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Recital
A WANDERING MILLER IN SCHUBERT'S AGELESS CYCLE
by Mark Kratz
Sunday, April 24, 2016
The Green Center’s Weill Hall is a Sonoma County treasure that allows North Bay audiences to enjoy the world’s finest musicians against the backdrop of our grapevine-covered hills. German baritone Matthias Goerne and pianist Alexander Schmalcz presented a recital of Schubert’s song cycle "Die Schön...
Recital
EERIE SCHUBERT AND SOPORIFIC BRAHMS IN MIDORI RECITAL IN WEILL
by Terry McNeill
Saturday, April 23, 2016
California has long been a big part of Midori Goto’s career, and she now teaches and tours from the USC campus in Los Angeles. After never performing in Sonoma County, the violinist’s area debut April 23 in Weill was a moderate success before an audience of 800 that included a large sprinkling of s...
Choral and Vocal
EASTER AND ASCENSION ORATORIOS SOAR IN ABS MARIN CONCERT
by Joanna Bramel Young
Friday, April 22, 2016
Three baroque composers were brought together April 22 at the American Bach Soloists‘ offering of oratorios: Buxtehude, Johann Kuhnau and Bach. In Belvedere’s St. Stephen’s Church the ABS highlighted the sequence of influence for these three masters, displaying stunning choral singing, virtuoso in...
Recital
CHRISTIE RETURNS TO SCHROEDER WITH THE FAMILIAR AND THE NEW
by James Harrod
Sunday, April 17, 2016
Organist James David Christie returned to Schroeder Hall on the SSU campus April 17 to play an awesome concert of Baroque music on the Hall’s Brombough Opus 9 organ. The artist performed to a large appreciative and attentive audience, and presented both familiar and unknown musical selections from t...
Choral and Vocal
CHANTICLEER SINGS TO THE MOON IN WEILL HALL CONCERT
by Sonia Morse Tubridy
Saturday, April 16, 2016
The renowned male a cappella  Chanticleer choir presented an "Over the Moon" program April 15 at the Green Music Centers Weill Hall.  The audience, including many choral music cognoscenti, was entranced by a varied and enriching program spanning centuries and continents. The theme of the evening was...
Symphony
SPANISH SPLENDOR IN SO CO PHIL'S SEASON FINALE CONCERT
by Terry McNeill
Sunday, April 10, 2016
Two program staples for the Sonoma County Philharmonic have been works of a Latin flavor, and spotlighting local soloists. Conductor Norman Gamboa has mounted intriguing Central American, Mexican and Spanish works for years, and flutist Kathleen Lane Reynolds, pianists Alice Zhu Lauren Xie, and tro...
Recital
OAKMONT 25TH ANNIVERSARY CONCERT FEATURES KAHANE'S SCHUBERT AND CHOPIN
by Terry McNeill
Sunday, April 10, 2016
Jeffery Kahane spreads his musical largess widely. Since leaving a Sonoma County residence for Colorado the pianist has returned often for performances, the most recent the wildly successful ChamberFest series at the Green Music Center last summer. April 10 found him again in Sonoma County, this t...
Symphony
COLORFUL FALLA AND PROVOCATIVE BRITTEN WORKS IN SRS WEILL HALL CONCERTS
by Terry McNeill
Monday, April 04, 2016
Current fashion in orchestra season marketing showcases themes, and it’s de rigueur now, from the fledgling Sonoma County Philharmonic to the august San Francisco Symphony. Some of these themes are inane, but the Santa Rosa Symphony’s set of three concerts beginning April 2, with the event ...
Recital
LISZT AND CHOPIN THE VEHICLE FOR ELEGANT PIANISM IN WATTS' WEILL HALL RECITAL
by Nicki Bell
Friday, April 01, 2016
In the public eye for more than 50 years, Andre Watts is a legendary American pianist from the bygone era of William Kapell and Gary Graffman. Dressed in concert tails, old fashioned now to some, he reverted April 1 to a another long ago virtuoso’s choice by bringing to his Weill Hall recital his o...
Choral and Vocal
RUTTER REQUIEM PERFORMANCE ENNOBLES GOOD FRIDAY CONCERT AT INCARNATION
by Terry McNeill
Friday, March 25, 2016
There is a lot to like in John Rutter’s Requiem. Composed in 1985, it’s arguably the most performed large choral work of recent times, and it was a labor of love for choral director Carol Menke’s musicians in a memorable Good Friday concert in Santa Rosa’s Church of the Incarnation. Splendid Requi...
SYMPHONY REVIEW

Pianist Keisuke Nakagoshi

MARIN SYMPHONY LAUNCHES SEASON WITH GERSHWIN PROGRAM

by Donna Kline
Sunday, October 04, 2009

The alluring and always enduring music of the American composer George Gershwin thrilled a capacity audience at the Marin Symphony season’s opening concert Oct. 4. While the composer is widely known for many popular tunes in his time, his musical genius is also sharply obvious in his orchestral works and more serious musical forms. Four of these works were heard in the Marin Center, captivating the audience.

The Cuban Overture, composed in 1931, was an inspiration from a brief visit to Havana where Gershwin endeavored to capture the rhythms of the Cuban Rumba. It is a relatively short work where the composer combined the Cuban rhythms with his own thematic material. Conductor Alasdair Neale led this rhythmic symphonic overture with great aplomb, a perfect opening to set the mood for an evening that was to be as distinctive as Gershwin’s unique talents. Special praise should also go to the principal clarinet and oboe performers as well as the outstanding percussion section.

The orchestra’s performance of Catfish Row Suite, an outgrowth of Gershwin’s opera “Porgy and Bess” (his last major work), was also a tour de force reading. Mr. Neale was in full command and control, consummate with section balancing. This suite is a carefully constructed musical précis of the opera score, as Gershwin took five sections from the opera and bridged them skillfully into a beautiful symphonic suite. All the familiar songs from the opera were performed, either by the orchestra or performed as solos. Concertmaster Jeremy Constant’s rendition of Summertime, banjo player Glen Deardorff’s interpretation of I Got Plenty of Nuttin’, and pianist Heather Creighton’s solo parts were piquant and telling..

Gershwin’s Rhapsody in Blue was the composer’s first attempt to write classical music in a popular style. And since the initial performance in 1924, Rhapsody in Blue has remained his most loved and frequently heard work in the literature for piano and orchestra. The pianist in this performance, Keisuke Nakagoshi, made his Marin Symphony debut and nimbly performed the piece with adroit musicality. From the opening clarinet glissando to the beautiful jazz and blues melodies, Mr. Nakagoshi blended into the orchestral fabric and displayed a consummate octave technique. A standing ovation was the reward for a stunning performance.

Completed in 1928, an American in Paris is the only known orchestral work from Gershwin with a detailed program. Inspired by a visit to Europe, Gershwin probably composed this work to describe an American tourist walking along a Parisian boulevard. The Rue de Harp? The Champs de Elyse? Near the Ile de Cite? From the angry noise of Paris taxi horns in the percussion section to the blues-like melody that follows, the orchestra kept the audience’s rapt attention. Under Mr. Neale’s leadership the orchestra captured the essence of post-war Paris in sound, sometimes perplexing and always exciting.

It was an auspicious open to the new season Last night’s opening concert was an inspiring and provocative beginning to the new concert season.