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Recital
MYER'S MENDO FESTIVAL RECITAL SPOTLIGHTS MOZART TO BALCOM
by Terry McNeill
Wednesday, July 22, 2015
Completing the Mendocino Music Festival’s piano series July 22 was an energetic recital by returning Festival artist Spencer Myer. The nearly full Preston Hall audience was treated to a program, announced from the piano, that had broad musical appeal and panache. Exploring the Festival’s Mozart t...
Recital
ELEGANT SCRIABIN, CHOPIN AND GRANADOS IN MENDO FESTIVAL RECITAL
by Terry McNeill
Thursday, July 16, 2015
Taiwanese pianist Ching-Yun Hu made a formidable Mendocino Music Festival debut recital July 16 in Mendocino’s Preston Hall. A full house warmly greeted the diminutive artist, and she responded with a pensive and then dramatic performance of Scriabin’s Sonata Fantasy, Op. 19. Writers refer to thi...
Recital
FRENCH ROMANTIC ORGAN MUSIC IN NUMINA RECITAL
by James Harrod
Friday, July 10, 2015
Etienne Walhain played a magical recital July 10 of organ music of Bach, Scarlatti and Franck. Displaying total command of the Church of the Incarnation’s Casavant instrument under his hands and feet, Mr. Walhain performed his program from memory with breath taking speed, accuracy, and clean articul...
Recital
TWO EXEMPLARY ORGAN RECITALS HIGHLIGHT CHAMBERFEST
by James Harrod
Sunday, June 28, 2015
Baroque music aficionados and organists were glued to their seats at Chamberfest’s June 27 and 28 when Malcolm Matthews performed two amazingly perfect recitals of Baroque organ music from North Europe of the 16th and 17th centuries. The two prodigious concerts included no less than 17 selections,...
Recital
WEILERSTEIN-BARNATAN DUO IN WEILL - REVIEW ONE
by Joel Cohen
Sunday, April 26, 2015
The MasterCard Performance Series in Weill Hall featured an April 26 recital by cellist Alisa Weilerstein and pianist Inon Barnatan. In Beethoven’s substantial D Major sonata, Op.102, No. 2, the duo were clearly at ease with both the technical demands of the writing and with each other. They show...
Recital
WEILERSTEIN-BARNATAN DUO IN WEILL - REVIEW TWO
by Robert Hayden
Sunday, April 26, 2015
This was one of those concerts which far exceeded my expectations. I have heard Alisa Weilerstein several times before, as a colleague in concerts with Jeffrey Kahane, but she has matured and is certainly now one of America’s pre-eminent cellists. Playing before a sadly half empty Weill Hall audie...
Recital
STELLAR TRIO PLAYS ICONIC CHAMBER WORKS IN WEILL HALL CONCERT
by Terry McNeill
Sunday, April 19, 2015
Virtuoso instrumentalists frequently get together in a trio for a few concerts with the resulting playing being exciting but the performance sounding a little unfinished. This was decidedly not what happened with the Mutter-Bronfman-Harrell Trio April 19 in Weill, as the two works on the program ha...
Recital
PERAHIA'S INTENSITY SHINES IN WEILL HALL RECITAL
by Terry McNeill
Saturday, March 07, 2015
Murray Perahia has built a long pianistic career based on performances of discernment, classical structure and impeccable taste. His playing always exudes a refinement and lapidary attention to musical detail. And so it was in his March 7 Weill Hall debut recital before an audience of 900, with a c...
Recital
MESMERIZING BACH AND CASALS IN MA'S WEILL HALL RECITAL
by Terry McNeill
Saturday, January 24, 2015
Cellist Yo Yo Ma’s warm friendship with North Coast audiences entered a new chapter Jan. 24 in a standing-room only and stage seats Weill Hall recital. Playing three Bach Suites for solo cello, Mr. Ma could have echoed the young Liszt’s famous comment, “the concert is me.” But the concert was real...
Recital
BRINGING NOTES TO SHIMMERING LIFE
by Terry McNeill
Sunday, January 18, 2015
David McCarroll and Roy Bogas opened the 2015 “Sundays at Schroeder” series at the Green Music Center Jan. 18 in a recital that featured admirable virtuosity and a provocative repertoire. They began with Mozart’s two-movement E Minor Sonata, K. 304. The work is at turns is sinister and tranquil, a...
RECITAL REVIEW
American Guild of Organists / Friday, February 10, 2012
Angela Kraft Cross, organ

Organist Angela Kraft Cross

ORGANIST CROSS PERFORMS HER WORKS AT REDWOOD AGO RECITAL

by Harold Julander
Friday, February 10, 2012

A “cross-section” of “angelic” compositions “krafted” by Angela Kraft Cross, virtuoso organist and composer, were presented by the artist Feb. 10 at Santa Rosa’s Church of the Incarnation.

The program, produced by the Redwood Chapter of the American Guild of Organists, included a variety of pieces composed over a 20-year period. Included were several fun compositions, Folk Hymn Fantasia on Lord of the Dance (1993), and All Hallows Voluntary (2010), the latter a modernized version of a typical English trumpet tune. Three introspective pieces, the Christmas compositions Les Bergers (1999) and Mary Magnificat (2010), and I Thirst (2011) (written for Lent) followed. Ms. Cross then played two dramatic works, Courage in a Time of Struggle (2011), written for the 10th anniversary of 9-11-2001, and Homage to Henry Nouwen: From the House of Fear to the House of Love” (2008).

All of the compositions were approachable and descriptive of their intention, and Ms. Cross was able to draw out of the Church of the Incarnation 33-rank pipe organ registrations that clearly matched with the moods and descriptive intent. These compositions are not without technical challenges, and this artist met these head on, executing runs on the pedals and leaps on the keyboards.

The program was part Twilight Pipe Organ Recital Series at Incarnation, Santa Rosa. In March, Robert Huw Morgan, Stanford University Organist, will play an all Bach program March 9, followed the next day with a workshop on Bach’s music. The workshop begins at 10:00 a.m. and includes lunch, and is co sponsored with the Redwood AGO. For more information, please contact Harold Julander at bach4m3@sonic.net or 707-694-1896.