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Chamber
A DRAMATIC THIRD TIME FOR THE LINCOLN AT OAKMONT
by Terry McNeill
Thursday, August 12, 2010
Beginning the fall chamber music season August 12 in Oakmont, Chicago’s Lincoln Trio played a disparate and demanding program with consummate artistry before 200 in Berger Auditorium. But it was not the previously announced program, as the group, in their third appearance on the Oakmont Concert Seri...
Recital
DISCOVERY AND EDUCATION IN FESTIVAL DUO RECITAL
by Elizabeth MacDougall
Tuesday, July 20, 2010
San Francisco pianists Paul Hersh and Teresa Yu presented a Mendocino Music Festival program July 20 titled “Reflections and Variations.” Mr. Hersh is known at the Festival for his professorial introductions to a performance of Bach’s Well-Tempered Clavier (Book 1) and in 2011 he will perform Book 2...
MYER PLAYS ELEGANT RECITAL AT MENDOCINO FESTIVAL
by Elizabeth MacDougall
Friday, July 16, 2010
Substituting for the announced soloist, Jade Simmons, American pianist Spencer Myer played a convincing recital in the Mendocino Music Festival’s Piano Series July 16 before in Mendocino’s breezy Preston Hall Mr. Myer, a recent competitor and prize winner in national competitions, began his concert...
Recital
ROBERTS PLAYS UNEVEN RECITAL AT MENDOCINO FESTIVAL
by Terry McNeill
Sunday, July 11, 2010
British pianist Paul Roberts played a recital in two disparate parts July 11 in Mendocino Music Festival’s piano series in Preston Hall. Before 65 people Mr. Roberts planned the initial part around music of Ravel and Liszt, each with extensive descriptive titles. The pieces were preceded by a l...
Symphony
ALL RUSSIAN PROGRAM LAUNCHES 24TH MENDOCINO FESTIVAL SEASON
by Terry McNeill
Saturday, July 10, 2010
In a high-energy program of Russian music, conductor Allan Pollack and his Festival Orchestra opened the 24th Mendocino Music Festival season in grand style July 11 in the massive white tent on the Mendocino headlands bluff. Even before the downbeat for the Shostakovich “Festival Overture,” Op. 96,...
PIANISTIC PANACHE AT A RIPE OLD AGE
by Kenn Gartner
Thursday, July 01, 2010
At last, an old fashioned pianist! Eighty persons attended Frank Glazer’s recital July 1 which, to this perpetual piano student, was worth twenty piano lessons. Asked why he does not retire, Mr. Glazer pointed out he is beginning to like the sound he creates on his instrument, and he is now 95. ...
Recital
A BIT OF GRACE IN SANTA ROSA
by James R Harrod
Friday, June 11, 2010
The June 11 evening recital by organist Douglas DeForeest at the Church of the Incarnation in Santa Rosa featured six meditative selections from the compositions of Richard Purvis (1913-1994), the organist of Grace Cathedral in San Francisco from 1947 to 1971. DeForeest, dean of the Redwood Empire ...
PIANISTIC DRAMA OVERCOMES SUBTLETY IN OAKMONT RECITAL
by Terry McNeill
Thursday, June 10, 2010
Ukrainian pianist Elena Ulyanova made her Sonoma County debut June 10 in an Oakmont Concert Series recital that was conventional in repertoire but quite agitating in performance. The pieces played were nearly a reprise of her November, 2008 recital in Tiburon’s St. Hilary Church, sans the big Rachm...
Opera
HENNESSEY TRIUMPHS IN CINNABAR'S WEST COAST PREMIERE OF TOBIAS PICKER'S EMMELINE
by Richard Riccardi
Friday, May 28, 2010
Cinnabar Theater continues to excel in the Northern California music world. This small company has once again raised the musical and theatrical bar in their terrific production of Tobias Picker’s 1996 opera “Emmeline” that opened a West Coast premiere May 28 to a boisterous full house in their smal...
FRIENDSHIP ABOUNDS IN UKIAH SYMPHONY CONCERT
by Elizabeth MacDougall
Saturday, May 15, 2010
In a pair of concerts closing the 30th season, the Ukiah Symphony performed March 15 and 16 just two works with the programmatic theme “A Close Friendship.” And it was altogether a cordial event as 20-year veteran conductor Les Pfutzenreuter led strong performances of works of Brahms and Dvorak. Sa...
RECITAL REVIEW
American Guild of Organists / Friday, April 09, 2010
Harold Julander,organ

Church of the Incarnation Organist Harold Julander at the Cassavant (photo: R. Crockett)

RARE GERMAN ORGAN PRELUDES PLAYED AT INCARNATION BY JULANDER

by James Harrod
Friday, April 09, 2010

Church of the Incarnation organist Harold Julander played an outstanding recital of German chorale preludes April 9 on the Church’s Caassavant instrument. The program consisted of preludes by Bach, Mendelssohn, Max Drischner, Max Bornefeld, Ernst Pepping, and Jan Bender. Mr. Julander interpreted and the compositions with masterful ease and obvious familiarity with the genre.

The chorale prelude (Vorspiel in German) is a staple of the organ repertory, where the melody line of a popular hymn or folk tune is made the subject for the composer’s improvisation, sometimes composed in real time, on the spot. The improvisation then serves as an introduction to the singing of the chorale or may serve as a stand-alone organ voluntary.

Mr. Julander selectively “pulled out all the stops” to illustrate the special character of the melodic motif of each composition as well as the character of the composer’s era. The chorales included the familiar themes: Aus Tiefer Not, Es ist ein Rose, Wachet Auf, In Dir Ist Freude, Gelobt Sei Dank, Mit Freud en Zart, and Wie soll Ich Dich Empfangen.

The concert, part of the series produced by the Redwood Chapter of the American Guild of Organists, concluded with Bender’s exciting and somber Variations on a Theme of Hugo Distler, Op. 38. This complex work voices a somber complaint against all warfare, echoing the words by Martin H. Franzmann in the hymn Weary of All Trumpeting. The composer was a war resister in Northern Germany during World War II and an associate of Distler, a seminal composer of choral and organ music. Mr. Julander played Bender’s composition with robust solo and ensemble organ reeds and generated a stirring reading.

Twilight Mini Recitals at the Church of the Incarnation will continue May 14 at 6 p.m.
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