Home  Reviews  Articles  Calendar  Presenters  Add Event     
Recital
FRESH AND LIVELY HANDEL ORGAN CONCERTOS IN AGO ARTIST RECITAL
by James Harrod
Sunday, August 21, 2016
Organist Beth Zucchino played a delightful recital of three Handel concertos August 21 at the First Presbyterian Church in Santa Rosa. This was the third in a series of summer Sunday recitals featuring organists of the local chapter of the American Guild of Organists (AGO). The program was three o...
Recital
INSPIRING INTERPRETATIONS IN DE SANTIS ORGAN RECITAL
by James Harrod
Sunday, August 14, 2016
Organist Greg de Santis played a delightful and expertly shaped recital of mostly familiar selections August 14 from the classical organ repertory at the First Presbyterian Church in Santa Rosa. The program opened with Mendelssohn’s C Minor Prelude and Fugue, Opus 37, No 1. The three preludes and ...
Chamber
WILKINSON PERFORMS IN PRESBYTERIAN CHURCH ORGAN RECITAL
by James Harrod
Sunday, August 07, 2016
Organist Cathryn Wilkinson played a delightfully warm and entertaining recital of mostly organ transcriptions August 7 at the First Presbyterian Church of Santa Rosa. The music was happy and cheerful despite the dry church acoustics, and was intelligently and carefully played. The only missing eleme...
Chamber
19TH CENTURY STAR POWER AT VOM MUSIC FESTIVAL
by Terry McNeill
Saturday, July 30, 2016
In the penultimate concert July 30 of the Valley of the Moon Music Festival’s second season, the compositions of Schubert. Rossini and Beethoven were featured in a program titled "Star Power in the 19th Century." Iron Horse Vineyards provided the reception’s wines. Classical Sonoma was unable ...
Chamber
PIANOSONOMA SERIES OPENS WITH ECHT GERMAN ROMANTICISM
by Terry McNeill
Tuesday, July 26, 2016
PianoSonoma’s second season in SSU’s Schroeder Hall began July 26 with a mixed program under the series appellation “Vino & Vibrato.” The set of student workshops and concerts, headed by Juilliard School pianists Jessica and Michael Shinn, puts artists in residence in close contact with Sonoma Coun...
Symphony
BACH'S MIGHTY MASS ENDS MENDOCINO FESTIVAL
by Paula Mulligan
Saturday, July 23, 2016
For the final concert of the Mendocino Music Festival July 23 Alan Pollack conducted the Festival Orchestra and Chorus in just one work, Bach’s B Minor Mass.  The orchestra, much reduced in size to suit the needs of the sparser scoring and the character of the composition’s period, ably supported th...
Chamber
SCHUBERT'S THEMES OF YOUTH AND DEATH AT VOM MUSIC FESTIVAL CONCERT
by Sonia Morse Tubridy
Saturday, July 23, 2016
The beautiful new Hanna Boys Center auditorium in Sonoma Valley was the setting for the July 23 concert of the Valley of the Moon (VOM) Music Festival, now in it’s second year. Directors Tanya Tomkins and Eric Zivian have created a Festival of Classical and Romantic repertoire played on period inst...
Other
LATE BEETHOVEN EXPLORED AT MMF CONCERT IN PRESTON HALL
by Paula Mulligan
Thursday, July 21, 2016
The Mendocino Music Festival performance in Preston Hall July 22 was titled “Late Beethoven,” and was the final presentation in the tribute to the composer that was part of this year’s Festival.  Pianist Susan Waterfall has been giving a series of lecture dealing with Beethoven’s life and music, and...
Symphony
HEROISM AND SUBTLETY IN ALL-BEETHOVEN MMF CONCERT
by Paula Mulligan
Wednesday, July 20, 2016
Much of the emphasis of this year’s Mendocino Music Festival has been about Beethoven, and a series of small venue performances with Beethoven lectures by Festival co-director Susan Waterfall preceded the July 20 orchestra performance in the big tent on Mendocino’s main street. From the opening bar...
Chamber
PERIOD INSTRUMENT SOUND AT VOM FESTIVAL'S OPENING CONCERT AT HANNA CENTER
by Terry McNeill
Sunday, July 17, 2016
Every summer music festival has a unique character, and the Valley of the Moon Music Festival in Sonoma has the singular character of stressing period instruments that sound well for mostly period repertoire. In the Festival’s opening concert July 17 this was best in evidence for two Beethoven wor...
RECITAL REVIEW
Creative Arts Series / Sunday, November 01, 2009
"For The Hallows, Saints and Souls"
Leon W. Couch III, Organist

Creative Arts Series' Beth Zucchino with Organist Leon W. Couch III (photo by Roy Crockett)

COLORFUL VIRTUOSITY IN COUCH ORGAN RECITAL

by Jim Harrod
Sunday, November 01, 2009

Sonoma County hosted a magnificent exposition of the art of organ playing and interpretation on November 1 by Leon W. Couch III. Performing at the organ console of Resurrection Catholic Church in Santa Rosa and sponsored by the Creative Arts Series, Mr. Couch performed a selection of organ classics with remarkable virtuoso expertise.

The eclectic program included Buxtehude’s Praeludium in F-sharp Minor, (Bux WV 146, c 1690), Pachelbel’s Variations on Aria Sebaldina (Hexachordum Apollinis, 1699), Bach’s famous Toccata in F Major (BWV 540/1, 1707), Janet Linker’s Theme and Variations on “O Waly, Waly” (1999) and the Aria and Finale from Vierne’s Organ Symphony No. 6 in B, Op. 59 (1930).

Mr. Couch’s sensitive registration of organ stops for each of the selections was clearly the result of extensive scholarship in the selected music. The Buxtehude and the Pachelbel were performed with a large variety of flute and mutation stops typical of the north German Baroque instruments still existent today, and the Buxtehude was played with a restrained registration not often conceptualized by non-professional organists. The popular Bach Toccata was “candy-on-a-stick” with an electrically rapid pedal technique.

The only contemporary composition on the program, Janet Linker’s hymn variations “O Waly, Waly,” not only wAS beautiful but demonstrative of the organ’s flexibility in multiple musical genres. Selections from the Vierne symphony concluded the program with yet another display of outstanding pedal technique finger wizardry.

The Allen digital electronic instrument at Resurrection Parish and its excellent installation was well suited for this program. The organ has two sets of digitally sampled sounds of organ stops, one north European Baroque and one French, providing appropriate authentic voices for each of the pieces played. Mr. Couch’s program came to the audience complete with copious and scholarly program notes and spoken explanations and anecdotes by the artist before each selection. It was evident by this why he was named the Montague Teaching Excellence Scholar at Texas A & M in 2006. A most satisfying recital by a master colorist.

Redwood Empire AGO Chapter Dean Carolyn Wiester attend the recital:

This program was yet another of emotional magnitude for me, as the perfection of organ technique and interpretation by Mr. Couch was stunning. The beauty of thy stained glass windows in the church as the sun was receding was reflected in the pieces chosen by the organist, from melodic tones of minor keys in the Buxtehude and Pachelbel, to the glorious Bach Toccata.

After the European flavor of the first works, I was pleased by the contemporary American selection that included theater organ style, gospel, smaltzy jazz and sounds of Gershwin. And then finally to Paris, the seat of 19th-Century French organ music, with Vierne’s characteristic chromatic style. I could envision myself moving from the grandeur of Notre Dame’s huge cathedral to the more earthy show of spirited girls and Gallic fanfare. It was a magical organ experience.