGAN WORKS SUBLIMELY PLAYED BY MANWELL IN CAS RECITAL
by Jim Harrod
Sunday, October 26, 2014
Organist Philip Manwell played a sublime recital of the major organ works of César Franck October 26 at Santa Rosa’s Resurrection Parish. The concert was a delightful treat both for those not acquainted with Franck’s organ music and for the many organists in the audience who have studied the Belgian...
RECITAL REVIEW
Concerts Grand / Sunday, February 19, 2012
Elizabeth MacDougall, piano

Elizabeth MacDougall Plays Debussy's Suite Feb. 19 at Mendocino College

MACDOUGALL'S PIANISM CHARMS MENDOCINO COLLEGE AUDIENCE FEB. 19

by Terry McNeill
Sunday, February 19, 2012

The adage that no woman is a prophet in her own home town was, as usual, proven false Feb. 19 when Ukiah native Elizabeth MacDougall gave a warmly satisfying piano recital in Mendocino College’s Choral Room under the auspices of Concerts Grand.

Ms. MacDougall’s artistry has long been admired in the Mendocino County community, and for this recital of three works her audience packed the small room and heard a committed and serious presentation, beginning with Bach’s G Minor English Suite, BWV 808. Ms. MacDougall is a thoughtful, focused player that pays attention to Bach’s pesky details and is liberal with repeats, though at times she lacks flamboyance. These salient qualities served her well in the set of dances that comprise the Suite. Her trills and turns throughout were clear, as was the articulation. The Courante was lovely with careful phrasing and, as with all the movements, she manages rock steady tempos. The Gigue sparkled and was judiciously played.

Debussy’s popular Children’s Corner Suite closed the first half and like the Bach Suite was prefaced by extended remarks from the artist. Composed in 1908 for his daughter, Debussy in six disparate movements encapsulates memories of his own childhood and suggests comparison with Schumann’s Kinderscenen and Faure’s Dolly Suite. The Dr. Gradus ad Parnassum section had clear chordal outlines and was built to a fine toccata-like conclusion, and Ms. MacDougall carried a relaxed approach into the famous Serenade for the Doll, heavily using the shift pedal and contrasting legato and staccato sections. The concluding Golliwog’s Cake Walk was played with spice, the jazzy harmonies accented and again the pace steady and deliberate.

Played from score as was the entire recital, Beethoven’s magnificent Sonata in E, Op. 109, comprised the entire second part. This restless but amiable work was played introspectively but without the wrenching espressivity that appears in the second movement's theme and six variations. Ms. MacDougall can spin a lovely cantabile and her pedaling was always clean, letting the music unfold naturally. What I missed was more flexibility in phrasing, as even the heavenly phrase that ends the work needed a more supple rhythm and touch.

Responding to a standing ovation, the pianist played Chopin's arristocratic C-Sharp Minor Waltz, Op. 64, No. 2

Ukiah musical benefactors Joan and George Louie underwrote the concert and hosted a lavish reception in their home, replete with music making at their two pianos and exceptional curry and dessert dishes. Praise for such musical support can go no higher.

The reviewer is the producer of the Concerts Grand series.